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Painting --- portraits --- Iconography --- anno 1600-1699 --- Netherlands --- Portrait painting, Dutch --- -Dutch portrait painting --- -Portrait painting, Dutch --- Dutch portrait painting --- Hollandse school
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In The Group Portraiture of Holland, art historian Alois Riegl (1858-1905) argues that the artists of sixteenth- and seventeenth-century Holland radically altered the beholders relationship to works of art. Group portraits by artists such as Rembrandt and Frans Halls reflect an egalitarian viewpoint not found in the more hierarchically structured Italian works of the same period. First published in 1902 and here in English for the first time, the book opened up areas of inquiry that continue to engage scholars today.
Iconography --- group portraits --- Hollandse school --- Holland --- anno 1600-1699 --- Netherlands --- Portraits, Group --- Portrait painting, Dutch --- Dutch portrait painting --- Group portraits --- Portrait groups --- Portraits
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Painting --- anno 1600-1699 --- Netherlands --- Facial expression in art --- Portrait painting, Dutch --- Dutch portrait painting --- Iconography --- physiognomy --- groteske fysionomie --- tronies --- Hollandse school --- portret, Nederlanden
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This catalogue, published to accompany the exhibition 'Dutch Self-Portraits - Selfies of the Golden Age' at the Mauritshuis, presents self-portraits by seventeenth-century Dutch painters and illustrates the choices they made about facial expression, clothing, hair style, gestures, attributes and background.
Painting --- golden age [mythology] --- self-portraits --- anno 1600-1699 --- Portrait painting, Dutch --- Self-portraits, Dutch --- Painters --- Artists --- Dutch self-portraits --- Dutch portrait painting --- Exhibitions --- Hollandse school
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The Museum of National History at Frederiksborg in Denmark has published two new books about the three generations of artists named Karel van Mander. They are volume 3 and 4 in the series 'Studies from The Museum of National History at Frederiksborg'.00Volume 4 of the series features a richly illustrated overview of the court painter Karel van Mander III?s oeuvre and the contents of his book collection.
catalogues raisonnés --- bookstocks --- Mander, van, Karel III --- Portrait painting, Dutch --- Mander, Karel van, --- Mander, Karel van --- Library. --- Dutch portrait painting --- Van Mander, Karel, --- Karel van Mander
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Painting --- Iconography --- Sociology of the family. Sociology of sexuality --- Rembrandt --- Hals, Frans --- anno 1600-1699 --- Netherlands --- Married people --- Portrait painting, Dutch --- Couples mariés --- Peinture de portraits hollandaise --- Portraits --- -Portraits, Dutch --- -Dutch portrait painting --- Dutch portraits --- Married couples --- Married persons --- People, Married --- Persons, Married --- Couples --- Marital status --- Spouses --- -Portraits --- Couples mariés --- -Dutch portraits --- Dutch portrait painting --- Portraits, Dutch
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Iconography --- anno 1600-1699 --- Painting --- Netherlands --- Famille dans l'art --- Family in art --- Gezin in de kunst --- Portrait painting, Dutch --- -Dutch portrait painting --- -Family in art --- family portraits --- Portrait painting [Dutch ] --- 17th century --- Families in art --- Dutch portrait painting --- Nederlandse school
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Toorop, Jan --- portretkunst --- Iconografie: de mens; portret; handeling; genre --- 7.041 Iconografie: de mens; portret; handeling; genre --- Portrait painting, Dutch --- beeldende kunst --- C3 --- 7.041 --- Dutch portrait painting --- Kunst en cultuur --- Toorop, Jan Theodoor, --- portretten --- Toorop, Jan Theodoor --- Toorop, Jan.
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Frans Hals is one of the greatest portrait painters of all time and, together with Rembrandt and Vermeer, is one of the most eminent Dutch seventeenth-century artists. Publishing to coincide with the The Wallace Collection exhibition of the same name, Frans Hals: The Male Portrait explores the artist's highly innovative approach to male portraiture in particular, from the beginning of his career in the 1610s until the end of his life in 1666. Through pose and virtuosic painterly technique, Hals completely revolutionised the male portrait into something entirely new and fresh, capturing and revealing his sitters' characters like no one else before him. The book includes the first in-depth study of Hals's great masterpiece, The Laughing Cavalier, from 1624. The extravagantly-dressed young man, confidently posed with his left arm akimbo in the extreme foreground of the picture and seemingly penetrating into the viewer's space, has been charming audiences for over a century. Richly illustrated, this book situates 'The Laughing Cavalier' within the artist's larger oeuvre and demonstrates how, at a relatively early point in his career, Hals was able to achieve his greatest masterpiece. Exhibition: The Wallace Collection, London, UK (22.09.2021 - 30.01.2022)
Painting --- painting [image-making] --- Hals, Frans --- Men in art --- Portrait painting, Dutch --- Dutch portrait painting --- Male figure in art --- Hals, Frans, --- Hals, Frans Fransz. --- Khalʹs, Frans --- האלס, פראנס, --- Exhibitions --- mannen. --- portretten. --- Hals, Frans I. --- Hollandse school --- mansportretten
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Painting --- Iconography --- anno 1500-1799 --- Netherlands --- Peinture de portraits --- Portrait painting --- Portraits [Peinture de ] --- Portraits peints --- Portraiture --- Portretschilderkunst --- Portretten [Geschilderde ] --- Allegories --- Painters --- -Portrait painting, Dutch --- Self-portraits, Dutch --- Dutch self-portraits --- Dutch portrait painting --- Artists --- Allegory (Art) --- Exempla --- Fiction --- Homiletical illustrations --- Tales --- Fables --- Parables --- Psychology --- Portrait painting, Dutch --- Painting [Dutch ] --- Themes, motives
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