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Music --- Poetry --- songs [musical compositions]
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Folklore --- Music --- Poetry --- songs [musical compositions]
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Music --- History --- songs [musical compositions] --- Belgium
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Folklore --- carnivals [entertainment events] --- birthdays --- songs [musical compositions] --- Antwerp
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Liturgy --- Music --- songs [musical compositions] --- muziekgeschiedenis --- liturgische liederen --- Germany
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This landmark collection makes a major contribution to the burgeoning field of broadside ballad study by investigating the hitherto unexplored treasure-trove of over 100,000 Central/Eastern European broadside ballads of the Czech Republic, from the 16th to the 19th century. Viewing Czech broadside ballads from an interdisciplinary perspective, we see them as unique and regional cultural phenomena: from their production and collecting processes to their musicology, linguistics, preservation, and more. At the same time, as contributors note, when viewed within a larger perspective—extending one’s gaze to take in ballad production in bordering lands (such as Germany, Poland, and Slovakia) and as far Northwest as Britain to as far Southwest as Brazil—we discover an international phenomenon at work. Czech printed ballads, we see, participated in a thriving popular culture of broadside ballads that spoke through text, art, and song to varied interests of the masses, especially the poor, worldwide.
Music --- Thematology --- Sociology of literature --- Slavic literature --- songs [musical compositions] --- anno 1600-1699 --- anno 1700-1799 --- anno 1800-1899 --- anno 1900-1999 --- Czech Republic
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Janet Page explores the interaction of music and piety, court and church, as seen through the relationship between the Habsburg court and Vienna's convents. For a period of some twenty-five years, encompassing the end of the reign of Emperor Leopold I and that of his elder son, Joseph I, the court's emphasis on piety and music meshed perfectly with the musical practices of Viennese convents. This mutually beneficial association disintegrated during the eighteenth century, and the changing relationship of court and convents reveals something of the complex connections among the Habsburg court, the Roman Catholic Church, and Viennese society. Identifying and discussing many musical works performed in convents, including oratorios, plays with music, feste teatrali, sepolcri, and other church music, Page reveals a golden age of convent music in Vienna and sheds light on the convents' surprising engagement with contemporary politics.
Music --- anno 1700-1799 --- Vienna --- Convents --- History and criticism. --- Vienna (Austria) --- Politics and government --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Political aspects --- History --- Religious aspects --- Cloisters (Religious communities) --- Convents and nunneries --- Nunneries --- Church property --- Religious institutions --- Monasticism and religious orders for women
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Our historical understanding of the Reformation in northern Europe has tended to privilege the idea of disruption and innovation over continuity - yet even the most powerful reformation movements drew on and exchanged ideas with earlier cultural and religious practices. This volume attempts to right the balance, bringing together a roster of experts to trace the continuities between the medieval and early modern period in the Nordic realm, while enabling us to see the Reformation and its changes in a new light.
History of Scandinavia and Iceland --- History of civilization --- Christian church history --- Reformation --- Religion and literature --- Music --- Art and religion --- Protestant Reformation --- Church history --- Counter-Reformation --- Protestantism --- Art --- Arts in the church --- Religion and art --- Religion --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Literature --- Literature and religion --- History. --- Religious aspects --- Christianity --- History --- Moral and religious aspects --- Europe, Northern --- Northern Europe
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Cynthia Verba's book explores the story of music's role in the French Enlightenment, focusing on dramatic expression in the musical tragedies of the composer-theorist Jean-Philippe Rameau. She reveals how his music achieves its highly moving effects through an interplay between rational design, especially tonal design, and the portrayal of feeling and how this results in a more nuanced portrayal of the heroine. Offering a new approach to understanding Rameau's role in the Enlightenment, Verba illuminates important aspects of the theory-practice relationship and shows how his music embraced Enlightenment values. At the heart of the study are three scene types that occur in all of Rameau's tragedies: confession of forbidden love, intense conflict and conflict resolution. In tracing changes in Rameau's treatment of these, Verba finds that while he maintained an allegiance to the traditional French operatic model, he constantly adapted it to accommodate his more enlightened views on musical expression.
Opera --- Enlightenment --- Music --- Philosophy and aesthetics. --- Rameau, Jean-Philippe, --- Criticism and interpretation. --- Rameau, Jean-Philippe --- Opéra --- Siècle des Lumières --- Musique --- Philosophie et esthétique --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Gluck-Piccinni controversy --- Querelle des Bouffons --- Philosophy and aesthetics --- Ramo, Zhan Filipp, --- Rameau, --- Rameau, Johann Baptist, --- Rameau, J. Ph. --- Ramō, J. Ph., --- Ramō, Jan Firippu,
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The musica secreta or concerto delle dame of Duke Alfonso II d'Este, an ensemble of virtuoso female musicians that performed behind closed doors at the castello in Ferrara, is well-known to music history. Their story is often told by focussing on the Duke's obsessive patronage and the exclusivity of their music. This book examines the music-making of four generations of princesses, noblewomen and nuns in Ferrara, as performers, creators, and patrons from a new perspective. It rethinks the relationships between polyphony and song, sacred and secular, performer and composer, patron and musician, court and convent. With new archival evidence and analysis of music, people, and events over the course of the century, from the role of the princess nun musician, Leonora d'Este, to the fate of the musica secreta's jealously guarded repertoire, this radical approach will appeal to musicians and scholars alike.
History of Italy --- Music --- anno 1500-1599 --- Ferrara --- Courts and courtiers. --- Frau. --- Music. --- Musik. --- Musikerin. --- Women musicians --- Women musicians. --- History and criticism --- Social aspects --- History --- Social aspects. --- 1500-1599. --- Ferrara (Italy) --- Ferrara. --- Italien. --- Italy --- Court and courtiers --- History of civilization --- Ferrara [city] --- E-books --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Musicians, Women --- Women as musicians --- Musicians --- Ferrara (Italy : Commune) --- Ferrare (Italy) --- History and criticism.
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