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Arts --- Symbolism in art --- Allegories --- Symbolisme dans l'art --- Allégories
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Arts --- Symbolism in art --- Allegories --- Arts --- Symbolisme dans l'art --- Allégories --- Allegories. --- Arts. --- Symbolism in art. --- Iconografie. --- Oudheid. --- Middeleeuwen. --- 20.20 iconography.
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Iconography --- Periodicals --- Arts --- Allegories --- Symbolism in art --- Allegory (Art) --- Signs and symbols in art --- Art --- Exempla --- Fiction --- Homiletical illustrations --- Tales --- Fables --- Parables --- Arts and Humanities --- General and Others --- History --- Society and Culture
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Jewish art and symbolism --- Jewish arts --- Jewish art and symbolism. --- Jewish arts. --- Kunst. --- Joden. --- Art juif --- Jewish symbolism and art --- Arts, Jewish --- Jewish art --- Symbolism --- Symbolism in art --- Arts
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Church history --- Christian antiquities --- Christian art and symbolism --- History --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Antiquities, Christian --- Antiquities, Ecclesiastical --- Archaeology, Christian --- Christian archaeology --- Church antiquities --- Ecclesiastical antiquities --- Monumental theology --- Antiquities --- Byzantine antiquities --- Christian antiquities. --- Christian art and symbolism. --- Church history. --- Christianity --- Ecclesiastical history --- History, Church --- History, Ecclesiastical
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Die Gestaltung von Bühnenraum und Bühnenbild in den 80er Jahren läßt bei führenden Theaterkünstlern eine Tendenz zum Rückgriff auf frühere Phasen im 20. Jahrhundert erkennen. Diese Tendenz ist besonders ausgeprägt bei Achim Freyer und Axel Manthey. Beide schaffen nach historischen Vor-Bildern (de Chirico, Dali, Magritte auf der Seite des Surrealismus und Kandinsky, Schlemmer, Malewitsch oder Mondrian auf der Seite der abstrakten Kunst) anti-illusionistische Spielräume, in denen die naturgetreue Abbildung von Realität verweigert wird zugunsten eigenständiger Kunstwelten. Anhand der genauen Analyse einzelner Inszenierungen der beiden Szeniker wird die ästhetische Zielrichtung untersucht, die hinter einem solchen postmodernen Rückblick auf die historische Avantgarde steht. Es stellt sich heraus, daß hinter der optischen Aufarbeitung der avantgardistischen Strömungen ein Kunstansatz steht, der im Gegensatz zu Surrealismus und abstrakter Kunst hinsichtlich des technologischen und gesellschaftlichen Fortschritts eher skeptisch und krisenbewußt in die Zukunft blickt und sich in Konsequenz autoreflexiv auf die ästhetische Formgestaltung konzentriert. Damit finden sich künstlerische Symptome, die - blickt man zurück - auf die historische Strömung des literarischen und theatralen Symbolismus verweisen.
Freyer, Achim --- Manthey, Axel --- Theaters --- Scene painting --- Costume --- Surrealism --- Symbolism in art --- Art, Abstract --- Stage-setting and scenery --- Freyer, Achim, --- Manthey, Axel, --- Criticism and interpretation --- 830-2 "19" --- -Costume --- -Scene painting --- -Surrealism --- -Symbolism in art --- -Theaters --- -Opera-houses --- Playhouses (Theaters) --- Theatres --- Arts facilities --- Auditoriums --- Centers for the performing arts --- Music-halls --- Allegory (Art) --- Signs and symbols in art --- Art --- Superrealism --- Surrealism in art --- Arts, Modern --- Painting --- Fancy dress --- Motion pictures --- Opera --- Stage costume --- Theater --- Theatrical costume --- Decorative arts --- Clothing and dress --- Abstract art --- Art, Non-objective --- Non-objective art --- Art, Modern --- Modernism (Art) --- Duitse literatuur: toneel; drama--20e eeuw. Periode 1900-1999 --- -Stage-setting and scenery --- -Manthey, Axel --- -Criticism and interpretation --- -Duitse literatuur: toneel; drama--20e eeuw. Periode 1900-1999 --- -Freyer, Achim --- 830-2 "19" Duitse literatuur: toneel; drama--20e eeuw. Periode 1900-1999 --- Opera-houses --- Фрайер, Ахим, --- Fraĭer, Akhim, --- Criticism and interpretation. --- Germany --- History --- 20th century --- Theaters - Stage-setting and scenery - Germany --- Scene painting - Germany --- Costume - Germany --- Surrealism - Germany --- Symbolism in art - Germany --- Art, Abstract - Germany --- Freyer, Achim, - 1934- - Criticism and interpretation --- Manthey, Axel, - 1945- - Criticism and interpretation --- Freyer, Achim, - 1934 --- -Manthey, Axel, - 1945
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Christian art and symbolism --- Christian art and symbolism. --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Europe. --- Great Britain. --- England --- Anglia --- Angliyah --- Briṭanyah --- England and Wales --- Förenade kungariket --- Grã-Bretanha --- Grande-Bretagne --- Grossbritannien --- Igirisu --- Iso-Britannia --- Marea Britanie --- Nagy-Britannia --- Prydain Fawr --- Royaume-Uni --- Saharātchaʻānāčhak --- Storbritannien --- United Kingdom --- United Kingdom of Great Britain and Ireland --- United Kingdom of Great Britain and Northern Ireland --- Velikobritanii͡ --- Wielka Brytania --- Yhdistynyt kuningaskunta --- Northern Ireland --- Scotland --- Wales --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- Cemeteries --- Periodicals. --- Periodicals
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704.9 --- Arts Iconography --- Periodicals --- Iconography --- Art --- Symbolism in art --- Christian art and symbolism --- Idols and images --- Images and idols --- Religious images --- Statuettes --- Animism --- Art, Primitive --- Art and religion --- Fetishism --- Magic --- Religion --- Sculpture, Primitive --- Symbolism --- Gods in art --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Church decoration and ornament --- Allegory (Art) --- Signs and symbols in art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Themes, motives --- Iconography, Religious --- Religious iconography --- Religious statuettes --- Statuettes, Religious
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theology --- visual culture --- religious studies --- iconography --- sacred architecture --- hierotopy --- Christian art and symbolism --- Christianity and art --- Icons --- Sacred space --- Christian art and symbolism. --- Icons. --- Sacred space. --- Orthodox Eastern Church --- Orthodox Eastern Church. --- Russia (Federation) --- Holy places --- Places, Sacred --- Sacred places --- Sacred sites --- Sacred spaces --- Sites, Sacred --- Space, Sacred --- Holy, The --- Religion and geography --- Eikons --- Ikons --- Christian saints in art --- Art --- Orthodox Eastern Church and art --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Art and Christianity --- Eluosi (Federation) --- Federation of Russia --- Federazione della Russia --- Federazione russa --- O-lo-ssu (Federation) --- OKhU --- Orosyn Kholboony Uls --- Pravitelʹstvo RF --- Pravitelʹstvo Rossii --- Pravitelʹstvo Rossiĭskoĭ Federat͡sii --- RF --- Roshia Renp --- Rosiĭsʹka Federat͡sii͡ --- Rosja (Federation) --- Rossii͡a (Federation) --- Rossiĭskai͡a Federat͡sii͡ --- Rossiya (Federation) --- Rossiyskaya Federatsiya --- Russian Federation --- Russian S.F.S.R. --- Russische Föderation --- Urysye Federat͡sie --- Pravitelʹstvo Rossiĭskoĭ Federat︠s︡ii --- Roshia Renpō --- Rosiĭsʹka Federat︠s︡ii︠a︡ --- Rossii︠a︡ (Federation) --- Rossiĭskai︠a︡ Federat︠s︡ii︠a︡ --- Urysye Federat︠s︡ie --- Pravitelʹstvo RF --- Pravitelʹstvo Rossii --- Pravitelʹstvo RossiiÌskoiÌ Federatï¸ s︡ii --- Roshia RenpoÌ --- RosiiÌsʹka Federatï¸ s︡iiï¸ a︡ --- Rossiiï¸ a︡ (Federation) --- RossiiÌskaiï¸ a︡ Federatï¸ s︡iiï¸ a︡ --- Russische FoÌderation --- Urysye Federatï¸ s︡ie
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