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Born in London in 1963, Rachel Whiteread is one of Britain s most exciting contemporary artists. Her work is characterised by its use of industrial materials such as plaster, concrete, resin, rubber and metal. With these she casts the surfaces and volume in and around everyday objects and architectural space, creating evocative sculptures that range from the intimate to the monumental. Whiteread came to prominence in 1990 with her work House 1993 4, a life-sized cast of the interior of a condemned terraced house in London s East End, which existed for a few months before it was controversially demolished. She subsequently won the Turner Prize in 1993, the first woman to do so, and has gone on to create major public projects ever since, notably the Holocaust Memorial 1995 in Vienna, and Cabin 2015 in New York. A major mid-career retrospective at Tate Britain (Whiteread s first) will bring together her iconic works and series (including Untitled (Staircase) 2001), along with new work made especially for the exhibition. New texts will explore a range of themes in Whiteread s practice, from Ghost and the domestic, to public commissions, to housing and the wider social context of her work. An extended biography and bibliography will update available information on the artist. The book will be beautifully designed and illustrated throughout and will feature colour reproductions of all exhibited works, making it the most significant overview of the artist to date. A major new publication on an artist who has single-handedly expanded the barriers of contemporary sculpture.

Whiteread, Rachel --- WHITEREAD R --- sculptors --- MAD-faculty 18 --- hedendaagse kunstenaars --- sculpturen --- architectuurelementen

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Sculpture as a specific medium is rarely investigated within a deeply cultural, philosophical context, nor within visual art itself. Whilst discussions about installation art, performance art, or other 3D art forms are widespread, the discourse on sculpture seems to be stuck in historical, material, or thematic frameworks. This is a loss for our understanding of art in general, and of sculpture in particular. In order to assess contemporary art practices, one should have a better understanding of the logics that are at work within sculpture as a medium, and how they differ from other art forms. Drawing from literature, philosophy, psychoanalysis and semiotics, Ernst van Alphen explores 'seven logics' of sculpture: the logic of inner necessity; the logic of narration; the logic of sculpting space; the logic of the solid; the logic of assemblage; the logic of architectural space; and the logic of the specific object. These relate to aspects such as the senses, the skin, the body, objecthood, narrative dynamics, the shaping of space, fragmentation, and montage. 'Seven logics of sculpture' opens up new ways of looking at, understanding, and appreciating sculpture, placing the medium at the heart of art's experience; how sculpture can be shaped, assembled, encountered, seen and embodied.

73.036/039 --- beeldhouwkunst --- beeldhouwkunst en architectuur --- architectuur --- twintigste eeuw --- eenentwintigste eeuw --- kunstgeschiedenis --- kunst --- kunsttheorie --- 73.01 --- Giacometti Alberto --- Bourgeois Louise --- Hovy Hans --- Szapocznikow Alina --- Tahon Johan --- Hesse Eva --- Christensen Jeannette --- Rodin Auguste --- Bernini Gian Lorenzo --- Hepworth Barbara --- Kobro Katarzyna --- Andre Carl --- Serra Richard --- Judd Donald --- Sandback Fred --- Nauman Bruce --- Whiteread Rachel --- Kirkeby Per --- Schouten Marien --- Vermeiren Didier --- Janssens Ann Veronica --- Clark Lygia --- Hammons David --- Kesteren, Maria van --- Lap Geert --- Bakker Aldo --- Choucair Saloua Raouda --- Kunsttheorie ; kunstbeschouwing ; beeldhouwkunst --- Beeldhouwkunst ; theorie ; kunstbeschouwing --- Beeldhouwkunst ; kunsttheorie --- Beeldhouwkunst ; 20ste en 21ste eeuw --- Beeldhouwkunst ; theorie, filosofie, esthetica --- Sculpture --- philosophy of art --- sculpting

