Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

A bold reappraisal of Land art through the pioneering work of 12 women sculptors. Using materials such as earth, wind, water, fire, wood, salt, rocks, mirrors and explosives, American artists of the 1960s began to move beyond the white cube gallery space to work directly in the land. With ties to Minimal and Conceptual art, these artists placed less emphasis on the discrete object and turned their attention to the experience of the artwork-however fleeting or permanent that might be-foregrounding natural materials and the site itself to create large-scale works located outside of typical urban art-world circuits. Histories of Land art have long been dominated by men, but Groundswell: Women of Land Art shifts that focus to shed new light on the vast number of earthworks by women artists. While their careers ran parallel to those of their better-known male counterparts, they have received less recognition and representation in museum presentations-until now. This book includes five scholarly essays, as well as a detailed chronology, exhibition checklist and illustrated biographies of exhibition artists. Groundswell is a resource for readers interested in understanding the historical Land art movement and our own relationship to the earth. Artists include: Lita Albuquerque, Alice Aycock, Beverly Buchanan, Agnes Denes, Maren Hassinger, Nancy Holt, Patricia Johanson, Ana Mendieta, Mary Miss, Jody Pinto, Michelle Stuart and Meg Webster.

Sculpture --- earthworks [sculpture] --- environmental art --- vrouwelijke kunstenaar --- vrouw in de kunst --- United States of America --- Art minimal --- Land art --- Femme --- Art conceptuel --- Etats-Unis --- Earthworks (Art) --- Women artists --- Conceptual art --- Environment (Art) --- Nature in art --- Femmes artistes --- Environnement (Art) --- Nature dans l'art --- Conceptual art. --- Nature in art. --- Expositions --- 2000-2099

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Best known for his atmospheric landscapes featuring contemplative figures silhouetted against night skies and morning mists, Caspar David Friedrich (1774–1840) came of age alongside a German Romantic philosophical movement that saw nature as an organic and interconnected whole. The naturalists in his circle believed that observations about the animal, vegetable, and mineral kingdoms could lead to conclusions about human life. Many of Friedrich’s often-overlooked later paintings reflect his engagement with these philosophical ideas through a focus on isolated shrubs, trees, and rocks. Others revisit earlier compositions or iconographic motifs but subtly metamorphose the previously distinct human figures into the natural landscape. In this revelatory book, Nina Amstutz combines fresh visual analysis with broad interdisciplinary research to investigate the intersection of landscape painting, self-exploration, and the life sciences in Friedrich’s mature work. Drawing connections between the artist’s anthropomorphic landscape forms and contemporary discussions of biology, anatomy, morphology, death, and decomposition, Amstutz brings Friedrich’s work into the larger discourse surrounding art, nature, and life in the 19th century

Landscape painting, German. --- Nature in art. --- Friedrich, Caspar David, --- Criticism and interpretation. --- Painting, German --- Drawing --- Painting --- drawings [visual works] --- Romantic [modern European styles] --- easel paintings [paintings by form] --- interpretation --- philosophy of art --- Friedrich, Caspar David --- natuur --- natuur. --- Friedrich, Caspar David. --- metafysische schilderkunst --- landschapsschilderkunst

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Biotechnology --- Art --- bioengineering --- Wight, Gail --- Whittaker, Elaine --- Reyers, Zeger --- Knep, Brian --- Dewey-Hagborg, Heather --- Barnett, Heather --- Piccinini, Patricia --- Essaïdi, Jalila --- Beesley, Philip --- Anker, Suzanne --- Eynde, Vanden, Maarten --- Camara Leret, Susana --- Rockman, Alexis --- Laitinen, Antti --- Pei-Yin Lin --- Burton Nitta --- Gellie, Yves --- Spačal, Saša --- Sherwood, Dana --- Kac, Eduardo --- Collet, Carole --- Voss-Andreae, Julian --- Ayala, Ràul Ortega --- Smrekar, Maja --- Macdowell, Kate --- Bäumel, Sonja --- Vermeulen, Angelo --- Haseltine, Mara --- Westphal, Uli --- Kim, Raphael --- Chapple, Boo --- Duncan, Robbie Anson --- Fournier, Vincent --- Driessens & Verstappen --- Shen, Kuai --- Petrič, Špela --- Makoto, Azuma --- Dumitriu, Anna --- Oxman, Neri --- Hasegawa, Ai --- Berry, Drew --- Licari, Giuseppe --- Spohler, Henrik --- Sussman, Rachel --- Palmer, Ollie --- High, Kathy --- Romanello, Nikki --- Dion, Mark --- McCormack, Jon --- Lohmann, Julia --- Jarvis, Charlotte --- BLC --- Center for PostNatural History [Pittsburgh, Pa] --- Next Nature Network [Amsterdam] --- Katrin Schoof: Communications, Design [Berlin] --- Studio PSK [London] --- Center for Genomic Gastronomy --- anno 2000-2099 --- Biotechnology in art. --- Science in art. --- Nature in art. --- Art and science. --- Art and technology. --- 7.049 --- 7.039 --- Beeldende kunst ; 21ste eeuw ; Bio Art --- Biotechnologie in de kunst --- Kunst en wetenschap --- Organismen ; genetische modificaties in de kunst --- kunst --- Hasegawa Ai --- Studio PSK --- Jarvis Charlotte --- Dumitriu Anna --- Nitta Burton --- Kim Raphael --- Vermeulen Angelo --- Beesley Philip --- Reyers Zeger --- Ayala Raul Ortega --- Sherwood Dana --- Whittaker Elaine --- Shen Kuai --- Palmer Ollie --- Lohmann Julia --- Knep Brian --- McCormack Jon --- Duncan Robbie Anson --- Voss-Andreae Julian --- Wigth Gail --- High Kathy --- Lin Pei-Ying --- Barnett Heather --- Bäumel Sonja --- Bio Visualizations --- Berry Drew --- Dewey-Hagborg Heather --- Spacal Sasa --- Thought Collider --- Rockman Alexis --- Haseltine Mara --- Romanello Nikki --- Sussman Rachel --- Vanden Eynde Maarten --- Chapple Boo --- Dion Mark --- Petric Spela --- Licari Giuseppe --- Laitinen Antti --- Spohler Henrik --- Gellie Yves --- Westphall Uli --- Schoof Katrin --- Essaïdi Jalila --- Verstappen Maria --- Driessens Erwin --- Kac Eduardo --- Collet Carole --- Piccinini Patricia --- Oxman Neri --- Anker Suzanne --- MacDowell Kate --- Center for Genomic Gatronomy --- Center for PostNatural History --- Smrekar Maja --- Hendriks Arne --- biotechnologie --- Next Nature Network --- Makoto Azuma --- Fournier Vincent --- kunst en technologie --- biologie --- kunst en biologie --- kunst en wetenschap --- Technology and art --- Technology --- Science and art --- Science --- Iconografie ; verschillende onderwerpen --- Kunstgeschiedenis ; 2000 - 2050 --- Biokunst --- Kunst ; 2000 --- -Biotechnology in art. --- -Biotechnology --- Biotechnology in art --- Science in art --- Nature in art --- Art and science --- Art and technology --- -Biotechnology in art --- The Center for Genomic Gastronomy --- bio-kunst