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Postcolonial Parabola: Literature, Tactility, and the Ethics of Representing Trauma interrogates the relationship between the literary representation of postcolonial trauma and the embodied experience of reading. As the conditions from which postcolonial literatures have emerged necessitate a break from the "proper" ways to represent trauma, postcolonial writers expand and complicate the very practice of reading. Though postcolonial literature's capacity to represent trauma has received considerable scrutiny in recent years, Postcolonial Parabola is innovative in its consideration of the postcolonial text as a literary object. Working within a phenomenological framework that ties together disparate postcolonial periods, Jay Rajiva explores how narrative structure shapes the experience of reading the postcolonial literatures of South Africa, India, and Sri Lanka. He argues that these texts enmesh the reader in an asymptotic tactility: though the reader might approach the disclosure of trauma, he cannot arrive at it. Awareness of the asymptotic nature of reading such works is crucial to a meaningful, ethical engagement with literary representations of postcolonial trauma. "Postcolonial Parabola: Literature, Tactility, and the Ethics of Representing Trauma interrogates the relationship between the literary representation of postcolonial trauma and the embodied experience of reading. As the conditions from which postcolonial literatures have emerged necessitate a break from the "proper" ways to represent trauma, postcolonial writers expand and complicate the very practice of reading. Though postcolonial literature's capacity to represent trauma has received considerable scrutiny in recent years, Postcolonial Parabola is innovative in its consideration of the postcolonial text as a literary object. Working within a phenomenological framework that ties together disparate postcolonial periods, Jay Rajiva explores how narrative structure shapes the experience of reading the postcolonial literatures of South Africa, India, and Sri Lanka. He argues that these texts enmesh the reader in an asymptotic tactility: though the reader might approach the disclosure of trauma, he cannot arrive at it. Awareness of the asymptotic nature of reading such works is crucial to a meaningful, ethical engagement with literary representations of postcolonial trauma."-- "An innovative study of literary representations of postcolonial trauma, exploring how they both expand and limit the reader's experience of trauma"--

Postmodernism (Literature). --- Postmodernisme (Littérature). --- Postcolonialism in literature. --- Postcolonialisme dans la littérature. --- Psychic trauma in literature. --- Traumatisme psychique dans la littérature.

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Beckett, Samuel --- Postcolonialism in literature. --- Postcolonialisme dans la littérature --- Beckett, Samuel, --- Criticism and interpretation. --- Ireland --- Irlande dans la littérature --- In literature. --- Postcolonialisme dans la littérature --- Irlande dans la littérature

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Recent crime fiction increasingly transcends national boundaries, with investigators operating across countries and continents. Frequently, the detective is a migrant or comes from a transcultural background. To solve the crime, the investigator is called upon to decipher the meaning(s) hidden in clues and testimonies that require transcultural forms of understanding. For the reader, the investigation discloses new interpretive methods and processes of social investigation, often challenging facile interpretations of the postcolonial world order. Under the rubric 'postcolonial postmortems', this collection of essays seeks to explore the tropes, issues and themes that characterise this emergent form of crime fiction. But what does the 'postcolonial' bring to the genre apart from the well-known, and valid, discourses of resistance, subversion and ethnicity? And why 'postmortems'? A dissection and medical examination of a body to determine the cause of death, the 'postmortem' of the postcolonial not only alludes to the investigation of the victim's remains, but also to the body of the individual text and its contexts. This collection interrogates literary concepts of postcoloniality and crime from transcultural perspectives in the attempt to offer new critical impulses to the study of crime fiction and postcolonial literatures. International scholars offer insights into the 'postcolonial postmortems' of a wide range of texts by authors from Africa, South Asia, the Asian and African Diaspora, and Australia, including Robert G. Barrett, Unity Dow, Wessel Ebersohn, Romesh Gunesekera, Kazuo Ishiguro, Sujata Massey, Alexander McCall Smith and Michael Ondaatje.

