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"Background Noise follows the development of sound as an artistic medium and illustrates how sound is put to use within modes of composition, installation, and performance. While chronological in its structure, Brandon LaBelle's book is informed by spatial thinking - weaving architecture, environments, and the specifics of location into the work of sound, with the aim of formulating an expansive history and understanding of sound art. At its center the book presupposes an intrinsic relation between sound and its location, galvanizing acoustics, sound phenomena, and the environmental with the tensions inherent in what LaBelle identifies as sound's relational dynamic. For the author, this is embedded within sound's tendency to become public expressed in its ability to travel distances, foster cultural expression, and define spaces while being radically flexible. This second expanded edition includes a new chapter on the non-human and subnatural tendencies in sound art, revisions to the text as well as a new preface by the author. Intersecting material analysis with theoretical frameworks spanning art and architectural theory, performance studies and media theory, Background Noise makes the case that sound and sound art are central to understandings of contemporary culture"--Provided by publisher.
Sound in art. --- Sound installations (Art) --- Arts, Modern --- Environmental sound installations (Art) --- Sound environments (Art) --- Sound sculpture (Art installations) --- Installations (Art) --- Sound art. --- Ars acustica --- Audio art --- Art --- Music --- Music: styles & genres --- muziekpsychologie --- muzieksociologie --- muziekgeschiedenis --- anno 1900-1999
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Overview. This milestone volume maps fifty years of artists' engagement with sound. Since the beginning of the new millennium, numerous historical and critical works have established Sound Art as an artistic genre in its own right, with an accepted genealogy that begins with Futurism, Dada, and Fluxus, as well as disciplinary classifications that effectively restrict artistic practice to particular tools and venues. This book, companion volume to a massive 2012-2013 exhibition at ZKM/Center for Art and Media, Karlsruhe, goes beyond these established disciplinary divides to chart the evolution and the full potential of sound as a medium of art. The book begins with an extensive overview by volume editor and ZKM CEO Peter Weibel that considers the history of sound as media art, examining work by visual artists, composers, musicians, and architects alike. Subsequent essays examine sound experiments in antiquity, sonification of art and science, and Internet-based sound art. Experts then survey the global field of sound art research and practice, in essays that describe the past, present, and future of sound art in Germany, Japan, China, the United States, the United Kingdom, Russia, Canada, and Scandinavia. The texts are accompanied by hundreds of color images drawn from the ZKM exhibition.
Art --- sound art --- Sound in art. --- Music in art. --- Musical instruments in art. --- Musical notation in art. --- Son dans l'art --- Sound in art --- Sound --- Equipment and supplies. --- Recording and reproducing --- Digital techniques. --- Recording and reproducing. --- Sound art --- 781.1 --- Audio equipment --- Audio equipment industry --- Digital audio --- Digital sound recording --- Digital electronics --- Disk recording --- Recording of sound --- Reproducing of sound --- Sound recording and reproducing --- Sounds --- Ars acustica --- Audio art --- Music --- Digital techniques --- Equipment and supplies --- Geluidskunst --- Apparatus --- Time-based art
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Phonograph --- Music --- High-fidelity sound systems --- Audio equipment industry --- Sound recordings --- Audio equipment industry. --- High-fidelity sound systems. --- Phonograph. --- Sound recordings. --- Grammofoonplaten. --- Compact discs. --- Muziekkritiek. --- 950 --- Algemene tijdschriften --- Periodicals --- muziek --- Great Britain --- Arts and Humanities --- Literature
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Music --- Sound recordings --- High-fidelity sound systems --- High-fidelity sound systems. --- Sound recordings. --- #ANTIL9906 --- Musique. --- klassieke muziek --- France --- Arts and Humanities --- Literature --- Musique --- Enregistrements sonores --- Haute fidélité --- Périodiques --- Comptes rendus
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Sound --- Vibration --- Acoustique --- Periodicals. --- Périodiques --- sound --- vibration --- Sound. --- Vibration. --- Cycles --- Mechanics --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Engineering and manufacturing industries. --- Physics. --- Acoustics & Sound. --- Engineering and manufacturing industries --- Vibrations --- akoestiek
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Art --- installations [visual works] --- sound art --- Garnica, Maika
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"A magazine for collectors of recorded vocal art" (varies).
Sound recordings --- Music --- Enregistrements sonores --- Musique --- Periodicals. --- Discography --- Periodicals --- Reviews --- Périodiques --- Discographie --- Comptes rendus --- Sound recordings. --- Périodiques --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Ancient music --- Music, Ancient --- Audio-visual materials --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries)
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Music --- Sound recordings --- Sound recordings. --- Music Collecting. --- Classical Music. --- Gramophiles --- Record collecting --- Record collectors --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Collectors and collecting --- Collectors and collecting. --- Discography --- Arts and Humanities --- Literature --- Historische opnames --- Besprekingen
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Sound --- Computer sound processing --- Son --- Recording and reproducing --- Digital techniques --- Periodicals. --- Enregistrement et reproduction --- Techniques numériques --- Périodiques --- Traitement par ordinateur --- Computer sound processing. --- Digital techniques. --- Engineering --- Electrical Engineering --- audio signals --- Sound processing, Computer --- Electronic digital computers --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Digital audio --- Digital sound recording --- Digital electronics --- speech communication --- audio processes --- Vibrations --- Computer. Automation
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Etat des lieux sur les disciplines qui concernent le son (acoustique, musique, etc.), panorama sur le sonore dans la vie quotidienne, la littérature, le cinéma et historique des mutations que le son a connues. Prolongeant la démarche de Pierre Schaeffer, l'auteur esquisse le programme d'une discipline nouvelle nommée acoulogie.
Sound --- Music --- Recording and reproducing --- Acoustics and physics --- Sound effects. --- klank --- muziekpsychologie --- film --- geluiden --- esthetiek --- Motion pictures --- Cinéma --- Son --- Auditory perception --- Listening --- Sound in motion pictures --- Social aspects --- Physiological aspects --- Psychological aspects --- Sound - Recording and reproducing --- Music - Acoustics and physics --- Sound - Social aspects --- Auditory perception - Social aspects --- Music - Physiological aspects --- Music - Psychological aspects
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