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Through the course of the 1970s and 1980s, Luigi Ghirri pursued his extraordinary project, open-ended and mercurial, marked by empathy for the changing everyday spaces of his time. Over the course of his short career, Ghirri would produce a vast body of photographs without parallel in the Europe of his time and numerous writings which would have an indelible impact on the history of photography.This extensive book compiled by the renowned British curator James Lingwood accompanies a touring exhibition to three major museum venues across Europe and focuses on the first decade of Ghirri’s work, defined by his 1979 exhibition in Parma. Vera Fotografia was grouped into fourteen different narrative sequences, each of which is represented in this volume: Fotografie del periodo iniziale (1970), Kodachrome (1970-78), Colazione sull’erba (1972-74), Catalogo(1970-79), Km 0.250 (1973), Diaframma 11, 1/125, luce naturale(1970-79), Atlante, (1973), Italia Ailati (1971-79), Il paese del balocchi(1972-79), Vedute (1970-79), Infinito (1974), In Scala (1976-79), Still Life (1975-79).The focus of the project is on Ghirri’s quietly compelling project to create a new kind of geography, located in his fascination with representations of the world, in the form of reproductions, pictures, posters, models and maps. The mediation of experience through images in an Italy poised between the old and the new was, for Ghirri, an inexhaustible terrain to survey – “a great adventure into the world of thinking and looking, a wonderful magic toy that miraculously manages to combine our adult awareness and the fairy tale world of children…a never-ending journey through great and small, through variations and the realm of illusions and appearances, a labyrinthine specular place of multitudes and simulation."
Photography, Artistic --- Art, Italian --- Ghirri, Luigi, --- Exhibitions. --- Photography --- Ghirri, Luigi --- Photographie artistique --- Art italien --- Expositions --- artistieke fotografie
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architectuur --- Sculpture --- Painting --- beeldende kunst --- Architecture --- fine arts --- architecture [discipline] --- Florence --- Art, Italian --- Art italien --- fine arts [discipline] --- art history --- frescoes [paintings] --- Italian Renaissance-Baroque styles --- anno 1200-1499 --- anno 1500-1599 --- 7.034 <45> --- 7.034 <45> Kunst van de renaissance; barok; rococo; koloniale stijl--Italië --- Kunst van de renaissance; barok; rococo; koloniale stijl--Italië --- Christelijke kunst --- Florence, school van
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A brand new look at the extraordinary accomplishments of early modern Italian women artists. This generously illustrated volume surveys a sweeping range of early modern Italian women artists, exploring their practice and paths to success within the male-dominated art world of the period. New attention to archival documents and detailed technical analyses of the beautiful paintings featured here-ranging from historical subjects to portraits and still lifes-offer new insight into the ways these women worked and their accomplishments. Essays and catalogue entries by an international team of distinguished art historians examine the works of Artemisia Gentileschi, Sofonisba Anguissola, Lavinia Fontana, Fede Galizia, Elisabetta Sirani, Giovanna Garzoni, Rosalba Carriera, and other less known Italian women artists. Through these works of art in diverse media-from paintings to prints-the fascinating stories of early modern Italian women artists are revealed.
Art, Italian --- Women artists --- History --- Gentileschi, Artemisia, --- Sociology of the family. Sociology of sexuality --- Gentileschi, Artemisia --- Italy --- vrouwelijke kunstenaars --- 1500 - 1800 --- 16de eeuw --- 17de eeuw --- 18de eeuw --- Italië --- Painting, Italian --- Women painters --- Artists, Women --- Women as artists --- Artists --- Painters --- Gentileschi Lomi, Artemisia, --- Lomi, Artemisia Gentileschi, --- ART --- Art italien --- Art, Italian. --- Femmes artistes --- Femmes peintres --- Women artists. --- Women painters. --- General. --- Histoire --- 1500-1799. --- Italy. --- art history --- vrouw in de kunst --- anno 1500-1799 --- vrouwelijke kunstenaars. --- Gentileschi, Artemisia. --- 1500 - 1800. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- Italië. --- vrouwelijke kunstenaar --- Painting --- paintings [visual works]
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Uitgave over de bloei van kunst en cultuur aan het hof van de familie d'Este in de Noord-Italiaanse stad Ferrara in de periode van de Renaissance (15e en 16e eeuw), bij een grote tentoonstelling in Brussel in het kader van het festival Europalia Italia 2003. In 21 artikelen, geschreven door specialisten op diverse vakgebieden, steeds gevolgd door catalogusteksten over bijbehorende voorwerpen op de tentoonstelling, worden behandeld: geschiedenis van het huis Este, cultuur en maatschappij van Ferrara, architectuur en stadsontwikkeling, muziek, rol van de heraldiek, medaillekunst (Pisanello), verluchte manuscripten, de fresco's van Palazzo Schifanoia, beeldhouwkunst (Donatello), wandtapijten, schilderkunst (Franceso del Cossa, Ercole de' Roberti, Cosmè Tura, Bellini, Titiaan, Dosso Dossi), keramiek, interieurdecoraties, wapencollecties en de artistieke relaties met Noord-Europa. Rijk geïllustreerd met goede foto's in kleur, waarbij verschillende paginagroot, en enkele in zwart-wit. Met noten en bibliografie. Fraai, veelzijdig overzicht, geeft de meest recente inzichten.
