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The Routledge Companion to Dance Studies maps out the key features of dance studies as the field stands today, while pointing to potential future developments. It locates these features both historically--within dance in particular social and cultural contexts--and in relation to other academic influences that have impinged on dance studies as a discipline. The editors use a thematically based approach thatemphasizes that dance scholarship does not stand alone as a single entity, but is inevitably linked to other related fields, debates, and concerns. Authors from across continents have contributed chapters based on theoretical, methodological, ethnographic, and practice-based case studies, bringing together a wealth of expertise and insight to offer a study that isin-depth and wide-ranging. Ideal for scholars and upper-level students of dance and performance studies, The Routledge Companion to Dance Studies challenges the reader to expand their knowledge of this vibrant, exciting interdisciplinary field.
Dance. --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Dance --- E-books
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"The Routledge Companion to Theatre and Performance Historiography sets the agenda for inclusive and wide-ranging approaches to writing history, embracing the diverse perspectives of the twenty-first century and Critical Media History. Written by an international team of authors whose expertise spans a multitude of historical periods and cultures, this collection of fascinating essays poses the central question: 'what is specific to the historiography of the performative?' The study of theatre, in conjunction with the wider sphere of performance, involves an array of multi-faceted methods for collecting evidence, interpreting sources and creating meaning. Reflecting on issues of recording - from early modern musical scores, through VHS-technology to latest digital procedures - and on what is missing from records or oblique in practices, the contributors convey how theatre and performance history is integral to social and cultural relations. This expertly curated collection repositions theatre and performance history and is essential reading for Theatre and Performance Studies students or those interested in social and cultural history more generally"--
Theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Historiography.
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Arts and Humanities --- Social Sciences --- Performing Arts, Travel and Leisure --- Journalism, Mass Communication, Media & Publishing --- Reizen --- Toerisme --- Horeca & Toerisme --- Horeca & Toerisme
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The Routledge Companion to Performance Philosophy is a volume of especially commissioned critical essays, conversations, collaborative, creative and performative writing mapping the key contexts, debates, methods, discourses and practices in this developing field. Firstly, the collection offers new insights on the fundamental question of how thinking happens: where, when, how and by whom philosophy is performed. Secondly, it provides a plurality of new accounts of performance and performativity -as the production of ideas, bodies and knowledges -in the arts and beyond. Comprising texts written by international artists, philosophers and scholars from multiple disciplines, the essays engage with questions of how performance thinks and how thought is performed in a wide range of philosophies and performances, from the ancient to the contemporary. Concepts and practices from diverse geographical regions and cultural traditions are analysed to draw conclusions about how performance operates across art, philosophy and everyday life. The collection both contributes to and critiques the philosophy of music, dance, theatre and performance, exploring the idea of a philosophy from the arts. It is crucial reading material for those interested in the hierarchy of the relationship between philosophy and the arts, advancing debates on philosophical method, and the relation between Performance and Philosophy more broadly.
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The Routledge Companion to Performance Practitioners collects the outstanding biographical and production overviews of key theatre practitioners first featured in the popular Routledge Performance Practitioners series of guidebooks. Each of the chapters is written by an expert on a particular figure, from Stanislavsky and Brecht to Laban and Decroux, and places their work in its social and historical context. Summaries and analyses of their key productions indicate how each practitioner's theoretical approaches to performance and the performer were manifested in practice. All 22 practitioners from the original series are represented, with this volume covering those born after 1915. This is the definitive first step for students, scholars and practitioners hoping to acquaint themselves with the leading names in performance, or deepen their knowledge of these seminal figures.
Performance art. --- Arts, Modern --- Happenings (Art) --- Performing arts --- Kantor, Tadeusz. --- Halprin, Anna. --- Lecoq, Jacques. --- Boal, Augusto. --- Grotowski, Jerzy. --- Barba, Eugenio. --- Mnouchkine, Ariane. --- Bausch, Pina. --- Wilson, Robert. --- Abramović, Marina. --- Lepage, Robert.
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Environmental protection. Environmental technology --- Landscape architecture --- Land use --- Architecture du paysage --- Utilisation du sol --- Periodicals. --- Planning --- Management --- Périodiques --- Planification --- Gestion --- Landschapsarchitectuur ; tijdschriften --- Agriculture Sciences --- Arts and Humanities --- Environmental Sciences --- Horticulture and Plant Culture (including Arboriculture) --- Performing Arts, Travel and Leisure --- General and Others --- Landscape architecture. --- Management. --- Planning. --- United States.
