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Antoni, Janine --- Barton, Nancy --- Diedrich, Louise --- Edmier, Keith --- Estrada, Victor --- Flanagan Bob --- Rose, Sheree --- Ashton Harris, Lyle --- Udé, Iké --- Hawkins, Richard --- Johnson, Larry --- Koons, Jeff --- Kusama, Yayoi --- Landers, Sean --- Morimura, Yasumasa --- Schorr, Collier
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Art styles --- Iconography --- Sculpture --- Photography --- photography [process] --- utopias --- culture [concept] --- Nature --- sculpting --- Postmodern --- Welling, James --- Bierstadt, Albert --- Cypis, Dorit --- Johnson, Larry --- Wasow, Oliver --- Webster, Meg --- Wall, Jeff --- Gober, Robert --- Simpson, Lorna --- Prince, Richard --- anno 1900-1999 --- anno 2000-2099
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Iconography --- Art --- installations [visual works] --- art [discipline] --- scripts [writing] --- Marshall, Kerry James --- Drew, Leonardo --- Gonzales-Torres, Felix --- Johnson, Larry --- Leirner, Jac --- Smith, Anna Deavere --- Steinman, Barbara --- Wall, Jeff --- Marden, Brice --- Salcedo, Doris --- Celmins, Vija --- Dittborn, Eugenio --- Graham, Rodney --- Hamilton, Ann --- Kuitca, Guillermo --- Zittel, Andrea --- anno 1900-1999 --- America
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Art styles --- Iconography --- Art --- History --- art history --- scripts [writing] --- Conceptual --- vrouwelijke kunstenaar --- Warhol, Andy --- Wilke, Hannah --- Balk, Dennis --- Bender, Gretchen --- Haacke, Hans --- Heap of Birds, Hachivi Edgar --- Johnson, Larry --- Kolbowski, Silvia --- Weiner, Lawrence --- Arakawa, Shusaku --- Lichtenstein, Roy --- Ruscha, Ed --- Holzer, Jenny --- Kelly, Mary --- Kruger, Barbara --- Lawler, Louise --- Nauman, Bruce --- Rosler, Martha --- Baldessari, John --- Barry, Robert --- Piper, Adrian --- Prince, Richard --- Kosuth, Joseph --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- anno 1900-1999
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Iconography --- Art --- Painting --- Photography --- Film --- History --- assemblages [sculpture] --- installations [visual works] --- painting [image-making] --- photography [process] --- art history --- video art --- scripts [writing] --- kunst en politiek --- Welling, James --- Barry, Judith --- Baim, Richard --- Beckman, Ericka --- Bender, Gretchen --- Brauntuch, Troy --- Johnson, Larry --- Jones, Ronald --- Nagy, Peter --- Simmons, Laurie --- Syrop, Mitchell --- Steinbach, Haim --- Koons, Jeff --- Lawson, Thomas --- Sherman, Cindy --- Kelley, Mike --- Holzer, Jenny --- Longo, Robert --- Birnbaum, Dara --- Charlesworth, Sarah --- Kruger, Barbara --- Lawler, Louise --- Levine, Sherrie --- McCollum, Allan --- Mullican, Matt --- Bloom, Barbara --- Prina, Stephen --- Goldstein, Jack --- Prince, Richard --- Williams, Christopher --- anno 1980-1989 --- anno 1900-1999 --- United States of America
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Art styles --- Iconography --- Art --- Photography --- History --- assemblages [sculpture] --- installations [visual works] --- photography [process] --- art history --- scripts [writing] --- Postmodern --- Leonard, Zoe --- Rousse, Georges --- Bender, Gretchen --- Johnson, Larry --- Lemieux, Annette --- Levine, Jill --- Oulton, Thérèse --- Simmons, Laurie --- Burgin, Victor --- Boltanski, Christian --- Byars, James L. --- Steinbach, Haim --- Koons, Jeff --- Lawson, Thomas --- Penone, Giuseppe --- Klein, Yves --- Sherman, Cindy --- Kiefer, Anselm --- Merz, Mario --- Schütte, Thomas --- Holzer, Jenny --- Longo, Robert --- Bickerton, Ashley --- Gilbert and George --- Halley, Peter --- Kapoor, Anish --- Kounellis, Jannis --- Kruger, Barbara --- McCollum, Allan --- Merz, Gerhard --- Noland, Cady --- Rollins, Tim --- Baldessari, John --- Beckley, Bill --- Bloom, Barbara --- Förg, Günther --- Mucha, Reinhard --- Salle, David --- Wodiczko, Krysztof --- Solano, Susana --- Lavier, Bertrand --- Poirier, Anne --- anno 1980-1989 --- anno 1900-1999 --- anno 2000-2099
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Timely and wide-ranging, this volume explores in-depth the theme of destruction in international contemporary art. While destruction as a theme can be traced throughout art history, from the early atomic age it has remained a pervasive and compelling element of contemporary visual culture. Damage Control features the work of more than 40 international artists working in a range of media--painting, sculpture, photography, film, installation, and performance--who have used destruction as a means of responding to their historical moment and as a strategy for inciting spectacle and catharsis, as a form of rebellion and protest, or as an essential part of re-creation and restoration. Including works by such diverse artists as Jean Tinguely, Andy Warhol, Bruce Conner, Yoko Ono, Gordon Matta-Clark, Pipilotti Rist, Yoshitomo Nara, and Laurel Nakadate, the book reaches beyond art to enable a broader understanding of culture and society in the aftermath of World War II, under the looming fear of annihilation in the atomic age, and in the age of terrorism and other disasters, real and imagined.
