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Art --- felt [textile] --- Manufacturing technologies --- Applied arts. Arts and crafts --- fashion [concept] --- fiber art --- textile materials --- textielkunst --- 779.8 --- mode --- textiel --- vilt --- Nederland --- textielkunst, overige --- 625.5 --- breien --- Naaien en handwerken, breien en haken; algemeen --- fashion [culture-related concept]

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De veranderende status van tricot in de mode vormt een fascinerend verhaal waarin de draden van socioculturele omwentelingen en modeontwerp stevig met elkaar vervlochten zijn. Door deze geschiedenis te ontrafelen, met haar vele ups en downs op verschillende plaatsen en in verschillende decennia, toont dit boek hoe onze hedendaagse kijk op breiwerk werd gevormd. Door de associatie van breiwerk met hobbycultuur, vrouwelijkheid en ambachtelijkheid wordt wel eens vergeten dat tricot ook een heel modieus product is, en zelfs een gedurfde keuze voor modeontwerpers die er graag mee experimenteren. De huidige comeback van het tricot is in feite een heropleving van iets wat nooit helemaal weg is geweest. Nauw aansluitende jurken, jerseysportkleding, grof breiwerk, sculpturale volumes, netachtige body's met het uitzicht van kantwerk... de mogelijkheden van breiwerk vormen een onuitputtelijke inspiratiebron voor modeontwerpers. Dit boek licht een tipje van de sluier op van de verborgen geschiedenis van breiwerk en ontrafelt gaandeweg de productiemethoden, de achterliggende sociale geschiedenis en de esthetische ontwikkelingen en omwentelingen van tricot in de mode. Van stijlvolle 'opa-cardigans' tot oorlogsbreiwerk, van verfijnde kousen tot 3D-breiwerk, over de onvergankelijke aantrekkingskracht van de twinset en de notie van het vormloze in de mode, dit boek trekt de draad beetje bij beetje los, en voor onze ogen verschijnt de rijke geschiedenis van iets wat wij altijd heel gewoon en vanzelfsprekend hebben gevonden: breiwerk.

Manufacturing technologies --- fashion design --- Applied arts. Arts and crafts --- breien --- mode --- 391.04 --- Breien ; breiwerk ; tricot; in de mode --- Tentoonstellingscatalogi ; Antwerpen ; het Modemuseum --- 625.5 --- 779.8 --- textiel-kunst --- CDL --- 391 --- Mode ; iconografie, thema's --- Naaien en handwerken, breien en haken; algemeen --- textielkunst, overige --- Exhibitions --- knitting [needlework] --- Knit goods --- Fashion design --- History --- 20th century --- textiel --- textielkunst --- fashion [concept] --- Fashion design. --- Knitwear. --- Fashion --- History. --- fashion [culture-related concept]

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Bojagi, traditional Korean wrapping cloths, were originally made from pieces of leftover fabric skillfully and imaginatively put together. The stunning results often resembled the paintings of such modern artists as Mondrian and Klee. Using her own work and that of others, Sara Cook--a leading expert on the subject--explains how modern textilers can interpret the principles of Bojagi in their own beautiful creations. Cook briefly covers the history and meaning of Bojagi in Korean culture, as well as the equipment and fabrics (including silk, hemp, and ramie); Obanseak, or Bojagi's techniques, designs, colors, and symbolism; color seams and embellishments; and Jagokbo, or textiles pieced from tiny scraps. Textile artists and quilters will find a range of ideas to use to inspire them.

Textile crafts --- 779.8 --- bojagi --- Korea --- textielkunst --- kleurgebruik --- jogakbo --- patchwork --- nubi --- quiltwork --- 626.9 --- 626.2 --- Fabric crafts --- Textile arts --- Textile fiber crafts --- Handicraft --- Fancy work --- Fiberwork --- textielkunst, overige --- naaien en handwerken, overige handwerken --- naaien en handwerken, appliquéwerk-lapjeswerk --- K9855 --- Korea: Art and antiquities -- arts, crafts and design -- needlework and textile art --- Applied arts. Arts and crafts --- cloth --- textile materials --- textile art [visual works] --- South Korea

