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Steppes, Edmund

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Kaum eine andere Strasse konzentriert deutsche Geschichte so intensiv wie Berlins Potsdamer Strasse - verkehrsreichste Strasse des Dritten Reichs, Sportpalast und Volksgerichtshof lagen ihr an, im geteilten Berlin wurde sie zu einer der heruntergekommensten Strassen der Stadt. Matthias Mansen (geb. 1958) lebt seit Jahrzehnten in ihrer Nähe. Der international renommierte Holzschnittkünstler hat ihre Entwicklung intensiv verfolgt und ihr eine monumentale Serie gewidmet: 'Potsdamer Strasse'. Der Band widmet sich ausführlich der Entstehung Mansens Stadtbildern, für die er Fussbodendielen aus Mülltonnen sanierter Berliner Altbauten zog. Unter Zuhilfenahme von Hohl- und Stecheisen entstanden komplexe Strukturen, die sich erst im Auge des Betrachters zu fragmentierten Bildern zusammenschliessen. Exhibition: Staatliche Kunsthalle, Karlsruhe, Germany (26.01. - 31.03.2019).

Mansen, Matthias

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drawing [image-making] --- Panthera tigris [species] --- Iconography --- Drawing --- Painting --- still lifes --- insanity --- Orientalism --- Panthera leo [species] --- flowers [plant components] --- histories [visual works] --- Art styles --- painting [image-making] --- Christianity --- equestrians --- Equus caballus [species] --- landscapes [representations] --- Delacroix, Eugène --- Medea --- Faust --- anno 1800-1899 --- Barye, Antoine Louis --- Delacroix, Eugene --- Exhibitions --- Faust [Fictitious character] --- Medea [Mythological character] --- Delacroix, Eugène. --- Barye, Antoine Louis.

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Cragg, Tony

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Alina Szapocznikow (1926-1973) created an extensive and expressive oeuvre, in which she was intensively concerned with the human body, right up to her untimely death. In her sculptures, photographs and drawings she divided female bodies in particular into fragments such as lips, breasts, stomachs and limbs, to put them back together again in new ways and to integrate them as traces in her work. Her own body often found its way into the work in the form of casts. Having previously worked with classical materials such as bronze, she began to experiment with new materials such as polyester after arriving in Paris and mixing with the circle of Nouveaux Réalistes artists. With this she revolutionised the expressive possibilities of sculpture. This catalogue traces this artistic development by means of work from between 1954 and 1973, from early figurative sculptures to the "awkward objects" which are strongly influenced by surrealism and pop art.

Sculpture --- drawings [visual works] --- sculpture [visual works] --- busts [general, figures] --- mouths [container components] --- faces [animal components] --- legs [animal components] --- human figures [visual works] --- Szapocznikow, Alina