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theatergeschiedenis --- Theatrical science --- cabaret --- anno 1800-1999 --- Belgium --- 797.2 --- Schouwburg --- Music-halls --- Revues --- History --- History and criticism. --- Musical revues --- Musical revues, comedies, etc. --- Musical shows --- Revues (Musical) --- Shows, Musical --- Table entertainments --- Variety shows --- Vaudeville shows --- Dramatic music --- Minstrel music --- Concert halls --- Arts facilities --- Auditoriums --- Centers for the performing arts --- Music facilities --- Theaters --- History and criticism --- Amusements --- drama [literature] --- drama [discipline] --- cabarets [buildings]
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Theatrical science --- toneelgeschiedenis --- Java --- Wayang --- Wayang plays --- Indonesian drama --- Javanese drama --- Puppet plays --- Wajang --- Shadow shows
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TV (televisie) --- Mass communications --- Europe --- Television broadcasting policy --- Television broadcasting --- Television programs --- #SBIB:309H1500 --- #SBIB:AANKOOP --- Programs, Television --- Shows, Television --- Television shows --- TV shows --- Electronic program guides (Television) --- Television scripts --- Television broadcasting and state --- Broadcasting policy --- Radio- en/of televisie: algemene werken --- Government policy
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Premier ouvrage entièrement consacré au défilé de mode, Showtime retrace l'histoire du défilé de la fin du XIXe siècle à nos jours à travers analyses, récits et témoignages abondamment illustrés. Comment le défilé fait-il image ? Représentations littéraires, iconographie des " marcheuses professionnelles " devenues top models, ou évolution du métier de photographe, l'image de défilé révèle progressivement ses enjeux stratégiques et économiques. A travers les voix croisées de témoins et acteurs du monde de la mode, d'archéologues du domaine contemporain, d'historiens et de chercheurs, une chronologie se dessine, rythmée par une iconographie qui en marque les temps forts. Enfin, l'étude de sujets inhérents ou annexes au défilé, comme le mannequin, le cinéma, le son, le carton d'invitation et la photographie, complète ce panorama. Historiens et chercheurs disposent désormais du recul nécessaire pour faire du défilé un sujet à part entière. Showtime leur ouvre le chemin.
Fashion shows --- Models (Persons) --- Fashion design --- Présentations de collections (Mode) --- Mannequins (Personnes) --- Mode --- History --- Exhibitions. --- Histoire --- Expositions --- Création --- CDL --- 391 --- Exhibitions --- Présentations de collections (Mode) --- Création --- fashion shows --- fashion [concept] --- fashion photographs --- Fashion show --- Clothing models --- Fashion models --- House models --- Mannequins (Persons) --- Models, Fashion --- Employees --- Modeling agencies --- Clothing and dress --- Clothing design --- Dress design --- Design --- fashion [culture-related concept]
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Ballads, Dutch --- Dutch poetry --- Music-halls (Variety-theaters, cabarets, etc.) --- Songs, Dutch --- #ACA --- Dutch songs --- Cabarets --- Café theater --- Concert gardens --- Concert rooms --- Concert saloons --- Variety shows (Theater) --- Variety-theaters --- Theaters --- Vaudeville --- Dutch ballads --- Theatrical science --- Dutch literature --- Netherlands
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Music-halls (Variety-theaters, cabarets, etc.) --- 796.2 --- Cabaret --- Muziek --- Nederland --- Poëzie --- Pop --- Cabarets --- Café theater --- Concert gardens --- Concert rooms --- Concert saloons --- Variety shows (Theater) --- Variety-theaters --- Theaters --- Vaudeville --- History --- Theatrical science --- theatergeschiedenis --- anno 1900-1999 --- Netherlands
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" This is an expanded and updated version of Nan Goldin's seminal book The Other Side, originally published in 1993. There will be a revised introduction by Goldin, and for the first time the voices of those whose stories are represented. Now being released at a time when the discourse around gender and sexual orientation is evolving, The Other Side traces some of the history that informs this new visibility. The first photographs in the book are from the 1970s, when Goldin lived in Boston with a group of drag queens and documented their glamour and vulnerability. In the early eighties, Goldin chronicled the lives of transgender friends in New York when AIDS began to decimate her community. In the nineties, she recorded the explosion of drag as a social phenomenon in New York, Berlin, Bangkok and the Philippines, photographing their public personas while showing their real lives backstage. Goldin's newest photographs are intimate portraits, imbued with tenderness, of some of her most beloved friends. The Other Side is her homage to the queens she's loved, many of whom she's lost, over the last four decades"--Publisher's description.
Photography, Artistic --- Portrait photography --- Cross-dressers --- Gender identity --- Cross-dressing --- Female impersonators --- Drag shows --- Goldin, Nan, --- Photography --- transgenderism --- LGBTQ+ --- portrait photography --- LGBTQIA+ (lesbian, gay, bi, trans, queer, intersex and asexual) --- Goldin, Nan
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Motion pictures --- Musical films --- Musicals --- #SBIB:309H1326 --- 791.43 --- CDL --- 791.43.03 --- 791.43.03 Filmstijlen --- Filmstijlen --- Musical comedies --- Musical plays --- Musical revues, comedies, etc. --- Musical shows --- Operettas --- Shows, Musical --- Dramatic music --- Film musicals --- Motion picture musicals --- Moving-pictures, Musical --- Musicals (Motion pictures) --- Concert films --- Motion picture industry --- Biography --- Bibliography --- History and criticism --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Employees --- Hollywood (Los Angeles, Calif.) --- History. --- Music --- Theatrical science --- drama [literature] --- musical performances --- musicals --- United States --- drama [discipline] --- United States of America
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Puppet theater --- Street theater --- Theater and society --- Theater --- Workers' theater --- Actors --- Society and theater --- Labor theater --- Proletariat theater --- Agitprop theater --- Puppet shows --- Puppetry --- Puppets and puppet-plays --- Political aspects --- Social status --- Social aspects --- Welfare State (Theater company) --- Welfare State International (Theater company) --- Welfare State Theatre Company (Burnley, Lancashire) --- WSI (Theater company) --- Theatrical science --- anno 1970-1979 --- anno 1980-1989 --- England --- theatergeschiedenis --- Welfare State International
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Folklore --- volksmuziek --- Theatrical science --- volksliederen --- Antwerp --- Antwerpen (provincie) --- Anvers (province) --- Histoire locale --- Plaatselijke geschiedenis --- Music-halls (Variety-theaters, cabarets, etc.) --- -Musicians --- -Popular music --- -#SBIB:309H142 --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Artists --- Cabarets --- Café theater --- Concert gardens --- Concert rooms --- Concert saloons --- Variety shows (Theater) --- Variety-theaters --- Theaters --- Vaudeville --- History and criticism --- Populaire muziek: functies, muziekgenres, historiek --- Musicians --- Popular music --- #SBIB:309H142
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