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A sound atlas of Irish English
Authors: ---
ISBN: 311018298X Year: 2004

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A method of teaching adult persons to read : which is designed to obviate their objections and accelerate their progress, and which is likewise adapted to the circumstances of those uninstructed children whose opportunities of learning to read are very precarious ...
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Year: 1813 Publisher: London Sold by W. Button

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Sounds fascinating : further observations on English phonetics and phonology
Authors: ---
ISBN: 9781316610367 9781107157798 9781316662342 110715779X 1316610365 1316825655 1316823970 1316662349 Year: 2016 Publisher: Cambridge : Cambridge University Press,

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How do you pronounce biopic, synod, and Breughel? - and why? Do our cake and archaic sound the same? Where does the stress go in stalagmite? What's odd about the word epergne? Pontcysyllte is obviously Welsh, but Penge is Welsh too! How cool is Caol in the Highlands of Scotland? What can Wesley's hymns tell us about sound change in English? How do people pronounce Wrocław in Poland? How can anyone manage to say Gdynia as just two syllables? Why is the village of Frith in the island of Montserrat usually pronounced as if spelt Frits? What embarrassing faux pas in English did a Russian conglomerate make? Should I bild a cubbard instead of building a cupboard? How should we capitalize an exclamation mark, and why might we need to? What's a depressor consonant? As a finale, the author writes a letter to his 16-year-old self.


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The pursuit of style in Early Modern drama : forms of talk on the London stage
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ISBN: 9781009042345 9781316517468 9781009045520 Year: 2022 Publisher: Cambridge Cambridge University Press

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"The Pursuit of Style in Early Modern Drama examines how early modern plays celebrated the power of different styles of talk to create dynamic forms of public address. Across the sixteenth and seventeenth centuries, London expanded into an uncomfortably public city where everyone was a stranger to everyone else. The relentless anonymity of urban life spurred dreams of its opposite: of being a somebody rather than a nobody, of being the object of public attention rather than its subject. Drama gave life to this fantasy. Presented by strangers and to strangers, early modern plays codified different styles of talk as different forms of public sociability. Then, as now, to speak of style was to speak of a fantasy of public address. Offering fresh insight for scholars of literature and drama, Matthew Hunter reveals how this fantasy - which still holds us in its thrall - played out on the early modern stage"--

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