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The authentic performance of sixteenth-century music involves more than just reading the notes. The players and singers of the time were expected to add elaborate ornamentation according to very precise rules ; but exactly how these rules should be interpreted and applied has always presented considerable problems to the modern performer. this book - a clear, consice, practical guide to the kinds of ornamentation appropriate to sixteenth-centuy music - will be a valuable handbook for those who want to perform the music of the period

Embellishment (Music) --- Music theory --- History --- -Diminution (Music) --- Ornamentation (Music) --- Ornaments (Music) --- Music --- Musical theory --- Theory of music --- -Theory --- anno 1500-1599 --- renaissance muziek --- muziekgeschiedenis --- Renaissance --- Europe --- Diminution (Music) --- Performance practice (Music) --- Theory --- Performance --- 78.51 --- Embellishment (Music) - History - 16th century --- Music theory - History - 16th century

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muziektheorie --- modaliteit (muziek) --- polyfonie --- Music --- Tonality --- Part songs --- Part songs, Sacred --- Music theory --- History and criticism --- History --- Tonality. --- History and criticism. --- 78.24 --- 78.41.2 --- Part songs - History and criticism --- Part songs, Sacred - History and criticism --- Music theory - History - 16th century --- Music theory - History - 17th century

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Willaert, Adriaen --- Componisten --- Compositeurs --- Klassieke muziek --- Musique classique --- Willaert, Adriaan --- Willaert, Adrian --- Composers --- Motets --- Music --- Musique --- History and criticism. --- Social aspects --- History --- Histoire et critique --- Aspect social --- Histoire --- Willaert, Adrian, --- Venice (Italy) --- Venise (Italie) --- Social conditions --- Conditions sociales --- History and criticism --- 78 WILLAERT, ADRIAAN --- Academic collection --- Muziek--WILLAERT, ADRIAAN --- 78 WILLAERT, ADRIAAN Muziek--WILLAERT, ADRIAAN --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Motet --- Motets - History and criticism --- Music - Social aspects - Italy - Venice - History - 16th century --- Willaert, Adrian, - 1490?-1562 - Motets --- Venice (Italy) - Social conditions - To 1797 --- Motetten --- Muziekpsychologie --- Venetië --- 16e eeuw

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Theatrical science --- anno 1500-1599 --- Great Britain --- Shakespeare, William --- Theaters --- English drama --- Théâtres --- Théâtre anglais --- History --- History and criticism. --- Histoire --- Histoire et critique --- Shakespeare, William, --- Stage history --- English drama (Comedy) --- History and criticism --- Theater --- Drama in English --- England --- Ca 1600-ca 1615. --- English theatre --- Ca 1550-1644 --- Theatre --- Ca 1550-1644 related to --- Criticism and interpretation. --- Folk-drama, English --- Influence of English popular theatre --- Ca 1260-ca 1590. --- Knowledge --- Performing arts. --- English poetry --- Early plays --- Influence of English poetry --- Literature. --- Theater and society --- Social aspects --- Society --- Role of theatre --- Comedies --- English drama (Tragedy) --- Tragedies --- 82-2=20 --- 82-2=20 Toneel. Drama--Engels --- Toneel. Drama--Engels --- Theaters - England - London - History - 16th century --- English drama - Early modern and Elizabethan, 1500-1600 - History and criticism --- Shakespeare, William, - 1564-1616 - Stage history - To 1625 --- Shakespeare, William, - 1564-1616 - Stage history - England - London --- Shakespeare, William (1564-1616) --- Tragédie anglaise --- Critique et interprétation --- 16e siècle --- Shakespeare, William, - 1564-1616 --- theater --- theatergeschiedenis

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music [discipline] --- illuminated manuscripts --- Art --- Alamire, Petrus --- Music --- Painting --- muziekdrukken --- anno 1500-1599 --- Belgium --- Netherlands --- Geschiedenis van de nieuwe tijden --- Histoire des temps modernes --- Kunst --- Musique --- Muziek --- Charles --- muziek --- miniaturen --- verluchtingen --- partituren --- manuscripten --- Alamire, Petrus (pseud.) --- Karel V (Keizer van het Heilig Roomse Rijk) --- 16de eeuw --- Paleography, Musical --- Musical notation --- Illumination of books and manuscripts, Flemish --- Illumination of books and manuscripts, Renaissance --- Scribes --- Manuscripts --- History --- History and criticism. --- Enluminure --- Manuscrits --- Alamire, Petrus, --- 378.4 <493 KUL> --- 378.4 <493 LEUVEN> --- 091:78 --- 091 <064> --- 091.31 <493> --- -Music --- -Musical notation --- -Paleography, Musical --- -Scribes --- -Academic collection --- nieuwe tijd (x) --- 840 --- #GGSB: Muziek --- Copyists --- Handwriting, Musical --- Musical handwriting --- Musical paleography --- Ligatures (Music) --- Music autography --- Music copying --- Music manuscript --- Music notation --- Musical autography --- Notation, Musical --- Staff notation --- Musical meter and rhythm --- Signs and symbols --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Renaissance illumination of books and manuscripts --- Flemish illumination of books and manuscripts --- Universiteiten: Katholieke Universiteit Leuven--KUL --- Universiteiten--België--LEUVEN --- Handschriften i.v.m. muziek --- Handschriftenkunde. Handschriftencatalogi--Tentoonstellingscatalogi. Museumcatalogi --- Verluchte handschriften--België --- History and criticism --- -Muziekgeschiedenis: essays (histor. onderwerpen, literaire analyses) --- Charles V, Holy Roman Emperor --- -Margaret of Austria, Regent of the Netherlands --- -Art collections --- Art collections --- Exhibitions --- 091.31 <493> Verluchte handschriften--België --- 091 <064> Handschriftenkunde. Handschriftencatalogi--Tentoonstellingscatalogi. Museumcatalogi --- 091:78 Handschriften i.v.m. muziek --- 378.4 <493 LEUVEN> Universiteiten--België--LEUVEN --- 378.4 <493 KUL> Universiteiten: Katholieke Universiteit Leuven--KUL --- music [performing arts] --- Academic collection --- Muziekgeschiedenis: essays (histor. onderwerpen, literaire analyses) --- Margaret, --- Karel --- Carolus --- Charles-Quint --- Karl --- Keizer Karel --- Carlos --- Alamire, Pierre, --- Den Hove, Petrus van, --- Hove, Petrus van den, --- Imhove, Petrus, --- Van den Hove, Petrus, --- Margarete, --- Margaretha, --- Marguerite, --- 78.55 --- 378.4 <493 LEUVEN> Universities--Belgium--LEUVEN --- Universities--Belgium--LEUVEN --- 530 --- Muziekwetenschappelijke essays --- 916 --- Programmaboeken en -brochures --- Manuscrits musicaux. --- gedrukte uitgave van een muziekpartituur --- Music - Manuscripts - Exhibitions --- Paleography, Musical - Flanders - Exhibitions. --- Musical notation - Flanders - History - 16th century - Exhibitions. --- Music - Flanders - 16th century - History and criticism. --- Music - Belgium - 16th century - History and criticism. --- Illumination of books and manuscripts, Flemish - Exhibitions. --- Illumination of books and manuscripts, Renaissance - Flanders - Exhibitions. --- Scribes - Flanders. --- music [performing arts genre] --- muziekgeschiedenis --- Alamire, Petrus (pseud.). --- Karel V (Keizer van het Heilig Roomse Rijk). --- 16de eeuw. --- 1500 - 1535