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Contre-révolutions --- Justice --- Administration --- France.

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Considéré un temps par la police de l'Empire allemand comme « l'agitateur le plus important du mouvement révolutionnaire radical », Gustav Landauer (1870-1919) est une figure insaisissable, qui déjoue toutes les tentatives de catégorisation : anarchiste, il se méfiait des connotations trop négatives du mot en lui préférant celui de socialiste ; penseur du politique, il se définissait comme « antipolitique » en concevant le renouveau de la communauté libre à petite échelle, au sein même de la société existante ; révolutionnaire, il récusait l'attente d'un grand soir et marquait sa réserve à l'égard de l'action violente ; penseur de la communauté, il affirmait que la recomposition des rapports sociaux passait, avant tout, par la transformation intérieure des individus ; théoricien de la rupture et de la nouveauté, il estimait que celle-ci tirait sa vitalité du passé ; utopiste, il considérait que l'utopie devait s'expérimenter au présent et refusait toute représentation abstraite de la société idéale ; philosophe de l'action et « agitateur », il s'est interrogé sur le type de discours le plus à apte à nourrir cette action. Cet essai est le premier à présenter, à partir des textes et de leur contexte, une lecture synthétique et complète de la pensée de Gustav Landauer, qui continue d'inspirer la réflexion politique contemporaine.

Communauté. --- Révolutions --- Utopies. --- Philosophie politique. --- Philosophie sociale. --- Philosophie. --- Landauer, Gustav, --- Critique et interprétation --- Anarchism --- Revolutions and socialism --- Communities --- Landauer, Gustav, - 1870-1919 --- Communauté --- Révolutions et socialisme --- Landauer, Gustav --- Critique et interprétation.

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Netherlands --- History --- 1714-1795 --- Netherlands --- History --- 1795-1815 --- Netherlands --- Politics and government --- 1714-1795 --- Netherlands --- Politics and government --- 1795-1815 --- Political parties --- Netherlands --- History --- 18th century --- Political parties --- Netherlands --- History --- 19th century --- Netherlands --- Social conditions --- 18th century --- Netherlands --- Social conditions --- 19th century --- Revolutions --- Netherlands --- 18th century --- Revolutions --- Netherlands --- 19th century

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History is increasingly made in images, not only because its records are largely photographic but also because our ideas about the past are formed in visual terms. This book offers a discussion of contemporary art practices which question the received notions of historical representations after the pivotal changes of 1989 in Europe. These art practices reveal, in different ways, the operative role of the photographic media in making and remaking history. Not limited to a particular artistic medium, they demonstrate how history is forged through enacting or re-enacting its past forms, while, on the other hand, they indicate how copying and quoting can contribute to creating a new, operative aesthetics. By foregrounding a performative character of images, art is shown to construct an alternative knowledge of the past.

History as a science --- Photography --- photography [process] --- Philosophy and psychology of culture --- anno 2000-2099 --- anno 1990-1999 --- Europe --- Art and history --- Art and revolutions --- Art et histoire --- Art et revolutions --- Documentaire fotografie --- Documentary photography --- Fotografie [Documentaire ] --- Fotografie in de geschiedschrijving --- Geschiedenis en kunst --- Geschiedenis in de kunst --- Geschiedenis in de massamedia --- Geschiedenis in de media --- Histoire dans l'art --- Histoire dans les mass media --- Histoire dans les media --- Histoire et art --- Historical painting --- Historieschilderkunst --- History and art --- History in art --- History in mass media --- History in the media --- History painting --- Installaties (Kunst) --- Installations (Art) --- Kunst en geschiedenis --- Kunst en revoluties --- Peinture d'histoire --- Photographie dans l'historiographie --- Photographie documentaire --- Photography [Documentary ] --- Photography in historiography --- Revoluties en kunst --- Revolutions and art --- Revolutions et art --- Histoire dans les médias --- Photographie en historiographie --- Art et révolutions --- Medienwissenschaft --- Kunst --- Geschichte 1989-2015 --- Europa --- Academic collection --- Art and history. --- Art and photography --- Art and photography. --- 1900-2099. --- Europe. --- Histoire dans les médias --- Art et révolutions --- Medienwissenschaft. --- Kunst. --- Europa. --- kunst --- 77.01 --- 7.01 --- 77.038/039 --- 7.038/039 --- Schmidt Dierk --- Tuymans Luc --- Ujic Andrej --- Farocki Harun --- Bartana Yael --- Kulik Zofia --- eenentwintigste eeuw --- twintigste eeuw --- kunsttheorie --- kunst en geschiedenis --- fotografie en geschiedenis --- fotografietheorie --- fotografie --- cultuurgeschiedenis --- cultuurfilosofie

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Studies in Spanish American regional history have, as yet, made little attempt to incorporate the struggles for independence within the context of provincial society and politics viewed over the broader period that spans the late colonial and early national experience of Latin America. This book attempts a new perspective: it emphasises the provincial milieu and popular participation in its varied forms, often ambiguous and contradictory. The central aim is to examine social conflicts, chiefly in the Mexican provinces of Puebla, Guadalajara, Michoacán, and Guanajuato from the middle of the eighteenth century, and to assess their relationship to the widespread insurgency of the second decade of the nineteenth century.

Insurgency --- Insurgent attacks --- Rebellions --- Civil war --- Political crimes and offenses --- Revolutions --- Government, Resistance to --- Internal security --- History --- Mexico --- Anáhuac --- Estados Unidos Mexicanos --- Maxico --- Méjico --- Mekishiko --- Meḳsiḳe --- Meksiko --- Meksyk --- Messico --- Mexique (Country) --- República Mexicana --- Stany Zjednoczone Meksyku --- United Mexican States --- United States of Mexico --- מקסיקו --- メキシコ --- History, Local. --- Causes. --- Social conditions --- Theses --- Arts and Humanities