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Japanese printmaking styles --- Ukiyo-e --- printmakers --- Hiroshige
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Japanese printmaking styles --- Ukiyo-e --- prentkunst --- Japan
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Graphic arts --- Japanese printmaking styles --- Ukiyo-e --- prints [visual works] --- Gogh, van, Vincent --- Japan
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prints [visual works] --- Edo [Japanese period] --- Japanese printmaking styles --- Ukiyo-e --- printmakers --- Hokusai
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Graphic arts --- prints [visual works] --- Japanese printmaking styles --- Ukiyo-e --- prentkunst --- Japan
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The Japanese colored woodblock print is among the most familiar and popular East Asian art forms in the West, thanks to the 19th-century fashion for all things Japanese―a fashion which brought about a huge transformation in Western art. Within Japan, the impact was just as significant. The perfection of the Japanese woodblock print ― a truly popular art― was not only a technical and economic feat, but also set off a cultural and social revolution. From the hand-colored prints of the 18th century to the famous depictions of the pleasure quarter and kabuki theater, from Meiji-era illustrations of the Sino-Japanese War to the modern new woodblock print of the early 20th century, the Japanese woodblock print married technological and formal innovation in a uniquely accessible form. It could convey images of all kinds, at low cost, to a demanding public hungry for information and enjoyment. It was the medium of a new, modern information culture. The Printed Image offers a chance to rediscover Japans groundbreaking woodblock printing culture. Colognes Museum für Ostasiatische Kunst has been collecting Japanese woodblock prints and books for more than 100 years, and this publication brings together the best of its holdings in a major new survey of the art form.
Exhibitions --- Graphic arts --- prints [visual works] --- woodcut [process] --- Japanese printmaking styles --- Ukiyo-e --- Japan --- Museum für Ostasiatische Kunst [Köln] --- museumcollectie
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Of all the sophisticated traditional arts and crafts of Japan, woodblock prints are probably the most widely known in the West. The bold yet refined compositions are as fresh to the Western eye today as they were when they first came to the attention of the Impressionists in the nineteenth century. With their fluid lines, intricate carving and delicate colours, Japanese prints are still as fascinating as ever. In this book, Rebecca Salter takes us through the history of the Japanese woodblock, discusses the materials, tools, and papers available (and their Western equivalents) and shows how to get the most out of them through interesting step-by-step projects. The work of an international group of artists shows the varied and exciting prints being produced today.
Graphic arts --- woodcuts [prints] --- color prints [prints] --- woodcut [process] --- Japanese printmaking styles --- Ukiyo-e --- carving gouges --- grafische technieken --- pigment --- Japanese paper [handmade paper] --- Japanese [culture or style] --- barens --- whetstones --- brushes [implements] --- prentkunst --- grafische technieken --- Japan
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prentkunst --- Kuniyoshi, Utagawa --- 76 <520> "18" --- 76 KUNIYOSHI --- Grafische kunsten. Grafiek. Prentkunst--Japan--19e eeuw. Periode 1800-1899 --- Grafische kunsten. Grafiek. Prentkunst--KUNIYOSHI --- 76 <520> "18" Grafische kunsten. Grafiek. Prentkunst--Japan--19e eeuw. Periode 1800-1899 --- printmakers --- Ukiyo-e --- Japanese printmaking styles --- prints [visual works] --- Utagawa, Kuniyoshi --- Kuniyoshi, Ichiyusai
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Preface by Chris Uhlenbeck Acknowledgements by Chris Uhlenbeck & Margarita Winkel Editorial Notes Shunga: the Issues by Chris Uhlenbeck The Setting for shunga: the Yoshiwara by Cecilia Segawa Seigle Erotic Books in the Floating World of Urban Life by Margarita Winkel The Catalogue ('The Primitives'; The Age of Harunobu, Kiyonaga and Utamaro; The Nineteenth Century; The Meiji Period and Beyond); Appendix: Japanese characters for book, print and series titles; Glossary; Bibliography; General Index; Artists' Index.
Color prints, Japanese --- Erotic prints, Japanese --- J6212.50 --- Japanese erotic prints --- Japan: Art and antiquities -- painting and drawing -- ukiyo-e -- themes and subjects -- erotic prints, shunga --- Graphic arts --- life drawings --- prints [visual works] --- nudes [representations] --- eroticism --- Japan --- erotica --- shunga [visual works] --- Edo [Japanese period] --- Japanese printmaking styles --- prentkunst --- erotische kunst --- Harunobu, Suzuki --- Utamaro, Kitagawa --- Kiyonaga, Torii --- anno 1600-1699 --- anno 1700-1799 --- anno 1800-1899
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De Japanse prentencollectie van de Koninklijke Musea voor Schone Kunsten van België telt meer dan 7500 exemplaren en geniet dankzij zijn uitstekende conservatie wereldwijde faam. Aan de hand van 360 prenten uit die verzameling toont deze publicatie een compleet overzicht van de evolutie van de Japanse prentkunst Kunstenaars als Harunobu, Shunsho, Kiyonaga, Utamaro en Sharaku beeldden dat vluchtige genot uit in prenten met courtisanes en acteurs, de sterren van het nachtleven van de toenmalige hoofdstad Edo. Iconische kunstenaars als Hokusai en Hiroshige vereeuwigden in hun landschappen het traditionele Japan Ook de luxueuze privé-uitgaven, de erotische prenten, de geraffineerde productie van Osaka en de nieuwe prentkunst van de vroege 20ste eeuw komen ruim aan bod.
Graphic arts --- Japanese printmaking styles --- Ukiyo-e --- prints [visual works] --- Royal Museums of Art and History [Brussels] --- Japan --- 76(520) --- 761 --- Grafiek ; Japan ; 17de tot 20ste eeuw --- Japanse prenten ; uit de Koninklijke Musea voor Kunst en Geschiedenis, Brussel --- Kabuki-theater --- Tentoonstellingscatalogi ; Brussel ; Kon. Musea voor Kunst en Geschiedenis --- J6210 --- J6013.21 --- Grafische kunst ; Japan --- Grafische kunst ; hoogdruktechnieken --- Japan: Art and antiquities -- painting and drawing -- ukiyo-e --- Japan: Art and antiquities -- musea, exhibitions, collections, fairs in Europe -- Belgium --- Exhibitions --- Japanse prenten --- Vormgeving --- Geschiedenis --- China --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum
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