sculpting --- violence --- Auto-destructive art --- photography [process] --- destruction --- video recordings --- painting [image-making] --- Art --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- destructie --- Superflex --- The Otolith group --- Jankowski Christian --- Grimonprez Johan --- Gaillard Cyprien --- Ant farm --- Aitken Doug --- Wool Christopher --- Warhol Andy --- Wall Jeff --- Varian Elayne H. --- Tinguely Jean --- Sola Joe --- Ruscha Ed --- Ruff Thomas --- Rist Pipilotti --- Rauschenberg Robert --- Montañez Ortize Raphael --- Ono Yoko --- Odermatt Arnold --- Nara Yoshitomo --- Nakadate Laurel --- Muñoz Juan --- Metzger Gustav --- McQueen Steve --- Matta-Clark Gordon --- Marclay Christian --- Langsdorf Martyl --- Landy Michael --- Klein Yves --- Johnson Larry --- Hersey John --- Hatoum Mona --- Gersht Ori --- Gordon Douglas --- Friedman Dara --- Lichtner Marvin --- Farrell Barry --- Edgerton Harold --- Durant Sam --- Demand Thomas --- Delahaye Luc --- Crawford Ralston --- Conner Bruce --- Chapman Dinos --- Chapman Jake --- Celmins Vija --- Cantor Mircea --- Burden Chris --- Bonestell Chesley --- Beshty Walead --- Baldessari John --- 7.038/039 --- Arden Roy --- Weiwei Ai --- oorlog --- geweld --- Exhibitions --- Anger in art --- Art and society --- Art, Modern --- Anger in art. --- Art and society. --- Themes, motives --- Themes, motives. --- 1900-2099. --- destruction [process] --- Varian Elayne H --- video recordings [physical artifacts]
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Pictures that are made, not taken, are the focus of this exciting collection of works by 90 American artists who are using appropriation, computer technology, performance, and numerous other sources of inspiration to stretch the limits and expand the possibilities of photographic art. "Perhaps in the future," Man Ray suggested to Duchamp, "photography would replace all art." The Photography of Invention hints at that future by documenting a decade of startling new work in American photography: work that challenges the accepted hierarchy of the arts and, arguably, establishes photography as the equal of the other arts. Pictures that are made, not taken, are the focus of this exciting collection of works by 90 American artists who are using appropriation, computer technology, performance, and numerous other sources of inspiration to stretch the limits and expand the possibilities of photographic art. The selection of nontraditional pictures includes works by some of the decade's most interesting experimenters—Cindy Sherman, Sherrie Levine, Richard Prince, Barbara Kruger, William Christenberry, Louise Lawler, Stefan Roloff, and others who create or manipulate the subject photographed. Photography has traditionally been used to capture experience and create images; these works, however, examine preexisting images or image styles that dominate our culture. As Joshua Smith points out "mass media and popular culture advertising, fashion movies, television, video, and other electronic media have made the world photographic, become the common language, and shaped a generation's visual and critical viewpoint." Rather than commenting on or representing life, photography is now an independent art form that has expanded the creative vocabulary of contemporary artists. These "made" pictures encompass a variety of styles and techniques: the artists may fabricate or arrange the subject matter for the camera; invent or subvert traditional styles; present themselves in fictive roles invoking allegory or myth, fantasy and illusion; reassemble existing art objects in new contexts; make the psychic appear real and the real hyperreal. Many pictures are made in the usual optical/chemical manner, creating a tension between the obviously manipulated subject and the inherent "truth" of the photographic print; while others are made by the unconventional use of equipment, processes, and materials that intentionally deny the perfect print There are photograms, photocollages, light drawings, chemical images, marked or painted on negatives, photosilkscreens and photolithographs, and new high tech computer-generated imagery.