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Film --- 791.43:78 --- James Monaco --- filmtechnieken --- Filmmuziek --- film- en videokunst, algemeen --- 791.43:78 Filmmuziek --- filmtaal --- #SBIB:309H1300 --- #SBIB:AGGR --- 791.4 --- 791.41 --- 791.43 --- film --- filmgeschiedenis --- filmtechniek --- filmtheorie --- naslagwerk --- 798.1 --- filmkunst --- filmproductie --- montage --- technieken --- Filmwezen: algemene werken --- film [performing arts] --- geschiedenis --- history [discipline] --- filmmaking processes and techniques --- filmmaking --- film [discipline]
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Consumer behavior --- Sociology of culture --- television [telecommunication system] --- motion pictures [visual works] --- music [discipline] --- museums [institutions] --- newspapers --- audiences --- communications [discipline] --- libraries [institutions] --- Service industry --- Mass communications --- Mass media and publicity --- Mass media and culture --- Mass media --- Audiences --- music [performing arts] --- Mass media - Audiences --- Automatisering en maatschappij --- Maatschappij en media --- Communicatie --- Wetenschap --- Media --- Televisie --- Mediaonderzoek --- Communicatie-onderzoek --- Onderzoek (wetenschap) --- 316.772.1 --- #SBIB:309H400 --- #KVHA:Communicatiewetenschap --- #KVHA:Media --- 690 Media, mediarecht --- #A0406A --- Audiences, Mass media --- Publicity and mass media --- Publicity --- 316.772.1 Communicatiewetenschap. Communicatietheorie. Communicatieonderzoek--(communicatiesociologie) --- Communicatiewetenschap. Communicatietheorie. Communicatieonderzoek--(communicatiesociologie) --- Culture and mass media --- Culture --- Media en publieksgroepen: algemene werken --- Social aspects --- music [performing arts genre] --- cultuursociologie --- Hulpwetenschappen --- Mass media and culture. --- Mass media and publicity. --- Sociologie. --- Audiences.
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In dit boek worden de structuur, de economische betekenis en de samenstelling van de Vlaamse filmindustrie besproken.
Film --- Film. --- Filmbeleid --- Filmindustrie --- Economie. --- Vlaanderen. --- politics --- politiek --- film [performing arts] --- filmindustrie --- Methodology of economics --- film --- Flanders --- Film ; België --- Filmindustrie ; België --- #BAVD --- Vlaanderen --- cultuur --- economische aspecten --- media --- #A0010A --- 624.1 Film --- 330.1 --- 791.4 --- België --- Chris Peeters, Tom Thijssens, Harry Webers --- Fonds Film in Vlaanderen --- animatie --- computeranimatie --- documentaire --- economie --- film en economie --- filmproductie --- kortfilms --- kunstfilm --- langspeelfilms --- 791 --- cultuurbeleid --- filmkunst --- 20e eeuw --- 798.42 --- beleidsvorming --- Methodologie van de economie --- film, geschiedenis der filmkunst, België --- Overheidsbeleid --- Economische waarde --- Economical impacts --- MEDIA --- FILMS --- BELGIUM --- Monograph --- beleid --- Film (cinematografie) --- Marktwaarde --- Emigratie --- Film ; België --- Filmindustrie ; België --- film [discipline]
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In de 2de helft van de 19e eeuw onderhield Frankrijk zeer nauwe contacten met België. Dit boek behandelt de veelzijdige en zeer vruchtbare artistieke wisselwerking die de gemeenschappelijke historische, linguïstische en literaire tradities van beide landen een nieuw elan gaf.
