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Letraset: The DIY Typography Revolution is the first comprehensive history of Letraset, the rubdown lettering system that revolutionised typographic expression.The book tells the Letraset story from its early days as a difficult-to-use wet system, to its glory years as the first truly democratic alternative to professional typesetting.The book also looks at Letraset?s present-day revival amongst a new set of admirers who recognise the typographic excellence of the system?s typefaces.The book comes with a gatefold Letraset timeline. It has an introduction by Malcolm Garrett, and features in-depth interviews with Mr Bingo, Erik Brandt, Aaron Marcus, David Quay, Dan Rhatigan, Freda Sack, Andy Stevens and Jon Wozencroft.Essays by Colin Brignall, Dave Farey and Mike Daines ? all key members of the Letraset team ? provide expert insight into the rise of Letraset as a typographic and commercial powerhouse. A central essay by Adrian Shaughnessy examines the typographic and cultural impact of the system.The book?s design is by the Spin team of Tony Brook and Claudia Klat. It uses many rare specimens from Letraset?s past ? catalogues, press ads, mailers, storage units, and of course, sheets of classic Letraset typefaces. Bron: https://www.uniteditions.com/products/letraset-the-diy-typography-revolution
Typografie --- Typographie --- Letraset (Firm) --- Letraset (entreprise) --- History. --- Histoire. --- Type and type-founding. --- Graphic arts. --- Letraset Limited --- Type and type-founding --- Graphic arts --- Art graphique
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"Vaughan Oliver: Archive" is in fact two books. The first ('Materials and fragments') is arranged around a set of themes: colour, typography, the body, mystery, etc. It also features a selection of his exquisitely designed press ads most of them unseen since the day they were published in the music press. Oliver is the designer who kept the stuff other designers threw away: proofs, running sheets, paper labels for vinyl records, original artwork for classic album covers, videotapes, books and the weird ephemera that was the source of inspiration for many of his most famous works.
Vormgevers --- Vaughan Oliver --- Grafische vormgeving --- Commercial art --- Graphic arts --- Posters --- grafisch ontwerp --- grafische vormgeving --- grafisch design --- twintigste eeuw --- eenentwintigste eeuw --- grafische vormgeving en muziek --- Groot-Brittannië --- Oliver Vaughan --- platenhoezen --- tijdschriften --- muziektijdschriften --- 766.071 OLIVER --- Advertising, Pictorial --- Picture posters --- Advertising, Outdoor --- Art --- Pictures --- Bill-posting --- Signs and signboards --- Art, Graphic --- Arts, Graphic --- Graphic design (Graphic arts) --- Graphics --- Visual communication --- Advertising, Art in --- Advertising art --- Art, Commercial --- Art in advertising --- Commercial design --- Advertising --- Art and industry --- Motion picture billboards --- Oliver, Vaughan --- Vormgever
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Tijdschrift --- Tijdschriftcover --- Vormgeving
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A follow-up to two highly successful monographs on the work of one of the most important designers of his generation, showcasing projects completed since the mid-1990s.Neville Brody defined the look of the 1980s music scene as art director of The Face. Since then, Brody consistently proved that he is one of most innovative and shape-shifting graphic designers of the era. While his second monograph was published in 1994, over the last almost three decades Brody has produced a new body of editorial, typographic, information, and interface design of unparalleled boldness and sophistication for global clients that include Samsung, Shiseido, Coca-Cola, the UK?s Channel 4, and Dom Perignon.The Graphic Language of Neville Brody 3 brings this work together in thematic sections that address the key fields of his vibrant design projects, including typographic experimentation, information graphics, cultural subversion, and design systems. Richly illustrated, each project is explored in detail, revealing the work that defined Brody?s recent career across six chapters, from major brands to magazine editorials and features, showing how his design language has evolved since the 1990s.Creating a new generation of fans, this volume shares Brody?s design genius at a time when the originality of work from the 1980s and 1990s across many creative disciplines is finding a new audience. This inspirational volume is essential reading for anyone interested in the evolution of graphic design over the past three decades.
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