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Art --- anno 1800-1899 --- Great Britain --- Romanticism in art --- -Idealism in art --- Naturalism in art --- Realism in art --- -Romanticism in art --- romantiek --- Romantic [modern European styles] --- Groot-Brittannië --- -Romanticism (Art) --- Romanticism (Art) --- Idealism in art --- romantiek. --- Groot-Brittannië.

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muziekkritiek --- Hoffmann, Ernst T.A. --- Music --- Romanticism in music. --- History and criticism.

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Composers --- Songs, German --- Romanticism --- Compositeurs --- Chansons allemandes --- Romantisme --- Analysis, appreciation --- History --- Analyse et appréciation --- Histoire --- Schubert, Franz, --- muziekfilosofie --- liederen --- Schubert, Franz --- Germany

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History of civilization --- History of Europe --- anno 1800-1899 --- Collective memory --- Cultural property --- Historicism --- Historiography --- Nationalism --- Romanticism --- Social aspects --- Europe --- Historiography. --- Cultural policy. --- Social conditions. --- Politics and government. --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- Historical criticism --- History --- Authorship --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- Memory --- Social psychology --- Group identity --- National characteristics --- Criticism --- Philosophy --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- Politics --- Music --- muziekgeschiedenis

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La passion de Liszt pour les arts est essentielle : il ne peut regarder certaines oeuvres sans les mettre en musique. Ses écrits, lettres et articles révèlent sa culture et sa connaissance de l'art et du milieu artistique. Son texte sur la "Sainte Cécile" de Raphaël, par exemple, dévoile ses talents de critique et d'observateur méthodique. Son regard semble procéder à l'instar de celui de Panofsky un siècle plus tard. Grâce à ce rapprochement, l'auteur de ce livre a pu présenter l'ensemble des oeuvres de Liszt inspirées d'arts visuels, notamment "Sposalizio", "Totentanz", "Von der Wieger bis zum Grabe", qui reflètent ses préoccupations principales que sont l'art, la religion et la mort.

Liszt, Franz --- Romanticism in music --- Program music --- Art and music --- Romantisme dans la musique --- Musique à programme --- Art et musique --- Liszt, Franz, --- Panofsky, Erwin, --- Musique à programme --- Symbolism in art --- Symbolisme dans l'art --- Art et musique. --- Critique et interprétation.