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This volume of essays, written by scholars from a wide range of critical and theoretical viewpoints, presents a fresh approach to the study of nineteenth-century French poetry. Each of the eleven essays, on different poets from Lamartine to Mallarmé and Laforgue, focuses on the detailed organisation of a single poem. The method of close reading has been adopted in order to effect an introduction to the analysis of the 'basics' of poetic language (sound, metre, syntax, etc.), and in order to explore and illustrate some of the claims and arguments about poetry arising from developments in the prevailing literary theory. Theoretical positions are posed and tested in the terms of practical analysis and interpretation. Christopher Prendergast's introduction to the volume situates the essays in a series of general perspectives and contexts, and Clive Scott has provided an appendix on French versification.
Poetry --- French literature --- anno 1800-1899 --- French poetry --- Poésie française --- History and criticism --- Histoire et critique --- --XIXe s., --- mélanges --- --History and criticism --- -French literature --- -History and criticism --- Poésie française --- Arts and Humanities --- Literature --- French poetry - 19th century - History and criticism --- XIXe s., 1801-1900 --- History and criticism.
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This 1998 study serves as a contribution to both reception history, examining the medieval response to Chrétien's poetry, and genre history, suveying the evolution of Arthurian verse romance in French. It describes the evolutionary changes taking place between Chrétien's Eric et Enide and Froissart's Meliador, the first and last examples of the genre, and is unique in placing Chrétien's work, not as the unequalled masterpieces of the whole of Arthurian literature, but as the starting point for the history of the genre, which can subsequently be traced over a period of two centuries in the French-speaking world. Beate Schmolke-Hasselmann's study was first published in German in 1985, but her radical argument that we need urgently to redraw the lines on the literary and linguistic map of medieval Britain and France is only now being made available in English.
Poetry --- Old French literature --- Thematology --- Arthur [King] --- Arthurian romances --- Epic poetry, French --- Cycle d'Arthur --- Poésie épique française --- History and criticism. --- Histoire et critique --- Chrétien, --- Froissart, Jean, --- Criticism and interpretation. --- Poésie épique française --- Chrétien, --- French poetry --- History and criticism --- Criticism and interpretation --- Poetic works --- King Arthur [Fictitious character] --- Arts and Humanities --- Literature --- Arthurian romances - History and criticism --- French poetry - To 1500 - History and criticism --- Chrétien, - de Troyes, - active 12th century - Criticism and interpretation --- Froissart, Jean, - 1338?-1410? - Poetic works --- Poetic works. --- Froyssart, Johan, --- Froissart, Jehan, --- Froissart, John, --- Frossard, Jean, --- Frossardus, Joannes, --- Froyssart, Jean, --- Chrestien de Troyes, --- Chrestien, --- Kretʹen, --- Kretjen, --- Kristian, --- Troyes, Chrétien de, --- Кретјен, --- Frossardus, Joannes --- Jean Froissart --- Jehan Frossardus --- Froissart, Jean --- Chrétien, - de Troyes, - active 12th century --- Froissart, Jean, - 1338?-1410?
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Moving from a definition of the lyric to the innovations introduced by Petrarch's poetic language, this study goes on to propose a new reading of several French poets (Charles d'Orléans, Ronsard, and Du Bellay), and a re-evaluation of Montaigne's understanding of the most striking poetry and its relation to his own prose. Instead of relying on conventional notions of Renaissance subjectivity, it locates recurring features of this poetic language that express a turn to the singular and that herald lyric poetry's modern emphasis on the utterly particular. By combining close textual analysis with more modern ethical concerns this study establishes clear distinctions between what poets do and what rhetoric and poetics say they do. It shows how the tradition of rhetorical commentary is insufficient in accounting for this startling effectiveness of lyric poetry, manifest in Petrarch's Rime Sparse and the collections of the best poets writing after him.
Poetry --- French literature --- anno 1500-1599 --- French poetry --- Lyric poetry --- Particularity (Aesthetics) --- History and criticism. --- History and criticism --- Theory, etc. --- Montaigne, Michel de, --- Petrarca, Francesco, --- Criticism and interpretation. --- Language. --- Particularity (Aesthetics). --- Aesthetics --- History and criticism&delete& --- Theory, etc --- Pétrarque --- Petrarch --- Petracco, Francesco --- Petrarca, Francesco (1304-1374) --- Montagne, Michel de, --- Montenʹ, Mishelʹ, --- Montanʹe, Mikhaĭlo, --- Montaigne, Michel Eyquem de, --- Montaigne, --- Montēnyu, --- Montaini, Misel d̲e, --- דה־מונטן, מישל, --- די־מונטין, מיכאל, --- מונטין, מישל דה, --- Montenj, Mišel de, --- Petrarca, Franciscus, --- Petrarch, --- Petrarch, Francesco, --- Petrarcha, Franciscus, --- Petrark, --- Petrarka, Franchesko, --- Peṭrarḳa, Frants'esḳo, --- Pétrarque, --- Петрарка, Франческо, --- פטררקא, פרנצ׳סקו --- de Montaigne, Michel Eyquem --- Eyquem, Michel --- Monten', Mišel' --- Petrarca, Francesco
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