Sociology of literature --- Comparative literature --- Thematology --- Littérature post-coloniale --- Littérature postcoloniale --- Littératures postcoloniales --- Postcolonialism in literature --- Postcolonialisme dans la littérature --- Postcolonialité littéraire --- Postkolonialisme in de literatuur --- Poésie postcoloniale --- Roman postcolonial --- Théâtre postcolonial --- Crime in literature --- Cross-cultural studies --- Detective and mystery stories --- History and criticism --- Postcolonialism in literature. --- Cross-cultural studies. --- History and criticism.

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Postcolonial life narratives" draws together two dynamic fields of contemporary literature and criticism, postcolonialism and life narrative, to create a new assemblage: postcolonial life narrative. Focusing in particular on testimonial narrative, from slave narrative in the late eighteenth century to contemporary Anglophone life narrative from Africa, Australia, the Caribbean, Palestine, North America, and India, this study follows texts on the move through adaptation, appropriation, and remediation. For postcolonial subjects life narrative offers extraordinary opportunities to present accounts of social injustice and oppression, of violence and social suffering. Testimonial narrative can reach across cultures to produce intimate attachments between those who testify and those who bear witness to legacies of apartheid, slavery, rape warfare, genocide, and dispossession. Thresholds of testimony are subject to change and for some, for example refugees and asylum seekers, opportunities to engage a witnessing public and inspire campaigns for social justice on their behalf are curtailed-these are the 'ends of testimony'. The production, circulation, and reception of testimonial life narrative connects directly to the most fundamental questions of who counts as human, what rights follow from this, and what makes for grievable life. Postcolonial life narrative is a dynamic field of literature and criticism, and this book presents a series of proximate readings that outline its distinctive imaginative geographies.

Postcolonialism in literature --- English literature --- Personal narratives --- Postcolonialisme dans la littérature --- Littérature anglaise --- Récits personnels --- Themes, motives --- Thèmes, motifs --- Littérature postcoloniale --- Littérature anglophone --- Autobiographie --- Histoire et critique --- Commonwealth literature (English) --- Autobiography --- Postcolonialism in literature. --- History and criticism. --- Postcolonialisme dans la littérature --- Littérature anglaise --- Récits personnels --- Thèmes, motifs --- Histoire et critique.

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"This book considers how contemporary British children's books engage with some of the major cultural debates of recent years, and how they resonate with the current preoccupations and tastes of the white mainstream British reading public. A central assumption of this volume is that Britain's imperial past continues to play a key role in its representations of race, identity, and history. In this conception, the insistent inclusion of questions relating to colonialism and power relations in recent children's novels reveals significant tensions, or even contradictions, with regards to the fictional treatment of race relations and ethnicity. Postcolonial children's literature in Britain is shown to have been inherently ambivalent since its cautious beginnings: it is seen as both transgressive and authorizing, both undercutting and excluding. The author examines the ways in which children's fictions have challenged dominant structures of power and imperial ideologies while sometimes straddling the border between subversion and an uneasy complicity. The texts analysed in this collection portray ethnic minorities as complex, hybrid products of colonialism, global migrations, and the ideology of multiculturalism. By examining the ideological content of these novels, the author demonstrates the centrality of the colonial past to contemporary British writing for the young. Discourses of Postcolonialism in Contemporary British Children's Literature combines a critical survey of contemporary British writing for children and young adults with the central concerns of postcolonial studies. It reveals complex engagements with questions of national identity, cultural hybridity, decolonization, and diasporic culture within contemporary British children's literature"-- Provided by publisher.

Children's literature. Juvenile literature --- Sociology of literature --- postkolonialisme --- politiek --- jeugdliteratuur --- Roman anglais pour la jeunesse --- Roman anglais --- Littérature postcoloniale. --- Histoire et critique. --- Children's stories, English --- Children's stories, English. --- English fiction --- English fiction. --- Histoires pour enfants anglaises --- Postcolonialism in literature. --- Postcolonialisme dans la littérature. --- History and criticism. --- History and criticism --- Histoire et critique --- 1900-2099.