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Foreword 9 camera-ready green design ONE AFTERNOON SEVERAL MONTHS AGO, we found ourselves waiting in the quiet, impossibly picturesque Swiss town of Domat/Ems to meet an architect named Dietrich Schwarz. Though still in his th- ties, Schwarz has already earned a reputation as one of Switzerland's leading practitioners of the environmentally friendly approach to architecture known as sustainable, or green, design. Using a c- bination of new, high-tech materials some of his own invention and old-fashioned architectural wisdom, he creates houses and other buildings that are snugly energy-ef?cient and sit lightly on the land. Introduction 10 Camera-Ready Green Design 11 Standards and Practices Introduction 12 A Very Short History Camera-Ready Green Design 13 A Movement's Priorities Introduction 14 Camera-Ready Green Design 15 The Damage Done Introduction 16 Camera-Ready Green Design 17 city Cities have been around for more than six thousand years, drawing successive waves of new residents with their blend of commerce, culture, energy, and opportunity. The first city to surpass a population of one million was Baghdad, thirteen centuries ago. London topped ?ve million in 1825; New York exceeded ten million a hundred years later. The metropolitan area around Tokyo surpassed twenty million in 1965 and is now closing in on thirty. City 18 18 Urban City 19 City 20 Rotterdam, the Netherlands P .A.R.A.S.I.T.E. project Korteknie Stuhlmacher Architecten Rien Korteknie and 2001 Mechthild Stuhlmacher P.A.R.A.S.I.T.E. Project 21 City 22 Urban 23 City 24
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vii viii THE CAMPUS GUIDE Illinois Institute of Technology an architectural tour by Franz Schulze with photographs by Richard Barnes foreword by Lew Collens Princeton Architectural Press NEW YORK 2005 Princeton Architectural Press 37 East Seventh Street New York, New York 10003 For a free catalog of books, call 1.800.722 .6657. Visit our web site at www.papress.com. Copyright © 2005 Princeton Architectural Press All rights reserved 08070605 54321 First edition No part of this book may be used or reproduced in any manner without written permission from the publisher, except in the context of reviews. Every reasonable attempt has been made to identify owners of copyright. Errors or omissions will be corrected in subsequent editions. All images by Richard Barnes unless otherwise noted. Photo credits: pp. vi-v: IIT Residence Halls © Chicago Historical Society, HB 18783-D, photographer Hedrich Blessing pp. viii-ix: Alumni Memorial Hall © Chicago Historical Society, HB-9767-A, photographer Hedrich Blessing pp. xvi, 1, 2, 3, 4, 5, 6, 8, 11, 29, 43, 48, 64, 72 top, 75, 79, 94: Reproduced by permission of University Archives, Paul V. Galvin Library, Illinois Institute of Technology, Chicago. IIT has made every reasonable attempt to identify owners of copyright. Errors or omissions will be corrected in subsequent editions.
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Marlon Blackwell is a passionate polemicist. He's also a very gifted architect. The projects in this first monograph on the "radical ruralist," as touted by the Royal Institute of British Architects, offer a new architectural language that at once celebrate the vernacular and transgress the boundaries of the conventional. The results areââ we can't help it, there's no better wordââ beautiful. Incisive essays by David Buege, Dan Hoffman, and Juhani Pallasmaa and lush photography by Tim Hursley, Richard Johnson, and Kevin Latady explore Blackwell's projects, including his widely acclaimed Keenan TowerHouse, the award-winning Moore HoneyHouse, 2Square House, and Flynn-Schmitt BarnHouse, studios, and institutional buildings. Marlon Blackwell has received national and international recognition for his residential projects. He teaches architecture at the University of Arkansas, Fayetteville.
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Since Samuel Mockbee's death in 2001, the Rural Studio has continued to thrive, a tribute to its founder's vision. Under Mockbee's successor, Andrew Freear, the studio has seeded southwest Alabama with an additional seventeen architectural landmarks, and all are shown here. Andrea Oppenheimer Dean is author of several books on architecture including Rural Studio and editor for journals including Architecture, Architectural Record, Preservation, and Landscape.
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Julie Decker x Acknowledgments xii Introduction The Hut That Shaped a Nation Julie Decker and Chris Chiei xv Chapter 1 How the Hut Came to Be Chris Chiei 1 Chapter 2 Quonsets, Alaska, and World War II Steven Haycox 31 Chapter 3 War, Design, and Weapons of Mass Construction Brian Carter 47 Chapter 4 After the War: Quonset Huts and Their Integration into Daily American Life Tom Vanderbilt 63 Chapter 5 The Huts That Wouldn't Go Away: Alaska Adopts the Hut Chris Chiei 105 Chapter 6 Quonsets Today: Concluding Thoughts Julie Decker and Chris Chiei 133 Appendix: Hut Types 148 Notes 150 Image Credits 156 Index 161 Contributors 165 Preface Julie Decker Quonset Hut: Metal Living for a Modern Age is a project that began half a decade ago when architect Chris Chiei took note of the presence of Quonset huts throughout Alaska more than half a century after the huts were sent around the world as temporary shelters for World-War-II soldiers, forming a major part of the inf- structure of war. Until now, the impact of Quonset huts in post-World War II life has not been documented in a comprehensive way. Quonset huts are referenced in a variety of publications, and everyone seems to be able to conjure up an image of a semicircle when they hear the word Quonset, but its story has not yet been told.
Architecture --- gebouwen
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