Art --- Este [Family] --- Ferrara --- History of Italy --- anno 1400-1499 --- anno 1500-1599 --- Art, Renaissance --- Art patronage --- Art, Italian --- Portrait painting, Italian --- Art de la Renaissance --- Mécénat --- Art italien --- Peinture de portraits italienne --- Exhibitions --- Expositions --- Este family --- Exhibitions. --- Histoire de l'architecture --- Histoire de l'art --- Histoire de la peinture --- Histoire de la sculpture --- Histoire des arts décoratifs --- Renaissance --- 15e siècle --- 16e siècle --- Ferrare --- Italie --- Peinture de portraits --- Catalogues d'exposition --- Este (famille d') --- 7.034 <45> --- 930.85.44 <45> --- Kunst van de renaissance; barok; rococo; koloniale stijl--Italië --- Cultuurgeschiedenis: Renaissance--Italië --- 930.85.44 <45> Cultuurgeschiedenis: Renaissance--Italië --- 7.034 <45> Kunst van de renaissance; barok; rococo; koloniale stijl--Italië --- Mécénat --- Catalogues d'exposition. --- Ferrara [city] --- Este --- Mécénat.
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Art --- anno 1800-1999 --- Belgium --- Italy --- Artists --- Art, Belgian --- Art, Italian --- Prix de Rome --- Artistes --- Art belge --- Art italien --- Travel --- Voyages --- Belgians --- Expatriate artists --- History --- italianisanten --- Prijs van Rome --- geschiedenis --- 1830 - 1914 --- 19de eeuw --- 20ste eeuw --- België --- Italië --- 7 <09> --- invloedssfeer (x) --- interactie (x) --- C3 --- kunstenaars --- Italia [land - IT] --- België [land - BE] --- 19de eeuw (x) --- 1900-1914 (x) --- cultuur --- BPB0605 --- 709.493 --- 709.034 --- Kunstgeschiedenis. Kunsthistorie --- Kunst en cultuur --- Arts Europe Belgium --- Arts 19th century (1800 -1900) --- 7 <09> Kunstgeschiedenis. Kunsthistorie --- Artists, Expatriate --- Exiled artists --- Exiles --- Ethnology --- Persons --- Belgian art --- Sint-Martens-Latem (Group of artists) --- XX (Group of artists) --- Zwarte Panter (Group of artists) --- Art, Belgian - Italy - 19th century --- Art, Belgian - Italy - 20th century --- Expatriate artists - Italy --- Artists - Belgium --- Belgians - Italy - History - 19th century --- Belgians - Italy - History - 20th century --- Artistes belges --- Italie --- 19e-20e siecles --- italianisanten. --- Prijs van Rome. --- geschiedenis. --- 1830 - 1914. --- 19de eeuw. --- 20ste eeuw. --- België. --- Italië.
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John Shearman makes the plea for a more engaged reading of art works of the Italian Renaissance, one that will recognize the presuppositions of Renaissance artists about their viewers. His book is the first attempt to construct a history of those Renaissance paintings and sculptures that are by design completed outside themselves in or by the spectator, that embrace the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively or in time and space. He takes the lead from texts and artists of the period, for these artists reveal themselves as spectators. Among modern historiographical techniques, Reception Theory is closest to the author's method, but Shearman's concern is mostly with anterior relationships with the viewer--that is, relationships conceived and constructed as part of the work's design, making, and positioning. Shearman proposes unconventional ways in which works of art may be distinguished one from another, and in which spectators may be distinguished, too, and enlarges the accepted field of artistic invention. Furthermore, His argument reflects on the Renaissance itself. What is created in this period tends to be regarded as conventional, or inherent in the nature of painting and sculpture: he maintains that this is a careless, disengaged view that has overlooked the process of discovery by immensely inventive and visually intelllectual artists. John Shearman is William Door Boardman Professor of Fine Arts at Harvard University. Among his works are Mannerism (Hardmondsworth/Penguin), Raphael's Cartoons in the Collection of Her Majesty the Queen and the Tapestries for the Sistine Chapel (Phaidon), The Early Italian Paintings in the Collection of Her Majesty the Queen (Cambridge). and Funzione e Illusione (il Saggiatore).The A.W. Mellon Lectures in the Fine Arts, 1988Bollingen Series XXXV: 37Originally Publsihed in 1992The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Art, Italian. --- Art, Renaissance --- Audiences --- Psychology. --- Art, Italian --- -Audiences --- -Audiences, Communication --- Communication audiences --- Communication --- Spectators --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Renaissance art --- Psychology --- Social aspects --- -Psychology --- History --- Renaissance --- Painting --- Art --- anno 1400-1499 --- anno 1500-1599 --- Italy --- Art italien --- Art de la Renaissance --- Audiences, Communication --- Art, Renaissance - Italy. --- Audiences - Psychology. --- Italiaanse school --- Adolf von Hildebrand. --- Albrecht Dürer. --- Altarpiece. --- Andrea Fulvio. --- Andrea Mantegna. --- Andrea Solari. --- Andrea del Sarto. --- Antonello da Messina. --- Antonio Rossellino. --- Aretino. --- Bacchus and Ariadne. --- Baptistery. --- Baroque architecture. --- Basilica. --- Bembo. --- Camera degli Sposi. --- Caravaggio. --- Catullus. --- Cecilia Gallerani. --- Chiaroscuro. --- Christ among the Doctors (Dürer). --- Conceit. --- Cosimo de' Medici. --- Counter-Reformation. --- Cristofano Allori. --- Della Rovere. --- Diego Velázquez. --- Donatello. --- Duke of Florence. --- Edward Burne-Jones. --- Epigram. --- Famulus. --- Feast of the Gods (art). --- Filarete. --- Filippino Lippi. --- Galleria Borghese. --- Ginevra de' Benci. --- Giorgio Vasari. --- Giorgione. --- Giovanni Bellini. --- Giovanni Pisano. --- Giulio Romano. --- Grand manner. --- Hercules and Cacus. --- Heroides. --- High Renaissance. --- High place. --- Hyperbole. --- Intentionality. --- Jan van Eyck. --- Las Meninas. --- Lateran Baptistery. --- Lodovico