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hedendaagse kunst --- philosophy of art --- supernatural --- Art --- Contemporary [style of art] --- art [fine art] --- atrocities --- De Beer, Sue --- Kelley, Mike --- Warhol, Andy --- Gober, Robert --- Cardiff, Janet --- Sherman, Cindy --- McCarthy, Paul --- Douglas, Stan --- Gordon, Douglas --- Bourgeois, Louise --- Dean, Tacita --- Margolles, Teresa --- Barney, Matthew --- Pfeiffer, Paul --- Hawkins, Richard --- Schneider, Gregor --- Hirst, Damien --- Dion, Mark --- Whiteread, Rachel --- anno 2000-2009 --- anno 1900-1999 --- Art styles --- anno 1990-1999 --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- kunsttheorie --- gothic --- horror --- Barney Matthew --- Bourgeois Louise --- Cardiff Janet --- Dean Tacita --- De Beer Sue --- Dion Mark --- Douglas Stan --- Gober Robert --- Gordon Douglas --- Hawkins Richard --- Hirst Damien --- Kelley Mike --- McCarthy Paul --- Margolles Teresa --- Pfeiffer Paul --- Schneider Gregor --- Sherman Cindy --- Warhol Andy --- Whiteread Rachel --- 7.04 --- 7.038/039 --- 7.039 --- 82-34 --- Hedendaagse kunststromingen.Post-moderne kunst --- Sprookje. Legende. Mythe --- Horror in art. --- Arts, Modern --- Psychological aspects. --- 7.049 --- Iconografie ; verschillende onderwerpen --- 82-34 Sprookje. Legende. Mythe --- 7.039 Hedendaagse kunststromingen.Post-moderne kunst --- Thema's in de kunst ; Gothic ; horror --- Horror in art --- Modern arts --- Psychological aspects --- Kunst --- bovennatuurlijk --- kunstfilosofie --- Beer, de, Sue --- Art, Modern --- Subculture --- art [discipline]

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Breaking the Mould: Sculptures by Women since 1945 will be the first publication to focus on women sculptors in Britain from the post-war period to today: their art, their influences, and their interaction with the art-world structures that surround them.

Presenting multiple voices and perspectives, the book will include an essay by curator Natalie Rudd, alongside complementary texts from artists, writers and curators presenting fresh critical thinking on the subject and will illustrate the work of over 40 artists. The book also features a timeline, highlighting key events and developments over the last 75 years.

Artists featured include: Phyllida Barlow, Rana Begum, Helen Chadwick, Alice Channer, Lygia Clark, Elisabeth Frink, Anya Gallaccio, Mona Hatoum, Barbara Hepworth, Shirazeh Houshiary, Mary Kelly, Karin Jonzen, Liliane Lijn, Kim Lim, Sarah Lucas, Cathy de Monchaux, Margaret Organ, Cornelia Parker, Kathy Prendergast, Rebecca Warren, Rachel Whiteread and Alison Wilding.

Accompanies the touring exhibition starting at Longside Gallery, Yorkshire Sculpture Park 3 Apr – 14 Jun 2020 and travelling to New Art Gallery Walsall, Jul – Sep 2020; Djanogly Gallery, Nottingham Lakeside Arts, Mar – Jun 2021 and Ferens Art Gallery, Hull, Jul – Sep 2021.

Sculpture --- women [female humans] --- Lijn, Liliane --- Hepworth, Barbara --- Frink, Elisabeth --- Gallaccio, Anya --- Wilding, Alison --- Alley, Anthea --- Barlow, Phyllida --- Cluett, Shelagh --- Monchaux, de, Cathy --- Douglas Camp, Sokari --- Finn-Kelcey, Rose --- Gili, Katherine --- Hamilton, Anthea --- Haworth, Jann --- Jonzen, Karin --- Kaur, Permindar --- Marten, Helen --- Nogueira, Lucia --- Pica, Amalia --- Prendergast, Kathy --- Rothschild, Eva --- Ryan, Veronica --- Taylor, Wendy --- Tompkins, Hayley --- Wakely, Shelagh --- Warren, Rebecca --- Young, Rosemary --- Collins, Susan --- Organ, Margaret --- Flood-Paddock, Jessie --- Channer, Alice --- Cuddon, Katie --- Schwindt, Grace --- Rutherford, Meg --- Hatoum, Mona --- Kelly, Mary --- Clark, Lygia --- Lucas, Sarah --- Parker, Cornelia --- Houshiary, Shirazeh --- Chadwick, Helen --- Lim, Kim --- Martin, Mary --- Park, Emma --- Whiteread, Rachel --- anno 1940-1949 --- anno 1950-1959 --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- anno 1990-1999 --- anno 2000-2009 --- anno 2010-2019 --- Women sculptors --- Sculpture, British --- 73.038 --- 73.039 --- Vrouwelijke kunstenaars --- Beeldhouwkunst ; installaties --- British sculpture --- Sculptresses --- Sculptors --- Women artists --- Beeldhouwkunst ; 1950 - 2000 --- Beeldhouwkunst ; 2000 - 2050 --- Exhibitions --- sculpture [visual works] --- England

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Lens-Based Sculpture shows the relation between sculpture and photography for the first time from the perspective of the history of sculpture.

The overview with 200 works, spanning the twentieth century and beyond, from more than 70 international artists shows how modern sculpture detached itself from the millennial principle of statuary sculpture and evolved into a new artistic praxis where the whole of reality with its diverse tactile, spatial, and media phenomena is sculptural material.

