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Versuch einer geschichtlichen Charakteristik der Volkslieder germanischer Nationen, mit einer : Ueberscicht der Lieder aussereuropäischer Völkerschaften
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Year: 1840 Publisher: Leipzig F.A. Brockhaus

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Drie volksliederen
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Year: 1874 Publisher: Leiden A.W. Sijthoff

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Digital
Het eenstemmig Fransch en Nederlandsch wereldlijk lied in de Belgische gewesten van de 11e eeuw tot heden uit een muzikaal oogpunt beschouwd
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Year: 1896 Publisher: Gent Boekhandel J. Vuylsteke

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Verjaringsfeest en kermisviering : een vergeten Antwerpsch gebruik
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Year: 1892 Publisher: Brecht L. Braeckmans, Drukker en Uitgever

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Geschichte des deutschen Kirchenliedes bis auf Luthers Zeit, nebst einem Anhange : In dulci iubilo, nun singet und seid froh: ein Beitrag zur Geschichte der deutschen Poesie
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Year: 1861 Publisher: Hannover Carl Rümpler

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Digital
Czech broadside ballads as text, art, and song in popular culture, ca. 1600–1900
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ISBN: 9789463721554 9789048553341 Year: 2022 Publisher: Amsterdam Amsterdam University Press

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This landmark collection makes a major contribution to the burgeoning field of broadside ballad study by investigating the hitherto unexplored treasure-trove of over 100,000 Central/Eastern European broadside ballads of the Czech Republic, from the 16th to the 19th century. Viewing Czech broadside ballads from an interdisciplinary perspective, we see them as unique and regional cultural phenomena: from their production and collecting processes to their musicology, linguistics, preservation, and more. At the same time, as contributors note, when viewed within a larger perspective—extending one’s gaze to take in ballad production in bordering lands (such as Germany, Poland, and Slovakia) and as far Northwest as Britain to as far Southwest as Brazil—we discover an international phenomenon at work. Czech printed ballads, we see, participated in a thriving popular culture of broadside ballads that spoke through text, art, and song to varied interests of the masses, especially the poor, worldwide.


Multi
Convent music and politics in eighteenth-century Vienna
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ISBN: 9781107039087 9781139856447 9781139922432 1139922432 1306716071 9781306716079 1139856448 1107039088 1139904906 1139914626 1139898965 1139902946 1139906836 1139918540 1139910698 1316642887 Year: 2014 Publisher: Cambridge, United Kingdom

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Janet Page explores the interaction of music and piety, court and church, as seen through the relationship between the Habsburg court and Vienna's convents. For a period of some twenty-five years, encompassing the end of the reign of Emperor Leopold I and that of his elder son, Joseph I, the court's emphasis on piety and music meshed perfectly with the musical practices of Viennese convents. This mutually beneficial association disintegrated during the eighteenth century, and the changing relationship of court and convents reveals something of the complex connections among the Habsburg court, the Roman Catholic Church, and Viennese society. Identifying and discussing many musical works performed in convents, including oratorios, plays with music, feste teatrali, sepolcri, and other church music, Page reveals a golden age of convent music in Vienna and sheds light on the convents' surprising engagement with contemporary politics.


Multi
Re-forming Texts, Music, and Church Art in the Early Modern North
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ISBN: 9789089647375 9789048524938 9048524938 9089647376 Year: 2016 Volume: *2 Publisher: Amsterdam

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Our historical understanding of the Reformation in northern Europe has tended to privilege the idea of disruption and innovation over continuity - yet even the most powerful reformation movements drew on and exchanged ideas with earlier cultural and religious practices. This volume attempts to right the balance, bringing together a roster of experts to trace the continuities between the medieval and early modern period in the Nordic realm, while enabling us to see the Reformation and its changes in a new light.


Multi
Dramatic expression in Rameau's Tragédie en musique
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ISBN: 9781107021563 1107021561 9781139109406 9781107314313 1107314313 9781299257276 1299257275 1107301475 1107235782 1107305675 1107306566 1139109405 1107308763 Year: 2013 Publisher: Cambridge Cambridge University Press

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Cynthia Verba's book explores the story of music's role in the French Enlightenment, focusing on dramatic expression in the musical tragedies of the composer-theorist Jean-Philippe Rameau. She reveals how his music achieves its highly moving effects through an interplay between rational design, especially tonal design, and the portrayal of feeling and how this results in a more nuanced portrayal of the heroine. Offering a new approach to understanding Rameau's role in the Enlightenment, Verba illuminates important aspects of the theory-practice relationship and shows how his music embraced Enlightenment values. At the heart of the study are three scene types that occur in all of Rameau's tragedies: confession of forbidden love, intense conflict and conflict resolution. In tracing changes in Rameau's treatment of these, Verba finds that while he maintained an allegiance to the traditional French operatic model, he constantly adapted it to accommodate his more enlightened views on musical expression.


Multi
Women and music in sixteenth-century Ferrara
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ISBN: 9781107154070 9781316650455 1107154073 9781108648400 1108691447 1316650456 1108648401 1108815480 Year: 2018 Publisher: Cambridge Cambridge University Press

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The musica secreta or concerto delle dame of Duke Alfonso II d'Este, an ensemble of virtuoso female musicians that performed behind closed doors at the castello in Ferrara, is well-known to music history. Their story is often told by focussing on the Duke's obsessive patronage and the exclusivity of their music. This book examines the music-making of four generations of princesses, noblewomen and nuns in Ferrara, as performers, creators, and patrons from a new perspective. It rethinks the relationships between polyphony and song, sacred and secular, performer and composer, patron and musician, court and convent. With new archival evidence and analysis of music, people, and events over the course of the century, from the role of the princess nun musician, Leonora d'Este, to the fate of the musica secreta's jealously guarded repertoire, this radical approach will appeal to musicians and scholars alike.

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