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Over the past two decades, geopolitical borders have shifted and new technologies have forged channels of communication around the world. The Western art world has become part of a much broader field, opening itself to new continents and allowing for a significant crosspollination of post-Conceptual strategies and vernacular modes. Printed materials, in both innovative and traditional forms, have played a key role in the exchange of ideas and sources. 

Print/Out, published in conjunction with an exhibition at The Museum of Modern Art, examines the evolution of artistic practices related to printmaking, from a recent resurgence of traditional printing techniques — often used alongside digital technologies — to the proliferation of self-published artists' projects. Print/Out features focused sections on ten artists and publishers — Ai Weiwei, Ellen Gallagher, Martin Kippenberger, Lucy McKenzie, Aleksandra Mir, museum in progress, Edition Jacob Samuel, SUPERFLEX, Robert Rauschenberg, and Rirkrit Tiravanija — as well as rich illustrations of printed projects from the last twenty years by major artists such as Trisha Donnelly, Felix Gonzalez-Torres, Thomas Schütte, and Kelley Walker.

printmaking --- prentkunst --- hedendaagse kunst --- Graphic arts --- grafische vormgeving --- Contemporary [style of art] --- drukkunst --- graphic design --- anno 2000-2009 --- anno 1990-1999 --- Prints --- Multiple art --- Estampe --- Multiples (Art) --- Exhibitions. --- Expositions --- Museum of Modern Art (New York, N.Y.) --- 76.039 --- 7.05 --- Grafiek ; 21ste eeuw ; 1995-2012 --- Tentoonstellingscatalogi ; New York ; MOMA --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- grafiek --- Abramovic Marina --- Weiwei Ai --- Burden Chris --- Donnelly Trisha --- Dunham Carroll --- Samuel Jacob --- Gallagher Ellen --- General idea --- Gillick Liam --- Gonzalez-Torres Felix --- Hirst Damien --- Kippenberger Martin --- Kuitca Guillermo --- Marclay Christian --- Martinez Daniel Joseph --- Mckenzie Lucy --- Mehretu Julie --- Mir Aleksandra --- Mullican Matt --- Museum in progress --- Nara Yoshimoto --- Pardo Jorge --- Parreno Philippe --- Permanent food --- Rauschenberg Robert --- Schütte Thomas --- Siena James --- Slavs and Tatars --- Smith Josh --- Superflex --- Tiravanija Rirkrit --- Tobias Gert --- Tobias Uwe --- Walker Cara --- Walsh Dan --- West Franz --- White Pae --- Wool Christopher --- Xu Bing --- Yuskavage Lisa --- 76.036/039 --- Grafische kunst ; 2000 - 2050 --- Kunst ; het boek als kunstobject ; Kunstenaarsboeken, geïllustreerde boeken, boekbanden --- Exhibitions --- prints [visual works] --- MAD-faculty 14 --- hedendaagse schilderkunst --- hedendaagse tekenkunst

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Yoko Ono : One Woman Show, 1960-1971' examines the beginnings of Ono's career, demonstrating her pioneering role in visual art, performance, and music during the 1960s and early 1970s. It begins in 1960, when Ono initiated a performance series with La Monte Young in her New York loft. Over the course of the decade, Ono earned international recognition, staging Cut Piece in Kyoto, Tokyo, New York, and London, and launching with John Lennon her global campaign 'WAR IS OVER! if you want it'. Ono returned to New York in the early 1970s and organized an unsanctioned 'one woman show' at MoMA. Over forty years later, the Museum presents its first exhibition dedicated exclusively to the artist's work. This accompanying publication features three essays that examine Ono's early years, and five sections organized chronologically to trace the evolution of Ono's artistic practice. Each chapter includes an introduction, artwork descriptions, primary documents, and a selection by the artist of her texts and instruction drawings

Ono, Yoko --- Catalogues d'exposition

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"Adrian Piper has consistently produced groundbreaking work that has profoundly shaped the form and content of conceptual art since the 1960s. Strongly inflected by her longstanding involvement with philosophy and yoga, her pioneering investigations into the political, social, psychological and spiritual potential of conceptual art have had an incalculable influence on artists working today. Published in conjunction with the most comprehensive exhibition of her work to date, this catalog presents more than 280 artworks that encompass the full range of Piper's mediums: works on paper, video, multimedia installation, performance, painting, sound and photo-texts. Essays by curators and scholars examine her extensive research into altered states of consciousness; the introduction of the Mythic Being - her subversive masculine alter-ego; her media and installation works from after 1980, which reveal and challenge stereotypes of race and gender; and the global conditions that illuminate the significance of her art. Previously unpublished texts by the artist lay out significant events in her personal history and her deeply felt ideas about the relationship between viewer and art object. This publication expands our understanding of the conceptual and post-conceptual art movements and Piper's pivotal position among her peers and for later generations."--

Piper, Adrian --- conceptual artists --- video art --- identity --- Post-Conceptual --- dolls --- philosophy --- mixed media --- photography [process] --- Art --- drugs --- performance art --- race [group of people] --- ethnic groups --- newspapers --- gelatin silver prints --- typescripts --- Conceptual --- drawings [visual works] --- easel paintings [paintings by form] --- ART / General. --- African American women artists --- African American women artists. --- Art and Design. --- Art and philosophy --- Art and philosophy. --- Art, Modern --- Art, Modern. --- Conceptual art --- Conceptual art. --- Ethnicity in art --- Ethnicity in art. --- Identity (Psychology) in art --- Identity (Psychology) in art. --- Other (Philosophy) in art --- Other (Philosophy) in art. --- Race in art --- Race in art. --- Self (Philosophy) in art --- Self (Philosophy) in art. --- Themes, motives. --- Words in art --- Words in art. --- Piper, Adrian, --- Criticism and interpretation. --- 1900-2099. --- New York (State). --- United States. --- Kunst --- kranten --- typoscripten --- tekeningen --- fotografie --- filosofie --- videokunst [kunstwerken] --- Post-Conceptueel --- performances [live] --- gelatinezilverdrukken --- gemengde media --- schilderijen --- etnische groepen --- poppen --- ras [begrip] --- identiteit --- conceptueel --- dolls [figurines] --- #breakthecanon --- Femmes artistes --- Art conceptuel --- Art vidéo --- Installations (art) --- Art de performance --- Art multimédia. --- Exhibitions. --- kunst --- 7.071 PIPER --- racisme --- gender studies --- performance --- performances --- yoga --- concept art --- conceptuele kunst --- kunsttheorie --- Verenigde Staten --- Afro-American women artists --- Women artists, African American --- Women artists --- Philosophy and art --- Philosophy --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Performance art --- Earthworks (Art) --- Sky art --- Piper, Adrian M. S., --- Exhibitions --- 705.9 --- gender --- genderexpressie --- performancekunst --- ostracisme --- sociale uitsluitingsmechanismen --- tentoonstellingscatalogus --- MoMA (Museum of Modern Art) --- kunstgeschiedenis, 21e eeuw --- paintings [visual works]