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One of Brazil's best-known contemporary artists, Lygia Pape (1927-2004) was a founding member of the Neo-Concrete movement in the late 1950s along with artists such as Lygia Clark and Hélio Oiticica. Pape explored new visual languages in painting, performance, printmaking, and sculpture, and her work--much of it based in geometry--invited viewers to participate in the existential, sensorial, and psychological experience of her art. Presenting the first in-depth treatment of the experimental woodblock prints Pape made between 1952 and 1960, this volume examines the foundational role these works played in the rest of Pape's career, foreshadowing her philosophy of "magnetized space." Composed of overlapping geometric and linear elements that at times suggest atomic particles or slides of microscopic specimens, Pape's prints display an extraordinary depth accentuated by her use of incredibly thin, translucent Japanese papers. The artist applied the title Tecelares to these works decades after their creation. Loosely translated as "weavings," the term captures Pape's uniquely handmade approach to printmaking. Lavishly illustrated, this study is filled with revealing insights into how the artist's printmaking aesthetic, materials, and process embody her core ideas about art. Exhibition: Art Institute of Chicago, Chicago, USA (11.02-05.06.2023).
Art, Brazilian --- Avant-garde (Aesthetics) --- Art, Modern --- Concrete art --- Women artists --- Art brésilien --- Art brésilien --- Art --- Art --- Art concret --- Femmes artistes --- Femmes artistes --- Art and Design. --- Art, Brazilian. --- Art, Modern. --- Avant-garde (Aesthetics) --- Concrete art. --- Themes, motives. --- Women artists. --- Art and Design. --- Pape, Lygia --- Pape, Lygia --- Pape, Lygia --- Pape, Lygia, --- Pape, Lygia. --- Pape, Lygia. --- Pape, Lygia --- Criticism and interpretation. --- Themes, motives. --- Brazil.
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Art --- woodcuts [prints] --- sculpture [visual works] --- drawing [image-making] --- Abstract [fine arts style] --- raised [form attribute] --- Pape, Lygia
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An exceptional overview of the experimental, political, and participatory artwork of an important, iconoclastic Latin American artist. Lygia Pape (1927-2004) was an influential Brazilian artist and pioneering member of the postwar avant-garde. She worked across an expansive range of media, including painting, drawing, prints, sculpture, film, performance, poetry, and installation, and her art is now exhibited worldwide. This handsome book provides an extensive examination of her lengthy, prolific career. Pape embraced the ideals of Concrete art and geometric abstraction early on, and later was an active participant in the Neo Concrete movement that championed experimentation and chance. During this time, she created participatory works that questioned the space between artist and viewer, as well as the social context of art itself. Featuring essays from art historians in both North and South America, an illustrated chronology, and two previously untranslated interviews with the artist, Lygia Pape is a testament to Pape's lasting importance to the modern art and culture of Latin America and to her position as a major figure of the international avant-garde.
Art --- vrouw in de kunst --- Pape, Lygia --- Art, Brazilian --- Avant-garde (Aesthetics) --- Art, Modern --- Concrete art --- Women artists --- Brazilië --- Pape Lygia --- neoconcretisme --- installaties --- schilderkunst --- kunst --- 7.071 PAPE --- activisme --- kunst en politiek --- performances --- performance --- literatuur --- constructivisme --- geometrische abstractie --- abstractie --- abstracte schilderkunst --- film --- fotografie --- grafische vormgeving --- grafisch design --- grafisch ontwerp --- poëzie --- tekenkunst --- twintigste eeuw --- Artists, Women --- Women as artists --- Artists --- Aesthetics --- Modernism (Art) --- Art, Concrete --- Art, Abstract --- Pape, Lígia --- Criticism and interpretation. --- Themes, motives. --- Exhibitions --- eenentwintigste eeuw --- Brazil --- Pape, Lygia.
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Brazilian artist Lygia Pape was a founding member of the Neo-Concrete movement, which was dedicated to the inclusion of art into everyday life. Her early work developed out of an interest in European abstraction; however, she and her contemporaries went beyond simply adopting an international style, and started to draw on their own local situation. Neo-Concretism is often seen as the beginning of contemporary art in Brazil.
