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Music --- Performance --- Psychological aspects. --- Psychologie

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The 2nd edition of the Oxford Handbook of Music Psychology updates the original landmark text and provides a comprehensive review of the latest developments in this fast growing area of research. Covering both experimental and theoretical perspectives, each of the 11 sections is edited by an internationally recognised authority in the area. The first ten parts present chapters that focus on specific areas of music psychology: the origins and functions of music; music perception, responses to music; music and the brain; musical development; learning musical skills; musical performance; composition and improvisation; the role of music in everyday life; and music therapy. In each part authors critically review the literature, highlight current issues and explore possibilities for the future. The final part examines how, in recent years, the study of music psychology has broadened to include a range of other disciplines. It considers the way that research has developed in relation to technological advances, and points the direction for further development in the field. With contributions from internationally recognised experts across 55 chapters, it is an essential resource for students and researchers in psychology and musicology.

Music --- Music therapy. --- Musique --- Musicothérapie --- Psychological aspects. --- Aspect psychologique --- Music therapy --- Psychological aspects --- Musicothérapie --- Musicothérapie. --- Aspect psychologique. --- Music - Psychological aspects --- Muziekpsychologie

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Music --- Psychoanalysis --- Musique --- Psychanalyse --- Psychology --- Psychologie --- PSYCHOANALYTIC INTERPRETATION --- Psychological aspects. --- Muziekwetenschappen --- Psychoanalyse

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Emotion and the Seduction of the Senses, Baroque to Neo-Baroque examines the relationship between the cultural productions of the baroque in the seventeenth century and the neo-baroque in our contemporary world. The volume illuminates how, rather than providing rationally ordered visual realms, both the baroque and the neo-baroque construct complex performative spaces whose spectacle seeks to embrace, immerse, and seduce the senses and solicit the emotions of the beholder.

Baroque --- emotion --- Art --- influence --- anno 1900-1999 --- anno 2000-2099 --- anno 1600-1699 --- Emotions in art. --- Arts --- Arts, Baroque --- Psychological aspects. --- Themes, motives. --- Influence. --- Philosophical anthropology --- Zintuiglijkheid --- Barok --- Neobarok --- Emotions in art --- Baroque arts --- Psychological aspects --- Themes, motives --- Influence

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Music --- Musique --- Psychological aspects. --- Psychologie --- -Cognitieve psychologie --- -159.95*1 Cognitieve psychologie --- 159.95*1 --- Cognition --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- 159.95*1 Cognitieve psychologie --- Cognitieve psychologie --- Psychological aspects --- Psychology --- Music psychology --- Cognition. --- Musique. Psychologie. --- Muziek. Psychologie. --- Music - Psychological aspects