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"Experimental encounters in music and beyond opens a necessary dialogue on experimental practices in the arts and negotiates their place in contemporary society. Going beyond the music-historical usage of the term "experimental", this book reimagines experimentation as an open working definition encompassing multiple forms of artistic attitudes and processes. The texts, images, and sounds offer multiple traces, faces, and spaces, revealing what experimentalism in music and the wider arts entails today. With perspectives from a range of disciplines - from choreography through composition to philosophy and beyond - the different experiences and artistic projects documented and discussed explore the complexity of experimentation in a way that is all the richer for being never-ending."--Page 4 of cover.

Music --- Arts --- Avant-garde (Music) --- Experimental music --- Musical avant-garde --- Avant-garde (Aesthetics) --- Experimental methods in the arts --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Philosophy and aesthetics. --- Experimental methods. --- Philosophy --- 692 --- Psychologie --- Avant-garde (Music). --- Composition (Music). --- Creation (Literary, artistic, etc.). --- Experimentelle Musik. --- Neue Musik. --- Creation (Literary, artistic, etc.) --- 21e eeuw --- België --- Artistiek onderzoek

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Music --- Musique --- History and criticism --- Histoire et critique --- Ensemble Musiques nouvelles --- Avant-garde (Music) --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Experimental music --- Musical avant-garde --- Avant-garde (Aesthetics) --- 78 --- 78.28.1 --- Music - Belgium - Brussels - 20th century - History and criticism --- Music - Belgium - Wallonia - 20th century - History and criticism --- Avant-garde (Music) - Belgium --- Muziekgeschiedenis --- 21e eeuw --- 20e eeuw --- Analyses

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Serialism (Music) --- Music theory --- Musique sérielle --- Théorie musicale --- History --- Sources --- Histoire --- Music --- Electronic music --- Aleatory music --- Avant-garde (Music) --- History and criticism --- Pousseur, Henri --- Criticism and interpretation --- History and criticism. --- Avant-garde (Music). --- Serialism (Music). --- Musique sérielle --- Théorie musicale --- Serial composition (Music) --- Total serialism (Music) --- Composition (Music) --- Experimental music --- Musical avant-garde --- Avant-garde (Aesthetics) --- Aleatorism --- Chance composition --- Chance operations (Music) --- Indeterminacy (Music) --- Improvisation (Music) --- Pousseur, H. --- Criticism and interpretation. --- Music - 20th century - History and criticism --- Electronic music - History and criticism --- Aleatory music - History and criticism --- Pousseur, Henri - Criticism and interpretation --- 20e eeuw --- Analyses

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Sound effects music --- Avant-garde (Music) --- Popular music --- Music --- Bruits naturels, Musique de --- Musique expérimentale --- Musique populaire --- Musique --- Social aspects --- Aspect social --- Musique expérimentale --- Geluid --- Evolutie --- Essays --- Bruit Musique --- Perception de la musique --- Philosophie et esthétique --- Appréciation

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Die Sonatine pour flute et piano (1946) zahlt zu den meistgespielten Werken von Pierre Boulez und nimmt in seinem OEuvre eine Schlusselstellung ein: Als "Opus 1" spiegelt sie die Auseinandersetzung mit Lehrern und Vorbildern. In der vorliegenden Studie wird Boulez' musikalische Sprachfindung anhand der Fruhfassung der Sonatine beleuchtet. Recherchen zu Lehrzeit und Studienkompositionen knupfen ein Netz von Bezugen und thematisieren die grundlegenden kompositorischen Fragen: Welche Rolle spielte die Zwoelftontechnik im Fruhwerk von Boulez? Orientierte er sich an Anton Webern oder eher an Arnold Schoenberg und Rene Leibowitz? Reduzierte sich der Einfluss von Olivier Messiaen, Igor Strawinsky und Andre Jolivet allein auf den Bereich der Rhythmik? Welche anderen Vorbilder scheinen durch? Die Werkstatt-Spuren in der Sonatine lassen Boulez' Kritik an seinen Vorgangern in neuem Licht erscheinen.

sonatines --- Music --- Boulez, Pierre --- Boulez, Pierre, --- Criticism and interpretation. --- Musical analysis --- Avant-garde (Music) --- Muziek --- Criticism and interpretation --- Boulez, Pierre, - 1925-2016. - Sonatina, - flute, piano --- Boulez, Pierre, - 1925-2016 - Criticism and interpretation --- Boulez, Pierre (1925-2016) --- Sonatines --- Etudes --- Boulez, Pierre, - 1925-2016