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« Dans mon jardin les fleurs dansent » est une série entamée il y a quelques années, à Bugeat, en Corrèze, où ma mère a décidé d’aller vivre. C’est l’histoire simple, mais comme beaucoup d’autres pas toujours facile, d’une femme, d’une mère, de liens, de ruptures, de deuils et d’envies. De résignations et de renouveau, de souvenirs, de pleurs et de rires. Des images de là-bas et des textes d’ici. Une histoire. Hier, douloureuse. Belle, aujourd’hui ». Le résultat d’un travail récent et très personnel à propos de ma mère et de la vie de famille, mené en Corrèze entre 2002 et 2018, aussi près des gens que des choses et du paysage.
Photography --- fotoboeken --- Cornil, Olivier
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From a literal point of view, it is true that one can be tempted, beforehand, to assimilate these photographs to a long tradition of scientific observation - the images that one believes created by means of the microscope rub shoulders with those which could have been accomplished using a telescope. Some patterns are similar to saturated particles of life or energy ; some have an organic consistency, while others are like effusions of matter, electric arcs or molten bodies springing from nothingness. Other circular figures could be associated with portholes belonging to any exploration machine. However, what really polarizes Sandrine Elberg's work around scientific principles is based not so much on visual evocations, a global physiognomy, than on the way in which she considers the production of these photographs. Indeed, if the attraction for cosmic environments never fades, it is the whole operating mode that is apprehended in logic comparable to that of the experimental sciences, especially when it is a question of validating hypotheses oscillating between clairvoyance and surprise, or to hesitate between conscious invention and chance discovery.
Photography --- fotoboeken --- Elberg, Sandrine
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Arnaud Brihay constantly hires planes for his professional activities, which lead him to numerous countries. Upon his return to Lyon, he continues to move, but on another level, going from place to place – often anchors of his life and his sociability. From time to time he returns to his native Belgium. He thereby composes a lived geography, which articulates and accentuates on places, lines of motion, connections. His existence is transitory and traversing, in the sense that he passes through places, to reach other places, without settling in for long: is it this instability of domicile as a neo-nomad what has driven him for some years now to photograph fleeting moments, shadows, atmospheres? All of this, captured in motion, reveals the fragile pieces of a wandering and a little melancholic life, marked by a sort of Saudade of the contemporary mobile individual – a nostalgia for what one leaves behind with every departure: loved ones or friends, waiting for a new get-together, places, landscapes, to which Arnaud is so attached, that he consecrated to them several series, before his photography grew apart from the fixed forms and concentrated on the impression of passage. (…) Michel Lussault
Photography --- fotoboeken --- Brihay, Arnaud
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vorstenhuizen --- fotoboeken --- Belgium
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fotoboeken --- landschappen --- Flanders
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Le Petit Rempart est un projet poétique et social réalisé par le photographe Belge Vincen Beeckman avec les résidents du centre d’urgence Le Petit Rempart à Bruxelles entre février 2019 et février 2020. “Chaque fois que je viens c’est comme si rien n’avait bougé. Comme si j’avais fait Pause puis Play. Tout est calme excepté les enfants plus turbulents. La soupe arrive. C’est le repas. Les journées sont comme un recommencement permanent. Une sorte de longue attente. Quand il n’y a pas de mouvement la lumière s’éteint. On est tous dans le noir. Alors un se lève ou un autre. Il fait des mouvements avec ses bras. Le détecteur de mouvement réagit et la lumière revient.” V. Beeckman
Photography --- crisis shelters --- fotoboeken
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Photography --- fotonovelas --- fotoboeken --- Guns, Tine
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