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Science fiction in art --- Fantastic, The, in art --- Surrealism --- Science-fiction dans l'art --- Art fantastique --- Surréalisme --- Surréalisme
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Duchamp, Marcel --- art [fine art] --- kunst --- art [discipline]
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Although the self-definition of Surrealism and the initial defining of science fiction as a genre both took place in the 1920s and the links between the two are manifest, no full study has appeared till now on Surrealism and SF. Across ten original essays, Surrealism, Science Fiction and Comics looks at how the Surrealist movement in France and the USA used, informed, contributed to, and criticised SF from that moment, whilst including discussion of the related genre of comics. Among its aims are a reassessment of Jules Verne in the light of Surrealism and an analysis of the debate in the 1950s on the 'new' Anglo-American literature arriving in France.
Surréalisme --- Science-fiction --- Bandes dessinées --- Romans graphiques --- Surrealism (Literature) --- Science fiction --- Comic books, strips, etc. --- Graphic novels --- Graphic novels. --- Science fiction. --- Surrealism. --- History and criticism. --- Surrealism (Literature). --- Surréalisme. --- Science-fiction. --- Bandes dessinées. --- Romans graphiques.
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Arts, Modern --- Physics and the arts --- Physics --- Surrealism --- History --- Philosophy --- Natural philosophy --- Philosophy, Natural --- Physical sciences --- Dynamics --- Arts and physics --- Arts --- Modern arts
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The art of Robert Rauschenberg (1925-2008) is usually viewed as quite distinct from Surrealist art, while the artist himself displayed some hostility towards Surrealism. However, Rauschenberg had a very positive reception among Surrealists, particularly across the period 1959-69. In the face of Rauschenberg's avowals of his own 'literalism' and insistence on his art as 'facts,' this book gathers the generous evidence of the poetic, metaphorical, allusive, associative, connotative dimension of the oeuvre as identified by Surrealists, extrapolating new readings from key works on that basis. By viewing Rauschenberg's art against the expansion of the cultural influence of the United States in Europe in the period after the Second World War and the increasingly politicized activities of the Surrealists in the era of the Algerian War of Independence (1954-62), Robert Rauschenberg and Surrealism shows how poetic inference of the artist's work was turned towards political interpretation. In these ways, Rauschenberg's art is newly perceived through Surrealism here, while Surrealism is newly understood against the art criticism and history of the 1960s
Surrealism. --- Influence (Literary, artistic, etc.). --- Rauschenberg, Robert, --- Influence.
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modernisme --- impressionisme --- realisme --- abstracte kunst --- fin de siècle --- surrealisme --- propaganda --- Breton, André --- Cézanne, Paul --- Magritte, René --- Renoir, Pierre-Auguste --- Seurat, Georges --- Brassaï (pseud.) --- Gauguin, Paul --- Filiger, Charles --- Artaud, Antonin --- Van Gogh, Vincent --- 19de eeuw --- 20ste eeuw
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surrealisme --- symbolisme --- psychoanalyse --- Munch, Edvard --- Strindberg, August --- Breton, André --- Filiger, Charles
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Dali/Duchamp examines in detail the often-overlooked relationship between two of the twentieth century's most famous artists. Though polar opposites at first glance, Duchamp, the father of conceptual art who rejected painting in 1918; and the more showman-like Dali, the exceptional painter of fantastical landscapes; were united by a combination of humour and scepticism that led both to challenge conventional views of art and life. After meeting in the 1930s through mutual contacts within the Surrealist group, they maintained a firm friendship over the following decades, spending time together in Paris, New York and Catalonia, where Duchamp purchased a summer house in Cadaques, close to Dali's home in Port Lligat. Throughout the book, expert contributors explore themes common to both artists, chief among them eroticism and identity, and both men's surprising engagement with science, optics, religion and myth. Each section is sumptuously illustrated with key pieces from both artists' bodies of work, and features previously unpublished photographs, letters and ephemera that demonstrate the enduring warmth of their friendship.
kunst --- twintigste eeuw --- schilderkunst --- godsdienst --- kunst en wetenschap --- kunst en religie --- wetenschap --- seksualiteit --- erotiek --- gender studies --- identiteit --- film --- fotografie --- Dali Salvador --- Duchamp Marcel --- 7.071 DUCHAMP --- 7.071 DALI --- 75.071 DALI --- conceptuele kunst --- concept art --- surrealisme --- installaties --- Duchamp, Marcel, --- Dalí, Salvador, --- Dalí, Salvator, --- Dalí Domènech, Salvador, --- Domènech, Salvador Dalí, --- Dalm y Domenech, Salvador, --- Дали, Салвадор, --- Дали, Сальвадор, --- 萨尔瓦多・达利, --- 达利萨尔瓦多, --- Sélavy, Rrose, --- Duchamp-Villon, Marcel, --- Villon, Marcel Duchamp-, --- Duchamp, Henri Robert Marcel, --- Dushan, Marsel, --- דושאן, מרסל --- デユシヤンマルセル, --- Duxiang, --- Sélavy, Rose, --- Exhibitions --- Dalí, Salvador --- Duchamp, Marcel --- ready-mades --- art [fine art] --- Surrealist --- Art --- optical illusion --- eroticism --- Dalí, Salvador, --- Surrealism --- Sélavy, Rrose --- Villon, Marcel Duchamp --- -Duchamp, Henri Robert Marcel --- Dushan, Marsel --- Duxiang --- Sélavy, Rose --- Dalí, Salvador. --- Duchamp, Marcel. --- art [discipline] --- ready-mades [found objects]
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