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This book explores the contribution of and art and creativity to early education, and examines the role of the atelier (an arts workshop in a school) and atelierista (an educator with an arts background) in the pioneering pre-schools of Reggio Emilia. It does so through the unique experience of Vea Vecchi, one of the first atelieristas to be appointed in Reggio Emilia in 1970.Part memoir, part conversation and part reflection, the book provides a unique insider perspective on the pedagogical work of this extraordinary local project, which continues to be a source of inspiratio

Manuele expressie --- Pedagogie ; Reggio Emilia --- Creativiteit ; kinderen --- Reggio Emilia-pedagogiek --- Creativiteit --- Kleuteronderwijs --- Art --- Creative ability in children --- Creative ability (Child psychology) --- Child psychology --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Study and teaching (Early childhood) --- Art, Primitive

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The Routledge Companion to Performance Practitioners collects the outstanding biographical and production overviews of key theatre practitioners first featured in the popular Routledge Performance Practitioners series of guidebooks. Each of the chapters is written by an expert on a particular figure, from Stanislavsky and Brecht to Laban and Decroux, and places their work in its social and historical context. Summaries and analyses of their key productions indicate how each practitioner's theoretical approaches to performance and the performer were manifested in practice. All 22 practitioners from the original series are represented, with this volume covering those born before the end of the First World War. This is the definitive first step for students, scholars and practitioners hoping to acquaint themselves with the leading names in performance, or deepen their knowledge of these seminal figures.

Art. --- Arts. --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Visual --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Stanislavski, Konstantin S. --- Meyerhold, Vsevolod. --- Copeau, Jacques. --- Laban, Rudolf. --- Wigman, Mary. --- Chekhov, Michael. --- Brecht, Bertolt. --- Decroux, Etienne. --- Ohno, Kazuo. --- Hijikata, Tatsumi. --- Littlewood, Joan.

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Although the creative impulse surges in revolt against everyday reality, breaking through its confines, it makes pacts with that reality’s essential laws and returns to it to modulate its sense. In fact, it is through praxis that imagination and artistic inventiveness transmute the vital concerns of life, giving them human measure. But at the same time art’s inspiration imbues life with aesthetic sense, which lifts human experience to the spiritual. Within these two perspectives art launches messages of specifically human inner propulsions, strivings, ideals, nostalgia, yearnings prosaic and poetic, profane and sacral, practical and ideal, while standing at the fragile borderline of everydayness and imaginative adventure. Art’s creative perduring constructs are intentional marks of the aesthetic significance attributed to the flux of human life and reflect the human quest for repose. They mediate communication and participation in spirit and sustain the relative continuity of culture and history.

Philosophy. --- Phenomenology. --- Ethics. --- Metaphysics. --- Philosophy of Man. --- Aesthetics. --- Philosophy (General). --- Esthétique --- Morale --- Métaphysique --- Phénoménologie --- Philosophie --- Husserl, Edmund, --- Art --- Inspiration in art --- Techne (Philosophy) --- Philosophy --- Aesthetics -- Congresses. --- Ethics -- Congresses. --- Metaphysics -- Congresses. --- Phenomenology -- Congresses. --- Philosophy -- Congresses. --- Philosophy & Religion --- Visual Arts --- Visual Arts - General --- Art, Architecture & Applied Arts --- Art. --- Architecture. --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Design and construction --- Philosophy, general. --- Building --- Arts --- Aesthetics --- Phenomenology . --- Deontology --- Ethics, Primitive --- Ethology --- Moral philosophy --- Morality --- Morals --- Philosophy, Moral --- Science, Moral --- Values --- Philosophy, Modern --- Mental philosophy --- Humanities --- God --- Ontology --- Philosophy of mind --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Radio broadcasting Aesthetics --- Husserl, Edmund, - 1859-1938.

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"This expansive collection of essays on nearly 200 works in the collection of the Museum of Modern Art is the first substantial exploration of MoMA's uneven historical relationship with black artists, black audiences and the broader subject of racial blackness. By addressing these subjects through the consideration of works produced either by black artists or in response to race-related subjects, 'Among Others' confronts two kinds of truth: one plainly factual and informative, the other moral. It is equal parts historical investigation and truth-telling about the Museum's role in the history of the cultural politics of race. The richly illustrated volume begins with two historical essays. The first, by Darby English and Charlotte Barat, traces the history of MoMA's encounters with racial blackness since its founding--from an early commitment to African art and solo exhibitions devoted to the work of artists such as William Edmondson and Jacob Lawrence in the 1930s and 1940s, to its activities during the Civil Rights Movement, to the controversial Primitivism show of 1984 and beyond. The second essay, by Mabel O. Wilson, scrutinizes the Museum's record in collecting the work of black architects and designers. Following these essays are nearly 200 plates, each accompanied by an essay by one of the over 100 authors who hail from a range of fields."--Publisher's description.

Art --- art [fine art] --- racial discrimination --- race [group of people] --- African American --- minorities --- Museum of Modern Art [New York, N.Y.] --- anno 1920-1929 --- anno 1930-1939 --- anno 1940-1949 --- anno 1950-1959 --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- anno 1990-1999 --- anno 2000-2099 --- Graphic design --- Interaction design --- Schilderkunst --- Kunst ; zwarten ; Verenigde Staten --- MoMa (New York (stad)) --- Design --- anno 1900-1999 --- African Americans in art --- Blacks in art --- African American artists --- Artists, Black --- Museums and minorities --- African Americans --- Blacks --- Race in art --- kunst --- verzamelingen --- collecties --- Verenigde Staten --- afro-amerikanen --- afro-amerikaanse kunst --- New York --- MOMA --- musea --- museologie --- 7.078 --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Black identity --- Blackness (Race identity) --- Negritude --- Race identity of blacks --- Racial identity of blacks --- Ethnicity --- Race awareness --- Minorities and museums --- Minorities --- Black artists --- Negro artists --- Afro-American artists --- Artists, African American --- Artists --- Negroes in art --- Afro-Americans in art --- Race identity --- Ethnic identity --- Museum of Modern Art (New York, N.Y.) --- New York (City). --- New York (N.Y.). --- Nyū Yōku Kindai Bijutsukan --- History. --- Art museums --- Art, American --- Racism and the arts --- Race identity of Black people --- Racial identity of Black people --- Black persons --- Negroes --- Ethnology --- Black people in art. --- Art, Primitive --- art [discipline]