The photo camera serves as sculpture’s primary tool, as a sketchbook and facilitator for spatial and structural representation in mass and form.

Featuring the work of Umberto Boccioni, Marcel Duchamp, Tony Cragg, Valie Export, Rebecca Horn, Ron Mueck, Bruce Nauman, Giuseppe Penone, and Kiki Smith, among many others.

Sculpture --- sculpture [visual works] --- photography [process] --- Brancusi, Constantin --- Horn, Rebecca --- Baumgarten, Lothar --- Broodthaers, Marcel --- Cragg, Tony --- Dibbets, Jan --- Barba, Rosa --- Lang, Nikolaus --- Oppenheim, Dennis --- Cocteau, Jean --- Blume, Bernhard --- Bellmer, Hans --- Blume, Anna --- Kummer, Raimund --- Ono, Yoko --- Simonds, Charles --- Duchamp, Marcel --- Ahearn, John --- Brandmeier, Monika --- Segal, George --- Morris, Robert --- Smithson, Robert --- Lincoln, Paul Etienne --- Beuys, Joseph --- Pippin, Steven --- Rahmann, Fritz --- Sauer, Michel --- Stadtbäumer, Pia --- Moholy-Nagy, László --- Penone, Giuseppe --- Demenÿ, Georges --- Seifried, Volker --- Serra, Richard --- Boccioni, Umberto --- Rodin, Auguste --- Hatoum, Mona --- Export, Valie --- Jonas, Joan --- Ruthenbeck, Reiner --- Kusama, Yayoi --- Hanson, Duane --- Klingelhöller, Harold --- Anselmo, Giovanni --- Duchamp-Villon, Raymond --- Chamberlain, John --- Gilbert and George --- Hirschhorn, Thomas --- Honert, Martin --- Nauman, Bruce --- Noland, Cady --- Signer, Roman --- Smith, Kiki --- Alÿs, Francis --- Mueck, Ron --- Appelt, Dieter --- Brus, Johannes --- Burden, Chris --- Ecker, Bogomir --- Kuppel, Edmund --- Mendieta, Ana --- Sander, Karin --- Whiteread, Rachel --- McLean, Bruce --- Marey, Étienne-Jules --- Huber, Stephan --- Bragaglia, Anton Giulio --- Deacon, Richard --- Matta-Clark, Gordon --- Kaprow, Allan --- Asher, Michael --- kunst --- beeldhouwkunst --- negentiende eeuw --- twintigste eeuw --- eenentwintigste eeuw --- fotografie --- kunst en fotografie --- beeldhouwkunst en fotografie --- Ahearn John H --- Alÿs Francis --- Anselmo Giovanni --- Appelt Dieter --- Asher Michael --- Barba Rosa --- Baumgarten Lothar --- Bellmer Hans --- Beuys Joseph --- Blume Anna --- Blume Bernhard --- Boccioni Umberto --- Bragaglia Anton Giulio --- Brancusi Constantin --- Brandmeier Monika --- Broodthaers Marcel --- Brus Johannes --- Burden Chris --- Chamberlain John --- Cocteau Jean --- Cragg Tony --- Deacon Richard --- Demenÿ Georges --- Dibbets Jan --- Duchamp Marcel --- Duchamp-Villon Raymond --- Ecker Bogomir --- Export Valie --- VALIE EXPORT --- Gilbert & George --- Givaudan Claudius --- Gross Sabine --- Hanson Duane --- Hatoum Mona --- Hirschhorn Thomas --- Honert Martin --- Horn Rebecca --- Huber Stephan --- Jonas Joan --- Kaprow Allan --- Klingelhöller Harald --- Kummer Raimund --- Kuppel Edmund --- Kusama Yayoi --- Lang Nikolaus --- Lincoln Paul Etienne --- Marey Etienne-Jules --- Matta-Clark Gordon --- McLean Bruce --- Mendieta Ana --- Moholy-Nagy Laszlo --- Morris Robert --- Mueck Ron --- Nauman Bruce --- Noland Cady --- Ono Yoko --- Oppenheim Dennis --- Penone Giuseppe --- Pippin Steven --- Pitz Hermann --- Rahmann Fritz --- Rodin Auguste --- Ruthenbeck Reiner --- Sander Karin --- Sauer Michel --- Segal George --- Seifried Volker --- Serra Richard --- Signer Roman --- Signoretto Pino --- Simonds Charles --- Smith Kiki --- Smithson Robert --- Stadtbäumer Pia --- Whiteread Rachel --- 73.03 --- 77.03 --- 77.036 --- 73.036 --- Exhibitions