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"Nelson Goodman's disparate writings are often written about only within their own particular discipline, such that the epistemology is discussed in contrast to others' epistemology, the aesthetics is contrasted with more traditional aesthetics, and the ontology and logic is viewed in contrast to both other contemporary philosophers and to Goodman's historical predecessors. This book argues that that is not an adequate way to view Goodman. The separate disciplines of ontology, epistemology, and aesthetics should be viewed as sequential steps within his thought, such that each provides the ground rules for the next section and, furthermore, providing the reasons for limitations on the terms available to the subsequent writing(s). This is true not merely because this is the general chronology of his writing, but more importantly because within his metaphysics lies Goodman's basic nominalist ontology and logic, and it is upon those principles that he builds his epistemology and, furthermore, it is the sum of both the metaphysics and the epistemology, with the nominalist principle as the guiding force, which constructs the aesthetics. At the end of each section of this book, the consequent limitations imposed on his terms and concepts available to him are explicated, such that, by the end of the book, the book delineates the constraints imposed upon the aesthetics by both the metaphysics and the epistemology."--P. [4] of cover.
kennisleer --- Theory of knowledge --- filosofie --- Metaphysics --- epistomologie --- metafysica --- persoonlijkheidsleer --- Aesthetics --- esthetica --- epistemologists --- metaphysics --- aesthetics --- Philosophy --- Psychology --- Nominalism. --- Nominalisme --- Goodman, Nelson --- Criticism and interpretation. --- EPUB-LIV-FT LIVHUMAI SPRINGER-B --- Nominalism --- Conceptualism --- Logic --- Realism --- Reality --- Scholasticism --- Universals (Philosophy) --- Goodman, Henry Nelson
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Why is our world comprehensible? This question seems so trivial that few people have dared to ask it. In this book we explore the deep roots of the mystery of rationality. The inquiry into the rationality of the world began over two-and-a-half-thousand years ago, when a few courageous people tried to understand the world with the help of reason alone, rejecting the comforting fabric of myth and legend. After many philosophical and theological adventures the Greek concept of rationality laid the foundations of a revolutionary way of thinking: the scientific method, which transformed the world. But looking at the newest fruits of the world's rationality - relativity theory, quantum mechanics, the unification of physics, quantum gravity - the question arises: what are the limits of the scientific method? The principal tenet of rationality is that you should never stop asking questions until everything has been answered ... "The Comprehensible Universe is a thoughtful book by two authors who have professional expertise in physics and astronomy and also in theology. They are exceptionally well informed about the history of the relation between science and theology, and they maintain throughout their discussion a respect for empirical evidence and a dedication to rationality. Even though I do not agree with all of their conclusions on matters of great complexity I am impressed by the fairness of their argumentation." Abner Shimony, Professor Emeritus of Philosophy and Physics, Boston University.
Rationalism. --- Religion and science. --- Science --- Methodology. --- Scientific method --- Logic, Symbolic and mathematical --- Christianity and science --- Geology --- Geology and religion --- Science and religion --- Knowledge, Theory of --- Religion --- Belief and doubt --- Deism --- Free thought --- Realism --- Religious aspects --- Rationalism --- Religion and science --- Methodology --- Philosophy of nature --- Christian theology
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Theories about the ontological structure of the world have generally been described in informal, intuitive terms, and the arguments for and against them, including their consistency and adequacy as explanatory frameworks, have generally been given in even more informal terms. The goal of formal ontology is to correct for these deficiencies. By formally reconstructing an intuitive, informal ontological scheme as a formal ontology we can better determine the consistency and adequacy of that scheme; and then by comparing different reconstructed schemes with one another we can much better evaluate the arguments for and against them and come to a decision as to which system it is best to adopt. Conceptual realism, which is defended here as the best system to adopt, contains both an intensional and a natural realism as well as an Aristotelian essentialism based on a logic of natural kinds. "This book is a significant contribution to the field of formal ontology, and to analytical ontology in general - it presents an original and powerful systematic position with a host of important technical results." Johanna Seibt, University of Aarhus, Denmark.
Ontology. --- Realism. --- Ontologie --- Réalisme --- EPUB-LIV-FT LIVPHILO SPRINGER-B --- Logic. --- Linguistics --- Philosophy, medieval. --- Computer science. --- Metaphysics. --- Philosophy of Language. --- Medieval Philosophy. --- Mathematical Logic and Formal Languages. --- Being --- Philosophy --- Metaphysics --- Necessity (Philosophy) --- Substance (Philosophy) --- God --- Ontology --- Philosophy of mind --- Informatics --- Science --- Medieval philosophy --- Scholasticism --- Argumentation --- Deduction (Logic) --- Deductive logic --- Dialectic (Logic) --- Logic, Deductive --- Intellect --- Psychology --- Reasoning --- Thought and thinking --- Philosophy. --- Methodology --- Language and languages—Philosophy. --- Medieval philosophy. --- Mathematical logic. --- Algebra of logic --- Logic, Universal --- Mathematical logic --- Symbolic and mathematical logic --- Symbolic logic --- Mathematics --- Algebra, Abstract --- Metamathematics --- Set theory --- Syllogism
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Overzicht in woord en beeld van leven en werk van de Belgische kunstenaar (1831-1905).
