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Re-envisioning Śiva Naṭarāja. A Multidisciplinary Perspective offers new insights into the dancing Śiva as icon and concept. Each of the seven essays in this volume addresses an aspect of the Naṭarāja (a specific form of the dancing Śiva) that has been until now untouched by scholars, or one for which the research is here moved substantially forward. Through the use of hitherto unexplored materials - murals, prints, icons, Sanskrit iconographic and ritual texts, Tamil inscriptions, and the analysis of metal alloys and casting techniques - old views are checked and challenged, and new ideas are proposed. Combining a wide range of fields of expertise, the volume will add to our knowledge about this well-studied, but poorly understood icon. With contributions by Anna A. Ślączka, Anna L. Dallapiccola, Nicolas Cane, Leslie C. Orr, Richard H. Davis, Sharada Srinivasan, Libbie Mills, Corinna Wessels-Mevissen.
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Iconographical study of Hindu goddesses from North India.
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During the early medieval period, from the seventh to the ninth centuries, the area of western India now known as Rajasthan was transformed from a politically and artistically minor region to one of relative importance. Rajasthan was the homeland of the Gurjara Pratiharas, one of the most powerful dynasties in northern India, and many important temples were produced during their brief tenure there. While these monuments provide rich sources of information about iconographic preferences and artistic styles, this book argues that they further provide, and overlooked, clues to Rajasthan's charged early political history.
Hindu sculpture. --- Sculpture --- India.
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Cave temples --- Hindu sculpture --- Hindu sculpture --- Siva (Hindu deity)
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