Photography, Artistic --- Stillman Steel --- Syrop Mitchell --- Thorne-Thomsen Ruth --- Tracey Andrée --- twintigste eeuw --- Verenigde staten --- Wasow Oliver --- Watts Todd --- Weiss Jeff --- Winokur Neil --- Witkin Joel-Peter --- Wodiczko Krzysztof --- Wood Brian --- 77.038 --- Adams Dennis --- Akin Gwen --- Augeri Lynne --- Barney Tina --- Bell Dianne --- Berman Zeke --- Bernard Cindy --- Brooks Ellen --- Bryant Elizabeth --- Bunn David --- Burson Nancy --- Callis Jo Ann --- Carey Ellen --- Carlson Lance --- Casebere James --- Charlesworth Bruce --- Charlesworth Sarah --- Chong Albert --- Christenberry William --- Clegg & Guttmann --- Coleman Judy --- Coplans John --- Cowin eileen --- Cypis Dorit --- De Sana James --- Divola John --- Dunning Jeanne --- Essay by Joshua P.Smith ; Intr. by Merry A. Foresta --- Ess Barbara --- Evergon --- Farrell John W --- fotografie --- Frailey Stephen --- Fuss Adam --- Galgiani Philip --- Gerlovina Rimma --- Goldring Nancy --- Gonzalez Maria --- Haber Sandra --- Hayden Jacqueline --- Hellebrand Nancy --- Jaar Alfredo --- Johnson Larry --- Kasten Barbara --- Kolbowski Sylvia --- Kruger Barbara --- Laster Paul --- Lawler Louise --- Leatherdale Marcus --- Legrady George --- Lemieux Annette --- Levine Sherrie --- Levinthal David --- Ludwig Allan --- Majore Frank --- Maul Tim --- McCollum Allan --- Nagatani Patrick --- Neidich Warren --- Novak Lorrie --- Perlman Hirsch --- Perna Luciano --- Potter Tina --- Prince Richard --- Rankaitis Susan --- Robbins David --- Rodan Ron --- Rodriguez Geno --- Roloff Stefan --- Rowland Anne --- Rubenstein Meridel --- Salinger Adrienne --- Sandrow Hope --- Schlesinger John --- Schrager Victor --- Schwartz Elliot --- Serrano Andres --- Sherman Cindy --- Simmons Laurie --- Skoglund Sandy --- Stark Sandra --- Starn Doug --- Starn Mike --- Exhibitions --- Photography --- photographers --- Smithsonian Institution [Washington, D.C.] --- anno 1980-1989 --- United States --- artistieke fotografie --- United States of America
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Neo-Expressionist --- earthworks [sculpture] --- Postmodern --- photography [process] --- Art --- installations [visual works] --- art [fine art] --- Conceptual --- Bickerton, Ashley --- Johns, Jasper --- Kounellis, Jannis --- Halley, Peter --- Atherton, Kevin --- Steinbach, Haim --- Burgin, Victor --- Kruger, Barbara --- Holzer, Jenny --- Kessler, Jon --- Smith, Keir --- Long, Richard --- Baldessari, John --- Förg, Günther --- Rückriem, Ulrich --- Chia, Sandro --- Paladino, Mimmo --- Kapoor, Anish --- Gilbert and George --- Coe, Sue --- Levi, Michelangelo --- Polke, Sigmar --- Lemieux, Annette --- Sherman, Cindy --- Allington, Edward --- Droese, Felix --- Laudisa, Paolo --- Poirier, Anne --- Bender, Gretchen --- Becher, Bernd und Hilla --- Boltanski, Christian --- Andre, Carl --- Serra, Richard --- Herold, Georg --- Fabro, Luciano --- Graham, Dan --- Buren, Daniel --- Bloom, Barbara --- Beuys, Joseph --- Steadman, Ralph --- Merz, Mario --- Nash, David --- Ruthenbeck, Reiner --- Drury, Chris --- Kiecol, Hubert --- Folci, Mauro --- Klingelhöller, Harold --- Mach, David --- Cucchi, Enzo --- Clemente, Francesco --- Richter, Gerhard --- Trockel, Rosemarie --- Goldsworthy, Andy --- Salle, David --- Thomas, Simon --- Starn Twins --- Lawson, David --- Zimmer, Bernd --- Rauschenberg, Robert --- Rousse, Georges --- Lavier, Bertrand --- Weiner, Lawrence --- Byars, James L. --- Kitaj, Ronald B. --- McCollum, Allan --- Houshiary, Shirazeh --- Deacon, Richard --- Kiefer, Anselm --- Mucha, Reinhard --- Merz, Gerhard --- Cragg, Tony --- Kosuth, Joseph --- Hödicke, Karl Horst --- Schuyff, Peter --- Gormley, Antony --- Broodthaers, Marcel --- Baselitz, Georg --- Horn, Rebecca --- Haacke, Hans --- Malangatana, Valente Ngwenya --- Randall-Page, Peter --- Immendorff, Jörg --- Ecker, Bogomir --- Martin, Yvette --- Johnson, Larry --- Solano, Susana --- Nauman, Bruce --- Mariani, Carlo Maria --- Muafangejo, John --- Penone, Giuseppe --- Parker, Cornelia --- Warhol, Andy --- Kelley, Mike --- Penck, A.R. --- Longo, Robert --- Middendorf, Helmut --- Fetting, Rainer --- Taaffe, Philip --- LeWitt, Sol --- Golub, Leon Albert --- Lüpertz, Markus --- Meuser --- Mazzucconi, Marco --- Lichtenstein, Roy --- Fischl, Eric --- Klein, Yves --- Guaiti, Carlo --- Reinhardt, Ad --- Frost, Stuart --- Schnabel, Julian --- Koons, Jeff --- Haring, Keith --- Bidlo, Mike --- Gran Fury --- anno 1980-1989 --- Art, Modern --- Themes, motives. --- Frost, Stuart Ian --- Themes, motives --- Guaita, Carlo --- Gran Fury [New York, N.Y.] --- art [discipline]
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