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Background noise
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ISBN: 9781628923537 1628923539 9781628923544 1628923547 9781628923520 1628923520 1501309102 Year: 2015 Publisher: New York, NY

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"Background Noise follows the development of sound as an artistic medium and illustrates how sound is put to use within modes of composition, installation, and performance. While chronological in its structure, Brandon LaBelle's book is informed by spatial thinking - weaving architecture, environments, and the specifics of location into the work of sound, with the aim of formulating an expansive history and understanding of sound art. At its center the book presupposes an intrinsic relation between sound and its location, galvanizing acoustics, sound phenomena, and the environmental with the tensions inherent in what LaBelle identifies as sound's relational dynamic. For the author, this is embedded within sound's tendency to become public expressed in its ability to travel distances, foster cultural expression, and define spaces while being radically flexible. This second expanded edition includes a new chapter on the non-human and subnatural tendencies in sound art, revisions to the text as well as a new preface by the author. Intersecting material analysis with theoretical frameworks spanning art and architectural theory, performance studies and media theory, Background Noise makes the case that sound and sound art are central to understandings of contemporary culture"--Provided by publisher.


Book
Sound art : sound as a medium of art

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Overview. This milestone volume maps fifty years of artists' engagement with sound. Since the beginning of the new millennium, numerous historical and critical works have established Sound Art as an artistic genre in its own right, with an accepted genealogy that begins with Futurism, Dada, and Fluxus, as well as disciplinary classifications that effectively restrict artistic practice to particular tools and venues. This book, companion volume to a massive 2012-2013 exhibition at ZKM/Center for Art and Media, Karlsruhe, goes beyond these established disciplinary divides to chart the evolution and the full potential of sound as a medium of art. The book begins with an extensive overview by volume editor and ZKM CEO Peter Weibel that considers the history of sound as media art, examining work by visual artists, composers, musicians, and architects alike. Subsequent essays examine sound experiments in antiquity, sonification of art and science, and Internet-based sound art. Experts then survey the global field of sound art research and practice, in essays that describe the past, present, and future of sound art in Germany, Japan, China, the United States, the United Kingdom, Russia, Canada, and Scandinavia. The texts are accompanied by hundreds of color images drawn from the ZKM exhibition.


Periodical
Gramophone. : The classical music magazine
Authors: --- --- --- --- --- et al.
ISSN: 0017310X Year: 1923 Publisher: Teddington Haymarket.


Periodical
Diapason.
ISSN: 12920703 2273192X Year: 1993 Publisher: Paris : Editions mondiales presse centres d'interêt,


Periodical
Advances in acoustics and vibration.
Author:
ISSN: 16876261 1687627X Year: 2007 Publisher: New York, NY : Hindawi Pub. Corp.,


Book
Hi
Authors: ---
Year: 2016 Publisher: Antwerp Studio Start

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Periodical
The record collector.
Authors: --- ---
ISSN: 00341568 Year: 1946 Publisher: Broomfield, Eng. Record Collector.


Book
Le son : traité d'acoulogie
Author:
ISBN: 9782200247911 2200247915 Year: 2010 Publisher: Paris: Armand Colin,

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Etat des lieux sur les disciplines qui concernent le son (acoustique, musique, etc.), panorama sur le sonore dans la vie quotidienne, la littérature, le cinéma et historique des mutations que le son a connues. Prolongeant la démarche de Pierre Schaeffer, l'auteur esquisse le programme d'une discipline nouvelle nommée acoulogie.

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