Art, Brazilian --- Brazilië --- Pape Lygia --- neoconcretisme --- installaties --- schilderkunst --- kunst --- 7.071 PAPE --- activisme --- kunst en politiek --- performances --- performance --- literatuur --- constructivisme --- geometrische abstractie --- abstractie --- abstracte schilderkunst --- film --- fotografie --- grafische vormgeving --- grafisch design --- grafisch ontwerp --- poëzie --- tekenkunst --- twintigste eeuw --- eenentwintigste eeuw --- Pape, Lygia --- Pape, Lígia --- Exhibitions --- Art --- collages [visual works] --- woodcuts [prints] --- installations [visual works] --- drawing [image-making] --- painting [image-making] --- photography [process] --- psychology --- poetry --- performance art --- motion pictures [visual works] --- political art --- sculpting
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A series of conversations on topics concerning the global contemporary art scene. Conversations offers a platform for dynamic dialogues between prominent members of the international artworld, each offering their unique perspective on producing, collecting, and exhibiting art. The series include artist talks, panels, and discussions with a range of speakers including artists, gallerists, curators, collectors, architects, art lawyers, critics, and many other cultural players.
Bill, Max --- Vantongerloo, Georges --- Bourgeois, Louise --- Picasso, Pablo --- Chamberlain, John --- Chillida, Eduardo --- FÖrg, Günther --- Gorky, Arshile --- Guston, Philip --- Pape, Lygia --- Schendel, Mira --- Smith, David --- Whitten, Jack --- Arp, Jean --- Burri, Alberto --- Castellani, Enrico --- de Staël, Nicolas, 1914-1955 --- Fontana, Lucio --- Kippenberger, Martin --- Manzoni, Piero --- Melotti, Fausto --- Miro, Joan --- Picabia, Francis --- Rosso, Medardo --- Tinguely, Jean --- Twombly, Cy --- West, Franz
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Abakanowicz, Magdalena ; Asawa, Ruth ; Barlow, Phyllida ; Benglis, Lynda ; Black, Karla ; Bontecou, Lee ; Bourgeois, Louise ; Bucher, Heidi ; Deville, Abigail ; Falkenstein, Claire ; Gego ; Genzken, Isa ; Gomes, Sonia ; Grossen, Françoise ; Hesse, Eva ; Hicks, Sheila ; Iglesias, Cristina ; Khedoori, Rachel ; Kusama, Yayoi ; Larner, Liz ; Maiolino , Anna Maria ; Merz, Marisa ; Nengudi, Senga ; Nevelson, Louise ; Pape, Lygia ; Schendel, Mira ; Schnitger, Lara ; Smith, Shinique ; Stockholder, Jessica ; Stuart, Michelle ; Upson, Kaari ; Von Rydingsvard, Ursula ; Wilke, Hannah ; Winsor, Jackie
Sculpture --- sculpture [visual works] --- Abstract [fine arts style] --- Bucher, Heidi --- Grossen, Françoise --- Hicks, Sheila --- Schnitger, Lara --- Deville, Abigail --- Stockholder, Jessica --- Benglis, Lynda --- Khedoori, Rachel --- Bontecou, Lee --- Pape, Lygia --- Larner, Liz --- Falkenstein, Claire --- Hesse, Eva --- Genzken, Isa --- Bourgeois, Louise --- Wilke, Hannah --- Gomes, Sonia --- Gego --- Upson, Kaari --- Nengudi, Senga --- Iglesias, Cristina --- Stuart, Michelle --- Merz, Marisa --- Maiolino, Anna Maria --- Abakanowicz, Magdalena --- Smith, Shinique --- Kusama, Yayoi --- Rydingsvard, von, Ursula --- Nevelson, Louise --- Asawa, Ruth --- Black, Karla --- Barlow, Phyllida --- Schendel, Mira --- Winsor, Jackie --- Abstract [modern European style]
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Art styles --- Iconography --- motion --- Kinetic Art --- Brancusi, Constantin --- Wols --- Tinguely, Jean --- Gego --- Oiticica, Hélio --- Paik, Nam June --- Gabo, Naum --- Metzger, Gustav --- Takis --- Araeen, Rasheed --- Brown, Tony --- Fontana, Lucio --- Hoenich, Paul Konrad --- Li Yuan-Chia --- Medalla, David --- Pape, Lygia --- Schendel, Mira --- Stevens, Graham --- Vantongerloo, Georges --- Mondriaan, Piet --- Graevenitz, von, Gerhard --- Morellet, François --- Soto, Jesús Rafael --- Etienne-Martin --- Clark, Lygia --- Camargo --- Grippo, Victor --- anno 1800-1899 --- anno 1900-1999 --- anno 2000-2099
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The landmark Jewish Museum exhibition 'Primary Structures' offered the first presentation of Minimalist sculptures in the United States, in 1966. The accompanying catalogue became a key resource on artists such as Donald Judd, Carl Andre, Dan Flavin, and Sol LeWitt, who were virtually unknown at the time. 'Other Primary Structures' is a long-overdue reintroduction of this classic, out-of-print text. This two-volume set includes a replica of the original catalogue, plus a new companion volume that offers a global survey of early Minimalist sculpture during the 1960s and 1970s, featuring important sculptors from Asia, Africa, Latin America and Eastern Europe, and complementing the earlier catalogue's focus on American and British artists. Beautifully designed, this publication comes enclosed in a clear jacket that pays homage to the original catalogue's iconic cover. 'Other Primary Structures' is invaluable for the study of modern art history and provides an authoritative survey of Minimalist sculpture in the 1960s.0Exhibition: The Jewish Museum, NYC, USA (14.3.-3.8.2014).
