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Students often struggle to understand linguistic concepts through examples of language data provided in class or in texts. Presented with ambiguous information, students frequently respond that they do not 'get it'. The solution is to find an example of humour that relies on the targeted ambiguity. Once they laugh at the joke, they have tacitly understood the concept, and then it is only a matter of explaining why they found it funny. Utilizing cartoons and jokes illustrating linguistic concepts, this book makes it easy to understand these concepts, while keeping the reader's attention and interest. Organized like a course textbook in linguistics, it covers all the major topics in a typical linguistics survey course, including communication systems, phonetics and phonology, morphemes, words, phrases, sentences, language use, discourses, child language acquisition and language variation, while avoiding technical terminology.

Linguistics --- Wit and humor --- Bons mots --- Facetiae --- Humor --- Jests --- Jokes --- Ludicrous, The --- Ridiculous, The --- Wit and humor, Primitive --- Literature --- Joking --- Laughter --- Linguistic science --- Science of language --- Language and languages --- Linguistics. --- Wit and humor. --- Arts and Humanities --- Language & Linguistics

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This book examines the concept of 'nonsense' in ancient Greek thought and uses it to explore the comedies of the fifth and fourth centuries BCE. If 'nonsense' (phluaria, lēros) is a type of language felt to be unworthy of interpretation, it can help to define certain aspects of comedy that have proved difficult to grasp. Not least is the recurrent perception that although the comic genre can be meaningful (i.e. contain political opinions, moral sentiments and aesthetic tastes), some of it is just 'foolery' or 'fun'. But what exactly is this 'foolery', this part of comedy which allegedly lies beyond the scope of serious interpretation? The answer is to be found in the concept of 'nonsense': by examining the ways in which comedy does not mean, the genre's relationship to serious meaning (whether it be political, aesthetic, or moral) can be viewed in a clearer light.

Psychological study of literature --- Thematology --- Classical Greek literature --- Drama --- Greek drama (Comedy) --- Greek language --- Greek wit and humor --- Meaning (Psychology) --- Wit and humor --- Languages & Literatures --- Greek & Latin Languages & Literatures --- Bons mots --- Facetiae --- Humor --- Jests --- Jokes --- Ludicrous, The --- Ridiculous, The --- Wit and humor, Primitive --- Literature --- Joking --- Laughter --- Psychology --- Greek literature --- History and criticism --- Semantics --- Social aspects --- E-books --- Wit and humor. --- History and criticism. --- Semantics. --- Social aspects.

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Although the question of humour in the surviving corpus of Old English literature has rarely been discussed, the potential for analyzing this literature in terms of its humor is in fact considerable. In the essays especially commissioned for this volume, the first book-length treatment of Anglo-Saxon humor, eight of the foremost scholars in the field use different approaches to explore humor in the surviving literature of Anglo-Saxon England, in such works as 'Beowulf' and 'The Battle of Maldon', the riddles of the Exeter book, and Old English saints' lives. The articles are prefaced with an introduction surveying the field. Through its unusual focus, this collection will provide an appealing introduction to both famous and lesser-known works for those new to Old English literature, while those familiar with the usual contours of Old English literary criticism will find here the value of a fresh approach. JONATHAN WILCOX is Associate Professor of English at the University of Iowa and editor of the 'Old English Newsletter'.

Comic [The ] in literature --- Comique [Le ] dans la littérature --- Komische [Het ] in de literatuur --- Thematology --- Old English literature --- Comic, The, in literature --- English literature --- English wit and humor --- History and criticism --- Old English, ca. 450-1100 --- English wit and humor - History and criticism. --- Comic, The, in literature. --- History and criticism.

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Drama --- Comedy --- Comic, The --- 82-22 --- 82-22 Comedie --- Comedie --- Ludicrous, The --- Ridiculous, The --- Wit and humor --- Comic literature --- Literature, Comic --- History and criticism&delete& --- Theory, etc --- History and criticism

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This is a newly revised, critical text of the fragments attributed to the Roman knight and mimographer Decimus Laberius, a witty and crudely satirical contemporary of Cicero and Caesar. Laberius is perhaps the most celebrated comic playwright of the late Republic, and the fragments of plays attributed to him comprise the overwhelming majority of the extant evidence for what we conventionally call 'the literary Roman mime'. The volume also includes a survey of the characteristics and development of the Roman mime, both as a literary genre and as a type of popular theatrical entertainment, as well as a re-evaluation of the place of Laberius' work within its historical and literary context. This is the first English translation of all the fragments, and the first detailed English commentary on them from a linguistic, metrical, and (wherever possible) theatrical perspective.

Satire, Latin --- Latin drama --- Mime --- History and criticism --- Satire, Latin. --- Mime. --- Satire latine --- Théâtre latin --- Théâtre latin --- Classical Latin literature --- Latin satire --- Latin wit and humor --- Acting --- Pantomime --- History and criticism. --- Histoire et critique --- Arts and Humanities --- History --- Satire, Latin - Translations into English --- Latin drama - History and criticism