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Farm produce --- Commercial products --- Chemistry, Agricultural --- Plants, Edible --- Colonies --- Agriculture Sciences --- General and Others --- Agriculture. Animal husbandry. Hunting. Fishery --- Periodicals --- Farm produce - Great Britain - Colonies - Periodicals. --- Commercial products - Great Britain - Colonies - Periodicals --- Chemistry, Agricultural - Periodicals. --- Plants, Edible - Periodicals

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Art styles --- artists' colonies --- anno 1800-1899 --- anno 1900-1999 --- Darmstadt

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Identifies the cultivation and landscaping of colonies as one of the primary ways imperial nations justified their empires.


Planting, transplanting, and seeding - landscaping practices that emerged in the eighteenth century - are inextricable from the contested terrain of empire within which they operated. Utilizing a wide range of sources - maps, literature, and travel writing - Jill H. Casid considers imperialism - its patriarchal organization, heterosexual reproduction, and slavery - and how it contributed to the construction of imperial power.

Transplanting (Plant culture) --- Sowing --- Agriculture and state --- Landscapes --- Colonies --- History --- Transplantation --- Semis --- Politique agricole --- Paysages --- Histoire --- kolonisatie (mensen) --- kolonialisme --- imperialisme --- landbouw --- Colonisation. Decolonisation --- Agriculture. Animal husbandry. Hunting. Fishery --- Great Britain --- 18th century --- France --- Caribbean Area

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Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall? How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon.The book is divided into four chronological sections, named after four different kinds of art space: The Palace, The Classroom, The Memorial and The Playground. Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India; the tattooed Maori skulls collected as 'art objects' by Europeans; and works by contemporary artists who are taking on colonial history in their work and activism today. The Whole Picture is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it

Museology --- Colonisation. Decolonisation --- Art --- art [fine art] --- museology --- history [discipline] --- colonization --- art criticism --- Art museums --- Imperialism in art. --- Art, Colonial. --- Museum techniques --- Museum exhibits. --- Cultural property --- Human remains (Archaeology) --- Social aspects. --- Exhibition techniques --- Repatriation. --- Great Britain --- Colonies. --- Cultural policy. --- kunst --- kunstgeschiedenis --- postkolonialisme --- dekolonisering --- monumenten --- musea --- museologie --- kunst en activisme --- 7.03 --- Museum exhibits --- Art, Colonial --- art [discipline]

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"Présentation de deux groupes artistiques belges de l'entre-deux-guerres, de leurs divergences et de leurs points de convergence. Au nord du pays, Laethem est le berceau des symbolistes et des expressionnistes flamands. Au sud, le groupe hennuyer Nervia comprend les peintres Anto Carte ou Louis Buisseret. Exhibition: Museé d'Ixelles, Ixelles, France (22.10.2015-17.01.2016)."

Painting --- Art styles --- Expressionist [style] --- artists' colonies --- anno 1910-1919 --- anno 1900-1909 --- anno 1920-1929 --- anno 1930-1939 --- Sint-Martens-Latem --- Wallonia --- Sint-Martens-Latem (Group of artists) --- Artists --- Art, Belgian --- Sint-Martens-Latem (Groupe d'artistes) --- Artistes --- Art belge --- Exhibitions. --- History --- Exhibitions --- Expositions --- Histoire --- Nervia (1928-1936) --- interbellum --- academisme --- Eeckman, Léon --- 20ste eeuw --- België --- Henegouwen (provincie) --- 20th century --- Belgium --- Groupe Nervia --- Nervia (1928-1936). --- interbellum. --- academisme. --- Eeckman, Léon. --- 20ste eeuw. --- België. --- Sint-Martens-Latem. --- Henegouwen (provincie). --- Latemse school