kunst --- cultuurgeschiedenis --- tentoonstellingscatalogus --- België --- Frankrijk --- historisme --- realisme --- impressionisme --- symbolisme --- art nouveau --- schilderkunst --- beeldhouwkunst --- muziek --- dans --- literatuur --- architectuur (bouwwerken) --- theater --- geschiedenis --- 19de eeuw --- 20ste eeuw --- Brussel --- Parijs --- Arts, Modern --- Arts, French --- Arts, Belgian --- Exhibitions --- Belgian influences --- French influences --- 7.03 --- #A9711A --- (069) --- 7.037 --- Art Nouveau --- Decoratieve kunstnijverheid --- Impressionisme --- Kunst ; Parijs ; Brussel ; 1848-1914 --- Nabis --- Neo-Impressionisme --- Realisme --- Symbolisme --- 19e eeuw --- 700.4 --- Gauguin, Paul --- Meunier, Constantin --- Minne, Joris --- Rodin, Auguste --- neo-impressionisme --- pointillisme --- school van Barbizon --- school van Tervuren --- sociaal realisme --- 7.03 Kunststijlen. Kunstscholen. Kunststromingen --- Kunststijlen. Kunstscholen. Kunststromingen --- (Musea. Collecties) --- Kunstgeschiedenis ; 1900 - 1950 --- beeldende kunst, musea - tentoonstellingen --- Symbolist --- literature [humanities] --- music [performing arts] --- Impressionist [style] --- art history --- Realist [modern European fine arts styles] --- Art styles --- kunstgeschiedenis --- anno 1910-1919 --- anno 1900-1909 --- anno 1800-1899 --- France --- Belgium --- pointillism [painting technique] --- Applied arts. Arts and crafts --- photography [process] --- Iconography --- History --- art [fine art] --- sculpting --- Art --- Sculpture --- decorative arts --- landscapes [representations] --- Painting --- Photography --- painting [image-making] --- Levy, Emile --- Mortier, Stéphane --- Adler, Jules --- Hankar, Paul --- Cross, Henri-Edmond --- Mignon, Léon --- Le Brun, Georges --- Berchmans, Emile --- Privat Livemont, Georges --- Bigot, Alexandre --- Hannon, Edouard --- Lemmen, Georges --- Schwabe, Carlos --- Bergé, Henri --- Permeke, Constant --- Ysendyck, van, Antoon --- Laermans, Eugène --- Spilliaert, Leon --- Delville, Jean --- Cézanne, Paul --- Lambrichs, Edmond --- Desboutin, Marcellin Gilbert --- Puvis de Chavannes, Pierre --- Wolfers, Philippe --- Vogels, Guillaume --- Guimard, Hector --- Mathey, Paul --- Jobart, Jean --- Ledru, Léon --- Schweig, Louis --- Bisson, Frères --- Manet, Edouard --- Mellery, Xavier --- Bonvin, François --- Gallait, Louis --- Daumier, Honoré --- Wouters, Rik --- Groot, de, Guillaume --- Nadar --- Bianchi, Abel Maurice --- Seurat, Georges --- Wiener, René --- Rudder, de, Hélène --- Coosemans, Joseph Théodore --- Troyon, Constant --- Dalou, Aimé-Jules --- Bastien-Lepage, Jules --- Rops, Félicien --- Baralis, Louis --- Damt, Jean --- De Tombay, Alphonse --- Daum [Family] --- Fourmois, Théodore --- Ranson, Paul Élie --- Lambeaux, Jef --- Stevens, Alfred --- Boulenger, Hippolyte --- Bourdelle, Antoine --- Sauvage, Henri --- Bonnier, Louis --- Desamblanx, Charles --- Heymans, Adriaan J. --- Leys, Henri --- Ottevaere, Henri --- Pissarro, Camille Jacob --- Rochegrosse, Georges-Antoine --- Denis, Maurice --- Redon, Odilon --- Desplanques, Eugène --- Rombaux, Egide --- Luce, Maximilien --- Hugo, Victor --- Khnopff, Fernand --- Gallé, Emile --- Claus, Emile --- Lalique, René --- Combaz, Gisbert --- Janmot, Anne François Louis --- Orazi, Manuel --- Dubois, Louis --- De Blochouse, Alexandre --- Bethune, Jean Baptiste --- Cardeilhac, Ernest --- Hermans, Charles --- Ensor, James --- Toulouse-Lautrec, de, Henri --- Artan de Saint Martin, Louis --- Crespin, Adolphe --- Charpentier, Alexandre-Louis-Marie --- Claine, Guillaume --- Delacroix, Eugène --- Bonvallet, Lucien --- Camp, van, Camille --- Biais, Maurice --- Fierlants, Edmond --- de Saint-Marceaux, René --- Missonne, Léonard --- Charlier, Guillaume --- Verhaegen, Arthur --- Angrand, Charles --- Stevens, Joseph --- Elskamp, Max --- Auriol, George --- Ingres, Jean Auguste Dominique --- Peignot, Georges --- Chifflot, Jules --- Martin, Camille --- Asselbergs, Alphonse --- Corot, Camille --- Frederic, Léon --- Gros, Antoine Jean --- Delacenserie, Louis --- Gervex, Henri --- Espouy, D', Hector --- Stappen, van der, Charles --- Wappers, Gustave --- Brou, Frédérique --- Dubois, Fernand --- Ryswyck, van, Lambert --- Boudin, Louis Eugène --- Horta, Victor --- Lagae, Jules --- Séon, Alexandre --- Van Biesbroeck, Louis-Pierre --- Coutan, Jules-Félix --- Néret, Georges --- Plumier, Alphonse --- Minne, George --- Guérard, Henri --- Morren, Georges --- Müller, Theodor --- Antigna, Alexandre --- Vinçotte, Thomas --- Clesinger, Auguste --- Vuillard, Edouard --- Dillens, Juliaan --- Marconi, Gaudenzio --- Zens, Matthias --- Rosman, Jef --- Mercié, Antonin --- Renoir, Auguste --- Jacquemart, Jules Ferdinand --- Radoux, Gilbert --- Apollinaire, Guillaume --- Tissot, James --- Moreau, Gustave --- Blanche, Jacques-Emile --- van Strydonck, Léopold --- Carries, Jean Joseph Marie --- Claudel, Camille --- Hamman, Edouard --- d'Houdain, André --- Alexandre, Marcel --- Cottet, Charles --- Braekeleer, de, Henri --- CHAM --- Louÿs, Pierre --- Cloquet, Louis --- Serrurier-Bovy, Gustav Nicolas Joseph --- Neyt, Charles --- Signac, Paul --- Colonna, Edouard --- Rysselberghe, van, Theo --- Cock, de, César --- Samuel, Charles --- Carpeaux, Jean-Baptiste --- Grasset, Eugène Samuel --- Kupka, Frantz --- Feure, de, Georges --- Delaherche, Auguste --- Demeure de Beaumont, Alexandre --- Fantin-Latour, Henri --- Wiertz, Antoine J. --- Rousseau, Théodore --- Marissiaux, Gustave --- Biesbroeck, van, Jules --- Evenepoel, Henri --- Girault, Charles --- Groux, de, Henri --- Ruprich-Robert, Victor --- Prouvé, Victor --- Chaplet, Erneste --- Leveque, Auguste --- Groux, de, Charles --- Vantongerloo, Georges --- Meunier, Henri Georges (gen. Marc) --- Ghémart, Louis --- Doré, Gustave --- Bellery-Desfontaines, Henri --- Mucha, Alfons Maria --- Dalpayrat, Pierre-Adrien --- Dubois de Nehaut, L.P.T. --- Gautherin, Jean --- Marechal, François --- Müller, Emile --- Blanquart-Evrard, Louis-Désiré --- Courbet, Gustave --- Boch, Anna --- Millet, Jean-François --- Faure-Dujarric, Louis --- Monet, Claude --- Velde, Van de, Henry --- Finch, Willy --- Frémiet, Emmanuel --- anno 1800-1999 --- Paris --- Brussels --- Art nouveau --- Realisme (kunst) --- literature [discipline] --- decorative arts [discipline] --- Frères Bisson --- Clésinger, Auguste --- Saint-Marceaux, de, René --- Tombay, De, Alphonse --- Brun, Le, Georges --- Meunier, Henri Georges --- Biesbroeck, Van, Louis-Pierre --- Kunstgeschiedenis --- Jugendstil --- Architectuur --- Beeldhouwkunst --- Muziek --- 20e eeuw --- Literatuur --- Schilderkunst --- Tekenkunst --- Strydonck, Van, Léopold --- Chaplet, Ernest --- Lévy, Emile --- tentoonstellingscatalogi --- Dubois de Nehaut, Louis Pierre Théophile --- Marcel, Alexandre --- Afrika --- Archief --- Compositie (muziek) --- Frans --- Digitalisering --- Cultuur --- Noorwegen --- Godsdienst --- Vlaanderen --- Vlaams --- Emigratie --- Vrouw --- Cham --- dansen --- burgerlijke architectuur; gebouwen; huisvesting --- theater, toneel, toneelvoorstelling --- Bethune, Jean-Baptiste --- sculptuur --- 19de eeuw. --- 20ste eeuw. --- België. --- Frankrijk. --- Brussel. --- Parijs. --- music [performing arts genre] --- literary studies --- art [discipline] --- Brou, Frédéric
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