Dolce. --- Madonna of the Harpies. --- Mario Equicola. --- Mario Praz. --- Marriage of the Virgin (Perugino). --- Masaccio. --- Master of the Virgo inter Virgines. --- Michelangelo. --- Mona Lisa Smile. --- Mystery play. --- National Gallery of Art. --- Orlando Furioso. --- Paragone. --- Parmigianino. --- Persius. --- Pesaro Madonna. --- Petrarch. --- Phrenology. --- Pietro da Cortona. --- Poetry. --- Poliziano. --- Pontormo. --- Pope Julius II. --- Pseudo-Bonaventura. --- Putto. --- Reginald Pole. --- Religion. --- Renaissance art. --- Richard Wollheim. --- Rokeby Venus. --- Romanticism. --- Ruggiero (character). --- Sack of Rome (1527). --- Saint Roch. --- Sandro Botticelli. --- Simone Martini. --- Sistine Chapel. --- Sleeping Venus (Giorgione). --- The Feast of the Gods. --- The Fire in the Borgo. --- The Philosopher. --- The School of Athens. --- The Spirit of the Laws. --- The Vision of the Cross. --- The Worship of Venus. --- Tintoretto. --- Titian. --- Work of art.
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History of civilization
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Art
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anno 1700-1799
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Italy
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Art, Italian
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Art, Classical
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Art, Dutch
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Dutch
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Tourism
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Art néerlandais
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Collectors and collecting
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History
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Exhibitions
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Expositions
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Italie dans l'art
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In art
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379.85
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7.074 "17"
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910.4 <45> "17"
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7.026
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72.025.21
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-Tourism
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-Art, Classical
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-Art, Dutch
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-Italian art
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Bamboccianti (Group of artists)
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Corrente (Group of artists)
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Cracking Art (Group of artists)
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Fronte nuovo delle arti (Group of artists)
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Geometria e ricerca (Group of artists)
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Girasole (Group of artists)
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Gruppo 1 (Group of artists)
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Gruppo Aniconismo dialettico (Group of artists)
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Gruppo di Como (Group of artists)
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Gruppo di Scicli (Group of artists)
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Gruppo Enne (Group of artists)
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Gruppo Forma uno (Group of artists)
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Italiens de Paris (Group of artists)
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Mutus Liber (Group of artists)
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Novecento italiano (Group of artists)
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Nuovi-nuovi (Group of artists)
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Origine (Group of artists)
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Sei pittori di Torino (Group of artists)
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Transvisionismo (Group of artists)
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Classical art
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Classical antiquities
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Holiday industry
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Operators, Tour (Industry)
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Tour operators (Industry)
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Tourism industry
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Tourism operators (Industry)
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Tourist industry
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Tourist trade
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Tourist traffic
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Travel industry
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Visitor industry
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Service industries
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National tourism organizations
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Travel
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Dutchmen (Dutch people)
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Hollanders
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Ethnology
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Vrijetijdsreizen. Toerisme
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Kunstverzameling. Activiteiten van verzamelaars--18e eeuw. Periode 1700-1799
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Ontdekkingsreizen. Reizen. Expedities. Reisverhalen--
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