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tijdschriften --- modernisme --- avant-garde --- 1919 - 1922 --- 20ste eeuw --- België

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This paper traces a lineage of Tom Phillips’ influences as they are displayed within A Humument, which is studied in relations to concrete poetry, the oulipo, erasurism, philosophical erasure, derridean deconstruction, russian futurism and mallarmean symbolism to ultimately reflect on how Phillips’ artwork dialogues with its source-text, W.H. Mallock’s A Human Document.

Tom Phillips --- concrete poetry --- erasure --- oulipo --- deconstruction --- intermediality --- modernism --- Gesamtkunstwerk --- victorianism --- comparative literature --- found poetry --- avant-garde --- mallarmé --- artists' books --- russian futurism --- Arts & sciences humaines > Littérature

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Dada --- Comparative literature --- Art styles --- dadaïsme --- anno 1910-1919 --- Arts and society. --- Arts, Modern --- Avant-garde (Aesthetics). --- 7.035.9 --- 7.036 --- -Modern arts --- Art nouveau. Jugendstil --- Moderne kunststijlen --- Theses --- Arts and society --- Avant-garde (Aesthetics) --- Aesthetics --- Modernism (Art) --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Social aspects --- -Art nouveau. Jugendstil --- 7.036 Moderne kunststijlen --- 7.035.9 Art nouveau. Jugendstil --- -7.036 Moderne kunststijlen --- Modern arts --- 705.8 --- 20e eeuw (twintigste eeuw) --- kunst --- Beeldende kunst --- surrealisme --- avant-garde --- modernisme --- Arp, Jean --- Breton, Andre --- De Chirico, Giorgio --- Duchamp, Marcel (1887-1968) --- Picabia, Francis --- Schönberg, Arnold (1874-1951) --- Strawinsky, Igor (1882-1971) --- Tzara, Tristan --- jazz --- kunstgeschiedenis, 20e eeuw

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Structuralism --- Structuralisme --- Structuralisme (Filosofie) --- Avant-garde (Aesthetics) --- Avant-garde (Esthétique) --- Tel quel --- France --- Intellectual life --- Vie intellectuelle --- -Aesthetics --- Modernism (Art) --- -Avant-garde (Aesthetics) --- -France --- Avant-garde (Esthétique) --- Pʻŭrangsŭ --- Frankrig --- Francja --- Frant︠s︡ii︠a︡ --- Prantsusmaa --- Francia (Republic) --- Tsarfat --- Tsorfat --- Franḳraykh --- Frankreich --- Fa-kuo --- Faguo --- Франция --- French Republic --- République française --- Peurancih --- Frankryk --- Franse Republiek --- Francland --- Frencisc Cynewīse --- فرنسا --- Faransā --- Franza --- Republica Franzesa --- Gallia (Republic) --- Hyãsia --- Phransiya --- Fransa --- Fransa Respublikası --- Franse --- Францыя --- Frantsyi︠a︡ --- Французская Рэспубліка --- Frantsuzskai︠a︡ Rėspublika --- Parancis --- Pransya --- Franis --- Francuska --- Republika Francuska --- Bro-C'hall --- Френска република --- Frenska republika --- França --- República Francesa --- Pransiya --- Republikang Pranses --- Γαλλία --- Gallia --- Γαλλική Δημοκρατία --- Gallikē Dēmokratia --- فرانسه --- Farānsah --- צרפת --- רפובליקה הצרפתית --- Republiḳah ha-Tsarfatit --- פראנקרייך --- 法国 --- 法蘭西共和國 --- Falanxi Gongheguo --- フランス --- Furansu --- フランス共和国 --- Furansu Kyōwakoku --- Francija --- Ranska --- Frankrike --- Aesthetics --- Tel quel. --- Collection Tel Quel --- Tel quel (Series) --- Avant-Garde (Aesthetics) --- 20th century --- Collection Tel quel --- Tel quel, periodique litteraire --- Editeurs et edition --- Avant-garde (esthetique) --- Journaux et periodiques litteraires --- Periodiques francais --- Edition --- 20e siecle

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'Maisons d'art moderne : privéverzamelingen in België, 1945-1980' is the doctoral research of Tanguy Eeckhout (1981?2018, BE). Eeckhout takes the reader on a journey through the history of private art-collections in Belgium starting in the 1920?s. He describes two generations of art collectors: the post-war generation that made their collections publicly available and a second generation that made way for Belgium on the international art scene. This publication offers an exclusive look into the relationship between collectors and artists and highlights the influence of these private collectors on the development of public art institutions and the art press in Belgium. This publication is described by Rik Vannevel (Museum Dhondt-Dhaenens) as ?Not only ground-breaking research into private art collections in Belgium, but also a tribute for a passionate art researcher.? The research focuses on sixteen prominent Belgian private collections: Fernand Graindorge, Bertie & Gigi Urvater, Gustave Van Geluwe, Max Janlet, Bénédict & Alla Goldschmidt, Tony Herbert, Gustave Nellens, Maurits Naessens, Jules & Irma Dhondt-Dhaenens, Philippe Dotrement, Hubert & Marie-Thérèse Peeters, Roger & Hilda Matthys-Colle, Herman & Nicole Daled, Anton& Annick Herbert, Sylvio Perlstein and Charles & Jeanne Vandenhove. https://borgerhoff-lamberigts.be/boeken/maisons-dart-moderne

Art --- avant-garde --- private collections --- art collections --- anno 1940-1949 --- anno 1950-1959 --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- Belgium --- Kunstcollecties --- België --- Collections --- Collectors and collecting --- Biography --- 7.074 --- Kunstverzamelaars ; België --- Kunstverzamelingen ; België --- Kunstverzamelaars --- Art, Modern --- Kunstcollectie --- privécollecties --- moderne kunst --- 1945 - 1980 --- 20ste eeuw --- Hedendaagse kunst --- Kunstverzamelaar --- privécollecties. --- moderne kunst. --- 1945 - 1980. --- 20ste eeuw. --- België. --- private collections [object groupings]