sculpting --- farmers [people in agriculture] --- Homo sapiens [species] --- suffering --- miners --- labor --- painting [image-making] --- Art --- monuments --- Meunier, Constantin --- l'Art Moderne (1881-1914) --- tentoonstellingen --- arbeid --- kunstkritiek --- 949.32 LEUVEN --- 7.071 MEUNIER, CONSTANTIN --- 73.07 --- 75.07 --- Beeldhouwkunst ; schilderkunst ; 19de eeuw ; C. Meunier --- Sociaal geëngageerde kunst --- Tentoonstellingscatalogi ; Brussel ; Kon. Musea voor Schone Kunsten --- Thema's in de kunst ; arbeid ; arbeiders --- Meunier, Constantin 1831-1905 (°Etterbeek, België) --- Belgische kunstenaars --- 7.071 MEUNIER, CONSTANTIN Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--MEUNIER, CONSTANTIN --- Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--MEUNIER, CONSTANTIN --- 949.32 LEUVEN Geschiedenis van België: hertogdom Brabant; provincie Brabant--(reg./lok.)--LEUVEN --- Geschiedenis van België: hertogdom Brabant; provincie Brabant--(reg./lok.)--LEUVEN --- Beeldhouwkunst ; beeldhouwers A - Z --- Schilderkunst ; schilders --- Exhibitions --- l'Art Moderne (1881-1914), Brussel --- Painting [Belgian ] --- 19th century --- Sculpture [Belgian ] --- Social realism in art --- human figures [visual works] --- l'Art Moderne (1881-1914), Brussel. --- tentoonstellingen. --- arbeid. --- kunstkritiek. --- Meunier, Constantin.
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In dit boek beschrijft psycholoog Jan de Laender aan de hand van de biografie van Charles Darwin (1809-1882) de invloed van de evolutietheorie op de menswetenschappen. Hij benadrukt dat achter het rationalisme, dat eigen is aan het evolutionaire denken en dat ons kan bevrijden van het waandenken van iemand als Freud, niet alleen pijn, maar ook veel troost verscholen ligt. De toekomst van de menswetenschappen, zoals de psychologie, zit volgens De Laender niet in de erfenis van het ongebreidelde Freudiaanse waandenken van de twintigste eeuw, maar in het rationalisme van Darwin en zijn medestanders. (Bron: covertekst)
Rationalism --- Rationalisme --- Evolutionaire psychologie --- #KVHB:Rationalisme --- #KVHB:Evolutieleer --- #KVHB:Darwin, Charles --- 1 DARWIN, CHARLES --- 043861.jpg --- Darwin, Chrales --- Evolutietheorie --- Filosofie. Psychologie--DARWIN, CHARLES --- Evolutionisme --- 1 DARWIN, CHARLES Filosofie. Psychologie--DARWIN, CHARLES --- Evolution (Biology) --- Naturalists --- #GGSB: Wetenschapsfilosofie --- #PBIB:2004.1 --- #PBIB:gift 2004 --- Evolutieleer --- Psychologie --- Knowledge, Theory of --- Religion --- Belief and doubt --- Deism --- Free thought --- Realism --- Animal evolution --- Animals --- Biological evolution --- Darwinism --- Evolutionary biology --- Evolutionary science --- Origin of species --- Biology --- Evolution --- Biological fitness --- Homoplasy --- Natural selection --- Phylogeny --- Darwin, Charles, --- Darwin, Charles, Robert --- cultuurpsychologie --- wetenschapsfilosofie --- Evolution. Phylogeny --- Philosophy of science --- evolutieleer --- cultuurfilosofie --- Philosophy and psychology of culture --- Darwin, Charles --- Evolution (Biology). --- Rationalism. --- Behaviorisme --- Darwin, Charles Robert --- Great Britain --- Biography --- Wetenschapsfilosofie --- 960 --- evolutietheorie --- psychologie --- rationalisme --- levensbeschrijvingen --- biographies et mémoires
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47
Iconografie ; schilderkunst ; Nederlanden ; 15de tot 18de eeuw --- 704 --- Iconografie. --- iconografie --- 15de eeuw --- 16de eeuw --- 17de eeuw --- 18de eeuw --- Noordelijke Nederlanden --- Zuidelijke Nederlanden --- iconography --- realisme --- History --- Painting --- schilderkunst --- painting [image-making] --- realism [artistic form of expression] --- anno 1300-1399 --- anno 1500-1799 --- anno 1400-1499 --- Belgium --- Netherlands --- Art appreciation --- Art --- Painting, Dutch --- Painting, Flemish --- Symbolism in art --- kunst --- musea --- schilderijen --- vijftiende eeuw --- zestiende eeuw --- zeventiende eeuw --- #KVHA:Kunst --- #KVHA:Kunstgeschiedenis --- #KVHA:Realisme --- #KVHA:Schilderkunst --- 75.04 "14/17" --- 75.04 "14/17" Iconografie van de schilderkunst. Iconologie. Onderwerpen voor de schilderkunst--?"14/17" --- Iconografie van de schilderkunst. Iconologie. Onderwerpen voor de schilderkunst--?"14/17" --- Allegory (Art) --- Signs and symbols in art --- Flemish painting --- Dutch painting --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Appreciation of art --- Art criticism --- Themes, motives --- Analysis, interpretation, appreciation --- #GGSB: Kunst --- Schilderkunst --- Symbolen --- Symboliek --- Symbool --- Tekenkunst --- Reception of art --- Reception --- Kunst --- Art, Primitive --- Hollandse school --- Nederlandse school --- Vlaamse school --- 15de eeuw. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- Noordelijke Nederlanden. --- Zuidelijke Nederlanden.
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