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Littérature française --- Littérature française --- Histoire et critique --- Guides pratiques et mémentos --- Histoire et critique
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Littérature française --- Littérature française --- Histoire et critique --- Guides pratiques et mémentos --- Histoire et critique
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A survey of the use of the refrain in 13th and 14th century French music and poetry, showing how it was skillfully deployed to assert the validity of the vernacular
Poetry --- Old French literature --- Music --- Refrains --- Musique --- Poésie française --- Français (langue) --- Histoire et critique --- Histoire et critique.
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"A History of Modernist Poetry examines innovative Anglophone poetries from Decadence to the post-war period. The first of its three parts considers formal and contextual issues, including myth, politics, gender, and race, while the second and third parts discuss a wide range of individual poets, including Ezra Pound, T.S. Eliot, W.B. Yeats, Mina Loy, Gertrude Stein, Wallace Stevens, William Carlos Williams, and Marianne Moore, as well as key movements such as Imagism, Objectivism, and the Harlem Renaissance. This book also addresses the impact of both World Wars on experimental poetries and the crucial role of magazines in disseminating and proselytizing on behalf of poetic modernism. The collection concludes with a wide-ranging discussion of the inheritance of modernism in recent writing on both sides of the Atlantic" -- Provided by publisher.
Poésie anglaise --- Poésie américaine --- Modernisme (littérature) --- Guerre mondiale (1914-1918) --- Histoire et critique --- Histoire --- Influence --- Littérature et guerre --- Histoire et critique. --- Histoire. --- Influence. --- Littérature et guerre. --- Poetry --- Comparative literature --- English literature --- anno 1900-1999
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It is time to change the way we talk about writing in theater. This book offers a new argument that reimagines modern theater's critical power and places innovative writing at the heart of the experimental stage. While performance studies, German Theaterwissenschaft, and even text-based drama studies have commonly envisioned theatrical performance as something that must operate beyond the limits of the textual imagination, this book shows how a series of writers have actively shaped new conceptions of theater's radical potential. Engaging with a range of theorists, including Theodor Adorno, Jarcho reveals a modern tradition of 'negative theatrics,' whose artists undermine the here and now of performance in order to challenge the value and the power of the existing world. This vision emerges through surprising new readings of modernist classics - by Henry James, Gertrude Stein, and Samuel Beckett - as well as contemporary American works by Suzan-Lori Parks, Elevator Repair Service, and Mac Wellman.
Experimental theater --- Experimental drama --- Théâtre expérimental --- Films expérimentaux --- History and criticism. --- Histoire et critique --- Theatrical science --- Drama --- Histoire et critique. --- 762 --- Theorie van het theater - Geschiedenis --- Playwriting. --- Theorie van het theater en de film - Geschiedenis
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Throughout the Middle Ages, many Francophone texts - chansons de geste, medieval romance, works by Chrétien de Troyes and Marie de France - were widely translated in north-western Europe. In the process, these texts were frequently transformed to reflect the new cultures in which they appeared. This book argues that such translations, prime sites for cultural movement and encounters, provide a rich opportunity to study linguistic and cultural identity both in and through time. Via a close comparison of a number of these texts, examining the various modifications made, and drawing on a number of critical discourses ranging from post-colonial criticism to translation theory, the author explores the complexities of cultural dialogue and dissent. This approach both recognises and foregrounds the complex matrix of influence, resistance and transformations within the languages and cultural traditions of medieval Europe, revealing the undercurrents of cultural conflict apparent in medieval textuality.
Scandinavian literature --- Old French literature --- Old English literature --- anno 500-1499 --- Roman médiéval --- Littérature française --- Histoire et critique --- Avant 1500
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Providing thorough coverage of the methods and tools required in studying historical and contemporary theatre, this Introduction examines the complexities of a rapidly changing and dynamic discipline. Following a cross-cultural perspective, the book surveys the ways theatre and performance are studied by looking initially at key elements such as performers, spectators and space. The central focus is on methodology, which is divided into sections covering theatre theory, historiography and textual and performance analysis. The book covers all the main theatrical genres - drama, opera and dance - providing students with a comparative, integrated perspective. Designed to guide students through the academic dimension of the discipline, the volume emphasizes questions of methodology, research techniques and approaches, and will therefore be relevant for a wide variety of theatre studies courses. Informative textboxes provide background on key topics, and suggestions for further reading are included at the end of each chapter.
Theatrical science --- Theater. --- Théâtre --- Theater --- Théâtre --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Histoire et critique
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This book is about the relationship of the American writer to his land and language - to the 'scene' and the 'sign', to the natural landscape and the inscriptions imposed upon it by men. Among the questions considered in the first section of the book are how does American Romantic writing differ from European; what are the peculiar problems faced by the American artist, and what roles does he adopt to tackle them; what kind of writing results when authors as different as Henry Adams and Mark Twain lament the vanishing of an earlier America, or when Adams and Henry James review their complex relationship to their homeland, or when W. D. Howells and Stephen Crane seek to define their themes in a specifically American setting. The second section of the book examines similar concerns in a number of contemporary writers, notably Thomas Pynchon, John Barth, Donald Barthelme, John DeLillo, and William Gass.
American literature --- -American literature --- -English literature --- History and criticism --- anno 1800-1999 --- Littérature américaine --- Histoire et critique --- Arts and Humanities --- Literature --- History and criticism.
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Stanley Fish, one of the foremost critics of literature working today, has spent much of his career writing and thinking about Milton. This book brings together his finest published work with brand new material on Milton and on other authors and topics in early modern literature. In his analyses of Renaissance texts, he meditates on the interpretive problems that confront readers and offers a sustained critique of historicist methods of interpretation. Intention, he argues, is key to understanding which pieces of historical data are relevant to literary criticism. Lucid, provocative, direct and inimitable, this new book from Stanley Fish is required reading for anyone teaching or studying Milton and early modern literary studies.
Milton, John --- Littérature anglaise --- English literature --- Histoire et critique --- History and criticism. --- Milton, John, --- Critique et interprétation --- Criticism and interpretation. --- Histoire et critique. --- Milṭan, Jān, --- Milʹton, Dzhon, --- Милтон, Джон, --- Miltūn, Zhūn, --- Miltonus, Joannes, --- J. M. --- M., J. --- Milʹton, Īoann, --- Milton, Gioanni, --- Milton, Giovanni, --- מילטאן, יאהאן --- מילטאן, יוחנן --- מילטון, ג׳והן --- מלטן, יוחנן --- Arts and Humanities --- Literature
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Though these days, our celebrity culture tends to revolve around movie stars and pop musicians, there have been plenty of celebrity authors over the years and around the world. This volume brings together a number of contributors to look at how and why certain writers have attained celebrity throughout history. How were their images as celebrities constructed by themselves and in complicity with their fans? And how did that process and its effects differ from country to country and era to era?
Philosophy and psychology of culture --- Literature: authors --- Écrivains --- Célébrités --- Littérature anglaise --- Culture populaire --- Histoire --- Histoire et critique --- Histoire. --- Histoire et critique. --- Authorship --- Fame --- Celebrity --- Renown --- Glory --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Social aspects --- History. --- literary celebrity, self-fashioning, comparative literature, fandom, afterlife.
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