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A global survey of more than 100 artists, chosen by art-world professionals for their work with threads, stitching, and textiles Celebrating tapestry, embroidery, stitching, textiles, knitting, and knotting as used by visual artists worldwide, Vitamin T is the latest in the celebrated series in which leading curators, critics, and art professionals nominate living artists for inclusion. As boundaries between art and craft have blurred, artists have increasingly embraced these materials and methods, with the resulting works being coveted by collectors and exhibited in museums worldwide. Vitamin T is a vibrant and incredibly timely survey - the first of its kind. Artists: Caroline Achaintre, Igshaan Adams, Nevin Aladağ, Olga de Amaral, Ghada Amer, El Anatsui, Evgeny Antufiev, Leonor Antunes, Polly Apfelbaum, Hrafnhildur Arnardóttir, Shoplifter, Tonico Lemos Auad, Lisa Anne Auerbach, Jonathan Baldock, Phyllida Barlow, Yto Barrada, Kevin Beasley, Mary Lee Bendolph, Sanford Biggers, Josh Blackwell,Cosima von Bonin, Paloma Bosquê, Geta Bratescu, Huguette Caland, Pia Camil, Barbara Chase-Riboud, Chiachio & Giannone, Sarah crowEST, Alexandre da Cunha, N. Dash, Cristiana de Marchi, Daniel Dewar & Grégory Gicquel, Tracey Emin, Josh Faught, Christina Forrer, Terri Friedman, Orly Genger, Yann Gerstberger, Sam Gilliam, Nury González, Sheela Gowda, Kyungah Ham, Harmony Hammond, Channing Hansen, Mona Hatoum, Tamara Henderson, Nicholas Hlobo, Jim Hodges, Zon Ito, Takahiro Iwasaki, Sergej Jensen, Reena Saini Kallat, Kimsooja Adrian Kiss, Abdoulaye Konaté, Teresa Lanceta, Ruth Laskey, Sarah Lucas, Eric N. Mack, Goshka Macuga, Turiya Magadlela, Ibrahim Mahama, Lavanya Mani, Britta Marakatt-Labba, Teresa Margolles, Annette Messager, Hana Miletić, Kazuko Miyamoto, Oscar Murillo, Senga Nengudi, Maria Nepomuceno, Ernesto Neto, Rivane Neuenschwander, Otobong Nkanga, Eko Nugroho, Katherine Nuñez & Issay Rodriguez, Füsun Onur, Sara Ouhaddou, Rosana Palazyan, Hardeep Pandhal, Zoë Paul, Sheila Pepe, Grayson Perry, Michael Raedecker, Jessica Rankin, Elaine Reichek, Faith Ringgold, Lara Schnitger, Tschabalala Self, Indre Šerpytyte, Yinka Shonibare MBE, Jakkai Siributr, Kiki Smith, Shinique Smith, Renee So, Valeska Soares, Do Ho Suh, Güneş Terkol, Aiko Tezuka, Rosemarie Trockel, Richard Tuttle, Cecilia Vicuña, Brent Wadden, Franz Erhard Walther, Pae White, Anne Wilson, Haegue Yang, Yin Xiuzhen, Paul Yore, Billie Zangewa, Andrea Zittel.

Decorative arts --- Textile fabrics --- 746.039 --- 7.039 --- 73.039 --- 7.023 --- Textiel ; textielkunst ; wereldwijd ; naslagwerken --- Textielkunst ; 21ste eeuw --- 745.52 --- eenentwintigste eeuw --- kunst --- textiel --- textielkunst --- Cloth --- Fabrics --- Textile industry and fabrics --- Textiles --- Dry-goods --- Weaving --- Textile fibers --- Applied arts --- Art industries and trade --- Art --- Handicraft --- Textielkunst ; 2000-2050 --- Kunstgeschiedenis ; 2000 - 2050 --- Beeldhouwkunst ; 2000 - 2050 --- Kunst ; grondstoffen, materiaalkeuze --- Applied arts. Arts and crafts --- decorative arts [discipline] --- fiber artists --- fiber art --- textile art [visual works] --- 779.8 --- 21e eeuw (eenentwintigste eeuw) --- textielkunst, overige --- Actuele kunst --- Textielkunst --- 21e eeuw

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Explore two essential textile-art concepts with leading artist Shelley Rhodes. Fragmentation and repair are two of the biggest buzzwords in textile and mixedmedia art, and in this fascinating and beautiful book renowned textile artist Shelley Rhodes explores both concepts, with a wealth of fresh ideas, practical advice and inspiring examples from her own work and from embroiderers around the world, including Debbie Lyddon and Alice Fox. Fragmentation lies at the heart of Shelley's work, and she shows how she deconstructs and reassembles cloth, paper and objects to create new pieces, incorporating found objects and materials she has collected over the years to add a personal note. She covers using salvaged and recycled materials, repurposing household items, and methods of distressing and manipulating surfaces by burning, piercing, rust-dyeing and even composting. She also shows how larger pieces of work can be cut up and the components worked on individually to form a series of smaller works with strong visual impact. Special attention is given to darning and patching, traditionally seen simply as ways to prolong the life of garments but now appreciated as meaningful and decorative techniques in their own right, and Shelley also investigates the Japanese concepts of wabi-sabi (finding beauty in imperfection) and mottainai (using every last scrap), both of which constantly inform her work. This beautifully illustrated book is the ideal companion for any textile artist wanting to bring notions of fragility, fragmentation and repair into their own work.

Applied arts. Arts and crafts --- cloth --- mixed media --- textile materials --- textile processes and techniques --- textile art [visual works] --- mixed media works --- Textile crafts --- Textile fabrics --- Found objects (Art) --- Decorative arts --- Textile arts --- Rhodes, Shelley --- Wabi-sabi --- mottainai --- Lyddon, Debbie --- Fox, Alice --- textielkunst --- recyclage --- patchwork --- stoppen --- 779.8 --- Fabric crafts --- Textile fiber crafts --- Handicraft --- Fancy work --- Fiberwork --- Applied arts --- Art industries and trade --- Art --- Found art --- Objects, Found (Art) --- Ready-mades (Art) --- Readymades (Art) --- Art, Modern --- Cloth --- Fabrics --- Textile industry and fabrics --- Textiles --- Dry-goods --- Weaving --- Textile fibers --- Repairing --- Recycling --- textielkunst, overige --- Themes, motives. --- Wabi sabi ; vergankelijkheid ; verwering ; aftakeling ; imperfectie ; onvolmaaktheid --- Beeldende kunst ; met textiel --- collage; mixed media --- Textielkunst ; technieken en vormen --- 746.02 --- Textielkunst ; technieken