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Was bedeutet ein "Bestseller" für die Literaturgeschichte? Wie definieren wir einen solchen an erster Stelle, und welche Konsequenzen hat der Buchmarkterfolg für die literarische Bewertung eines Textes? In welchem Verhältnis stehen Quantität und Qualität zueinander? Viele Literaturwissenschaftler scheuen sich davor, "Bestseller" zum Untersuchungsschwerpunkt zu machen, aber die Frage nach der Kanonbildung hängt eng damit zusammen. Wie bewerten wir überhaupt die Qualität eines Textes? Das Thema "Bestseller" zwingt uns, die Beziehung zwischen Lesepublikum, Literaturwissenschaft und Buchmarkt genauer ins Augenmerk zu nehmen und einerseits Verkaufsstrategien zu identifizieren, andererseits die Überlegung anzustellen, welche Intentionen ein literarischer Text an erster Stelle verfolgt und wie wir als Literaturwissenschaftler kritisch damit umzugehen haben. Damit ergibt sich auch eine Herausforderung, die Grundlagen der Literaturwissenschaften erneut zu überprüfen und sowohl vormoderne als auch zeitgenössische "Bestseller" in ihrer sozialhistorischen und mentalitätsgeschichtlichen Relevanz wahrzunehmen, ohne dass textästhetische Kriterien vernachlässigt werden dürfen. What is the meaning of a "bestseller" for the history of literature? How do we define it in the first place, and what consequences does the success on the book market have for the literary evaluation of a text? What is the relationship between quantity and quality? Many literary scholars shy away from doing research on "bestseller", but the question regarding the formation of a literary canon is closely connected with this issue. How do we evaluate the quality of a text in the first place? The topic of the "bestseller" forces us to examine more closely the relationship between the reading public, literary scholarship, and the book market. On the one hand we have to examine the sales strategies for a book, on the other we have to consider what intentions a literary text might pursue first of all, and how we as literary scholars have to engage with the text critically. From this results also the challenge to re-investigate the foundation of literary scholarship and to take note of premodern and modern "bestseller" in their social-historical and mental-historical relevance, without ignoring the textual aesthetics.

Littérature populaire --- Littérature moderne --- Littérature européenne --- Histoire et critique.

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An entirely new supplement to the Lexikon des Mittelalters (LexMA), is being produced under the joint auspices of the UCLA Center for Medieval and Renaissance Studies and Brepols Publishers; it will be made available at Brepolis, the Brepols site for online medieval encyclopedias, bibliographies, and databases. The chronological range of IEMA is 300-1500 CE, and it will cover all of Europe, North Africa, and the Middle East. IEMA will complement and fill in gaps in the coverage of the present Lexikon des Mittelalters (LexMA).

Littérature médiévale --- Civilisation médiévale

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Che sia per i recenti progressi nell'ambito della biotecnologia, o per lo spazio sempre maggiore che si riserva alla sensibilizzazione verso i problemi ecologici e ambientali nei dibattiti pubblici, o perché i paradigmi critici tendono alla progressiva dissoluzione dell'antropocentrismo rinascimentale e dei limiti tra le specie, la presenza reale o simbolica degli animali non umani nelle arti contemporanee è motivo di riflessione sia teorica che creativa tutt'altro che emergente, dal momento che costituisce un'attività di ricerca consolidata nel mondo accademico. I diversi supporti creativi che ne hanno accellerato il consolidamento comprendono piattaforme audiovisive classiche - il cinema, la televisione, il circo, il teatro, la danza, l'esposizione museale, i videogiochi o la musica - ma anche altre attività popolari e sportive (e gli spazi in cui si svolgono) che si alimentano di capitale derivato dall'animale come corpo e oggetto visivo.....

Animaux --- Dans la littérature

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In 2018, the European Union Prize for Literature is celebrating its 10th anniversary. To mark this special occasion, the EUPL Writing Contest "A European Story : EUPL Winners Write Europe" has been organised. 36 EUPL winning authors from a total of 26 differents countries have submitted fascinating European stories, which are compiled in this publication along with translations into English.

Littérature --- Concours --- Europe

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Grec --- Grece --- Litterature --- Verifin.