Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Philosophy and psychology of culture --- cultuurfilosofie

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Reclining Fragments, Ritsart Gobyn’s second book is the sequel to In Between and, as if by some miracle, thus completes the sentence: ‘In Between Reclining Fragments’. Where In Between still hesitated between indicating place or time, the complete sentence ‘In Between Reclining Fragments’ seems to indicate a place: somewhere between reclining fragments. But in the conversation between Ritsart and Maarten Inghels – the author of the text accompanying the book – it is again emphatically about time: “‘As you move closer and distance yourself again, a passage of time is created,’ you said. ‘That back-and-forth movement of your perception makes it interesting.’” The book forms the second volume on the artist’s work and contains almost all the works the artist made from late 2020 to mid-2023, including the room views of ‘Prologue’, the exhibition at PLUS-ONE gallery, where the book will be introduced. Consistently, Ritsart continues to build an evocative and tactile oeuvre in which he increasingly challenges the viewer’s perception and causes the gaze to slow down. More than in the first book – with works from 2017 to 2020 – the artist incorporates fragments/citations of other artists into his paintings, raising the question of what motivations preceded that choice. Does Ritsart neutralise the works of grandmasters by painting them alongside tape, paper scraps and dirty footprints, or does he instead pay homage to his pictorial heroes?Is there a truth to be found here, somewhere among the backward sloping scraps?

Gobyn, Ritsart --- schilderkunst --- eenentwinitgste eeuw --- 75.071 GOBYN --- België --- trompe-l'oeil --- abstracte schilderkunst --- abstractie --- Gobyn Ritsart --- kunst --- Belgische kunstenaars ; 21ste eeuw --- Posture Editions --- Docenten Sint-Lucas Gent ; Beeldende Kunst --- Schilderkunst ; België ; 21ste eeuw --- Gobyn, Ritsart °1985 (°Gent, België) --- 75.07 --- Schilderkunst ; schilders A-Z --- Painting --- oil paintings [visual works] --- spray painting --- acrylic painting [technique]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Drawing --- self-portraits --- drawings [visual works] --- Aerts, Nel --- kunst --- artists' books --- kunstenaarsboeken --- eenentwintigste eeuw --- Aerts Nele --- 7.071 AERTS --- 741.07 --- Tekenkunst ; tekenkunstenaars A - Z --- Tekenkunst ; 21ste eeuw ; 2015-2016 ; Nel Aerts --- Posture Editions --- Belgische kunstenaars ; 21ste eeuw --- Kunst ; van vrouwen --- Vrouwelijke kunstenaars --- Aerts, Nel °1987 (°Antwerpen, België) --- Drawing, Belgian --- Self-portraits, Belgian --- Aerts, Nel,

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Drawing

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Het is een veelgehoorde uitspraak dat België het land is met de meeste verzamelaars van hedendaagse kunst per vierkante kilometer. Een opmerkelijk aantal van die verzamelaars woont in West-Vlaanderen. Naar aanleiding van de tentoonstelling Frequently the woods are pink in het platform voor actuele kunst Be-Part in Waregem toont dit boek verborgen kunstwerken uit privécollecties in de regio’s Kortrijk en Waregem. Gedurende enkele maanden verlaten ze hun isolement en worden ze publiek goed. Zo’n zestig werken uit de periode 1970–2020 worden voor het voetlicht gebracht aan de hand van drie thema’s: de actuele condition humaine, meer bepaald alle botsende en verwarrende tegenstrijdigheden in onszelf en de wereld om ons heen, het voortschrijden van de ongrijpbare tijd en het verlangen naar alles wat vergeten is, en tot slot de spanning tussen natuur en cultuur in onze postindustriële wereld.

Art --- Contemporary [style of art] --- art collections --- Contemporary art