Sculpture --- sculpting --- Minimal --- Caro, Anthony --- Puzzolo, Norberto --- Maria, de, Walter --- Andre, Carl --- Pape, Lygia --- Sekine, Nobuo --- Sosa, Antonieta --- Kožarić, Ivan --- Katsurō, Yoshida --- Kolíbal, Stanislav --- Nour, Amir I.M. --- Hall, David --- Araeen, Rasheed --- Takamatsu, Jiro --- Flavin, Dan --- Escandell, Noemí --- Annesley, David --- Forakis, Peter --- Artschwager, Richard --- Clark, Lygia --- Oiticica, Hélio --- Bladen, Ronald --- Bony, Oscar --- Lamelas, David --- Medalla, David --- Koshimizu, Susumu --- Gerowitz, Judy --- Suga, Kishio --- Bolus, Michael --- Bell, Larry --- Ufan, Lee --- DeLap, Tony --- Frazier, Paul --- Gego --- Camargo --- Choucair, Saloua Raouda --- Krasiński, Edward --- Puente, Alejandro --- Efrat, Benni --- Renzi, Juan Pablo --- Vlahovič, Branko --- Gorski, Daniel --- Doyle, Tom --- Gray, David --- Lee, Ufan
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Art --- collages [visual works] --- prints [visual works] --- sculpture [visual works] --- drawing [image-making] --- painting [image-making] --- composition [artistic arrangement] --- nonrepresentational art --- assemblage [sculpture technique] --- artists' statements --- folds --- Concrete art --- Gego --- Oiticica, Hélio --- Carvão, Aluísio --- Cordeiro, Waldemar --- Bill, Max --- Lauand, Judith --- Lozza, Raúl --- Maldonado, Tomás --- Pape, Lygia --- Rothfuss, Rhod --- Sacilotto, Luiz --- Schendel, Mira --- Serpa, Ivan --- Weissmann, Franz --- Wladyslaw, Anatol --- Castro, de, Willys --- Torres García, Joaquín --- Barros, de, Geraldo --- Molenberg, Juan Alberto --- Cruz-Diez, Carlos --- Soto, Jesús Rafael --- Clark, Lygia --- Kosice, Gyula --- Melé, Juan --- Otero, Alejandro --- Valentim, Rubem --- Colección Patricia Phelps de Cisneros [New York, N.Y.]
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Art --- paintings [visual works] --- sculpture [visual works] --- outdoor sculpture --- installations [visual works] --- art [discipline] --- Arp, Hans --- Leonard, Zoe --- Shimamoto, Shozo --- Kippenberger, Martin --- Bourgeois, Louise --- Johnson, Rashid --- Pape, Lygia --- Schendel, Mira --- Zeng, Fanzhi --- Zhang Enli --- Maiolino, Anna Maria --- Guston, Philippe --- Moholy-Nagy, László --- Sander, August --- Klein, Yves --- Manzoni, Piero --- Picabia, Francis --- Vantongerloo, Georges --- McCarthy, Paul --- Horn, Roni --- Smith, David --- Chillida, Eduardo --- Marden, Brice --- Graham, Dan --- Gorky, Arshile --- Hesse, Eva --- Rhoades, Jason --- Huyghe, Pierre --- Gallagher, Ellen --- Genzken, Isa --- Golub, Leon Albert --- Kuitca, Guillermo --- Mangold, Robert Peter --- Mitchell, Joan --- Muehl, Otto --- Melotti, Fausto --- Simpson, Lorna --- Szapocznikow, Alina
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