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Literature --- Semiotics --- #FHIW:CAT1 --- Periodicals --- Semiotiek --- Letterkunde

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This book offers an original new conception of visual story telling, proposing that drawing, depictive drawing and narrative drawing are produced in an encompassing dialogic system of embodied social behavior. It refigures the existing descriptions of visual story-telling that pause with theorizations of perception and the articulation of form. The book identifies and examines key issues in the field, including: the relationships between vision, visualization and imagination; the theoretical remediation of linguistic and narratological concepts; the systematization of discourse; the production of the subject; idea and institution; and the significance of resources of the body in depiction, representation and narrative. It then tests this new conception in practice: two original visual demonstrations clarify the particular dialectic relationships between subjects and media, in an examination of drawing style and genre, social consensus and self-conscious constraint. The book’s originality derives from its clear articulation of a wide range of sources in proposing a conception of narrative drawing, and the extrapolation of this new conception in two new visual demonstrations.

Semiotics --- Sociology of culture --- Mass communications --- Art --- Architecture --- Graphic arts --- populaire cultuur --- storytelling --- communicatie --- grafische vormgeving --- kunst --- ontwerpen --- semiotiek --- architectuur

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Hoe interpreteert de mens de werkelijkheid en wat betekent dit voor ons begrip van die werkelijkheid? Umberto Eco, auteur van de bestsellers 'De naam van de roos' en 'De slinger van Foucault' toont ons in 'Wat spiegels betreft' de wereld via spiegels en maakt daarmee het complexe gebied van de semiotiek toegankelijk.

905.2 --- massacommunicatie --- metafoor --- semiotiek --- cultuurfilosofie, -psychologie en -sociologie --- #gsdbf --- filosofie --- Semiotics --- literatuur --- literatuurtheorie --- 130.2 --- 7.01 --- cultuurfilosofie --- iconologie --- iconografie --- semiologie --- kunst --- kunsttheorie

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"The journal for research on the visual media of language expression."

Printing --- Graphic arts --- Design --- Typographie --- Printing. --- Typografie. --- Symbolen. --- Schrijftaal. --- Printing, Practical --- Typography --- Semiotics --- Graphics industry --- Sociology of literature --- Literature --- semiotics --- literature [discipline] --- writing [processes] --- typography --- layout [composition] --- reading [activity] --- typografie --- 655.26 --- 655 <05> --- 003 --- 003 Semiotiek. Schriften. Tekens en symbolen. Codes. Grafische voorstellingen --- Semiotiek. Schriften. Tekens en symbolen. Codes. Grafische voorstellingen --- Soorten zetwerk. Lay-out. Typografische vormgeving --- Grafische industrie. Drukkerij. Uitgeverij. Boekhandel-- algemeen--Tijdschriften --- Arts and Humanities --- Library and Information Sciences --- General and Others --- Language & Linguistics --- Printing - Periodicals. --- Typographie - Périodiques. --- literary studies

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Video recordings --- Vidéos --- #SBIB:309H160 --- film --- filmtheorie --- semiologie --- film en semiotiek --- semiotiek --- video --- videokunst --- Viola Bill --- televisie --- Bellour Raymond --- Wollen Peter --- Virilio Paul --- Paik Nam June --- Serra Richard --- Export Valie --- Klier Michaël --- Campus Peter --- Hill Gary --- Downey Juan --- Oursler Tony --- Rosenbach Ulrike --- Odenbach Marcel --- Davis Douglas --- Nyst Danièle --- Nyst Jacques-Louis --- Kuntzel Thierry --- Graham Dan --- Jonas Joan --- Vostell Wolf --- Fieschi Jean-André --- Nauman Bruce --- Acconci Vito --- Godard Jean-Luc --- Muntadas Antonio --- Vasulka Woody --- Vasulka Steina --- D'Agostino Peter --- Wilson Robert --- Gatti Armand --- 791.41 --- 791.45 --- dirigé par Raymond Bellour et Anne-Marie Duguet --- Video: algemene werken --- Vidéos