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Bringing together 15 Maps realized between 2003 and 2016 by Swiss artist Thomas Hirschhorn (born 1957), this book focuses on this particular aspect of his practice that could be seen as a matrix to understand his unique position within the art world and visual culture. As he explains: "With my Maps, I want to make clear I have a goal, that I am also a maker, and not only a thinker." Edited by Julie Enckell Julliard, the publication reproduces each Map in detail, showing their combination of printed matter, text fragments, artist's comments and collaged press images. Acting as an archive of projects, Hirschhorn's Maps are simultaneously tools to clarify his thinking, memorials to inspirational figures, manifestos about topics such as "Friendship Bewtween Art and Philosophy," as well as a way to resist. Published all together, they provide a remarkable insight into the uncompromising art Hirschhorn has been building consistently for 30 years.
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For the artist Thomas Hirschhorn, writing is a crucial tool at every stage of his artistic practice. From the first sketch of an idea to appeals to potential collaborators, from detailed documentation of projects to post-disassembly analysis, Hirschhorn's writings mark the trajectories of his work. This volume collects Hirschhorn's widely scattered texts, presenting many in English for the first time. In these writings, Hirschhorn discusses the full range of his art, from works on paper to the massive Presence and Production projects in public spaces. “Statements and Letters” address broad themes of aesthetic philosophy, politics, and art historical commitments. “Projects” consider specific artworks or exhibitions. “Interviews” capture the artist in dialogue with Benjamin Buchloh, Jacques Rancière, and others. Throughout, certain continuities emerge : Hirschhorn's commitment to quotidian materials ; the centrality of political and economic thinking in his work ; and his commitment to art in the public sphere. Taken together, the texts serve to trace the artist's ideas and artistic strategies over the past two decades. Critical Laboratory also reproduces, in color, 33 Ausstellungen im öffentlichen Raum 1998–1989, an out-of-print catalog of Hirschhorn's earliest works in public space.
Hirschhorn, Thomas --- Hirschhorn, Thomas, --- Themes, motives --- Themes, motives. --- Matériau de récupération --- Matériau recyclé --- Ecrit d'artiste --- Hirschhorn, Thomas, - 1957- - Themes, motives --- Hirschhorn, Thomas, - 1957 --- -Hirschhorn, Thomas, 1957 --- -Hirschhorn, Thomas --- -Matériau de récupération --- Hirschhorn, Thomas, 1957 --- -Hirschhorn, Thomas, - 1957
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Écrire n'est pas difficile, mais nécessaire. Dans Une volonté de faire, trente-huit textes écrits en français entre 1990 et 2015 par l'artiste suisse Thomas Hirschhorn sont réunis : lettres, notes d'intention, comptes rendus de projets, réflexions personnelles, dossiers de demandes de subventions, qui se lisent comme une fenêtre ouverte sur le processus d'élaboration de son oeuvre. Car chez Thomas Hirschhorn, l'écrit a une importance fondamentale, dans son travail comme dans son quotidien : s'il est bien sûr intégré à ses oeuvres (sous forme de textes incorporés directement à son travail ou de livres, brochures, flyers mis à disposition des visiteurs), l'écrit sert aussi à fixer sa pensée sur papier, une pensée en constante évolution.
Artists' books --- Hirschhorn, Thomas --- Criticism and interpretation.
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Artists --- Persons --- Hirschhorn, Thomas --- Themes, motives.
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