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Photography --- Siskind, Aaron.

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Photography, Artistic --- Photographie artistique --- Expositions --- Siskind, Aaron.

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Photography --- Processing. --- Special effects. --- 77.02 --- afdrukken --- Dater Judy --- doka --- Ed. by Jain Kelly --- fotografie --- fotografische technieken --- Gohlke Frank --- Gowin Emmet --- Harbutt Charles --- Model Lisette --- Namuth Hans --- ontwikkelen --- Prince Doug --- Siskind Aaron --- Slavin Neal --- Weston Cole --- Trick photography --- Darkroom technique in photography --- Photographic processing --- Processing, Photographic --- Photographic chemistry --- Processing --- Special effects --- Darkroom technique

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The last major collective Abstract Expressionism exhibition in the UK took place in 1959. This publication, and the exhibition it accompanies, examines the origins of the movement and seeks to re-evaluate it, recognising its complex and fluid reality, and encompassing sculptors as well as some of the most famous painters of the twentieth century.

kunst --- Pollock Jackson --- de Kooning Willem --- Rothko Mark --- Still Clifford --- Mitchell joan --- Kline Franz --- Nevelson Louise --- Smith David --- beeldhouwkunst --- Siskind Aaron --- Morgan Barbara --- White Minor --- fotografie --- 75.036 --- action painting --- abstract expressionisme --- abstracte schilderkunst --- Verenigde Staten --- Parsons Betty --- Guggenheim Peggy --- abstractie --- twintigste eeuw --- schilderkunst --- Exhibitions --- Art, Abstract --- Abstract expressionism --- Art, Modern --- Abstrakter Expressionismus --- Abstract expressionism. --- Art abstrait --- Expressionnisme abstrait --- Art --- Exhibitions. --- Expositions --- feminisme --- kunsthandel --- vrouwen --- Guggenheim, Peggy --- Parsons, Betty --- Abstract Expressionist --- Art styles --- anno 1940-1949 --- anno 1950-1959 --- vrouw --- abstract expressionisme. --- feminisme. --- kunsthandel. --- vrouw. --- Guggenheim, Peggy. --- Parsons, Betty.

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Focusing on the years from 1922 to 1938, this book revisits an important moment in black cultural history to explore how visual elements were used in poems, novels, and photography to undermine existing stereotypes. Miriam Thaggert identifies and analyzes an early form of black American modernism characterized by a heightened level of experimentation with visual and verbal techniques for narrating and representing blackness. The work of the writers and artists under discussion reflects the creative tension between the intangibility of some forms of black expression, such as spirituals, and the materiality of the body evoked by other representations of blackness, such as “Negro” dialect. By paying special attention to the contributions of photographers and other visual artists who have not been discussed in previous accounts of black modernism, Thaggert expands the scope of our understanding of the Harlem Renaissance and contributes to a growing recognition of the importance of visual culture as a distinct element within, and not separate from, black literary studies. Thaggert trains her critical eye on the work of James Weldon Johnson, Nella Larsen, George Schuyler, Carl Van Vechten, James Van Der Zee, and Aaron Siskind—artists who experimented with narrative and photographic techniques in order to alter the perception of black images and to question and reshape how one reads and sees the black body. Examining some of the more problematic authors and artists of black modernism, she challenges entrenched assumptions about black literary and visual representations of the early to mid twentieth century. Thaggert concludes her study with a close look at the ways in which Harlem and the Harlem Renaissance were reimagined and memorialized in two notable texts—Wallace Thurman’s 1932 satire Infants of the Spring and the Metropolitan Museum of Art’s controversial 1969 exhibition “Harlem on My Mind: The Cultural Capital of Black America, 1900–1968.”

African Americans in art --- African Americans in literature --- Afro-Americains dans l'art --- Afro-Americans in literature --- Afro-Amerikanen in de kunst --- Afro-Amerikanen in de literatuur --- Afro-Américains dans la littérature --- Amerikaanse zwarten in de literatuur --- Art dans la littérature --- Art in literature --- Black Americans in literature --- Harlem Renaissance --- Kunst in de literatuur --- Negroes in literature --- Noirs américains dans la littérature --- Perception visuelle dans la littérature --- Visual perception in literature --- Visuele waarneming in de literatuur --- Zwarte Amerikanen in de literatuur --- American literature --- African American authors --- History and criticism --- African American art --- 20th century --- African Americans --- Intellectual life --- Modernism (Literature) --- United States --- Johnson, James Weldon --- Criticism and interpretation --- Larsen, Nella --- Schuyler, George Samuel --- Van Vechten, Carl --- Siskind, Aaron --- Littérature américaine --- Noirs américains --- Auteurs noirs américains --- Histoire et critique --- Dans la littérature --- Dans l'art --- Vie intellectuelle --- 20e siècle