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History of civilization --- Philosophy and psychology of culture --- anno 1200-1799 --- anno 1100-1199 --- Literary transmission --- Literature and society --- Literatuur en maatschappij --- Littérature et société --- Manuscript transmission --- Manuscrits--Transmission --- Tekstoverlevering --- Textual transmission --- Transmission de textes --- Transmission des manuscrits --- Transmission des textes --- Transmission littéraire --- Transmission of texts --- Written communication --- Transmission of texts. --- Printing --- Literature and society. --- Books and reading --- Communication écrite --- Imprimerie --- Livres et lecture --- Social aspects --- Social aspects. --- Aspect social --- History --- Communication écrite --- Littérature et société --- Written communication - Social aspects - History --- Printing - Social aspects --- Books and reading - Social aspects
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In his monograph Verlorenes Mittelalter , Thomas Haye discusses the question of why the greater part of the Latin texts which were produced over the course of the Middle Ages has not been preserved. Contemporary sources attest to the existence of thousands of texts which have not come down to the modern era. As Haye demonstrates, these losses are not primarily due to random happenstance, but are often rather the results of certain aspects of contemporary mentality, sociohistorical circumstances, preferences regarding literary genres and other specific cultural factors. Modern literary histories largely disregard the lost texts. The present book argues for the development of a new narrative which duly takes into account the lost texts as well as those that still exist.
Latin literature, Medieval and modern --- Lost literature --- Transmission of texts --- Littérature latine médiévale et moderne --- Oeuvres perdues (Littérature) --- History and criticism. --- History. --- Histoire et critique --- Literary transmission --- Manuscript transmission --- Textual transmission --- Criticism, Textual --- Editions --- Manuscripts --- History and criticism --- History --- Transmission de textes --- History of civilization --- Medieval Latin literature --- anno 500-1499 --- Littérature latine médiévale et moderne --- Oeuvres perdues (Littérature)
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This book introduces the fast-developing field of book history. James Raven, a leading historian of the book, offers a fresh and accessible guide to the global study of the production, dissemination and reception of written and printed texts across all societies and in all ages.Students, teachers, researchers and general readers will benefit from the book's investigation of the subject's origins, scope and future direction. Based on original research and a wide range of sources, What is the History of the Book? shows how book history crosses disciplinary boundaries and intersects with literary, historical, communications, media, library and conservation studies. Raven uses examples from around the world to explore different traditions in bibliography, palaeography and manuscript studies. He analyses book history's growing global ambition and demonstrates how the study of reading practises opens up new horizons in social history and the history of knowledge. He shows how book history is contributing to debates about intellectual and popular culture, colonialism and the communication of ideas. The first global, accessible introduction to the field of book history from ancient to modern times, What is the History of the Book? is essential reading for all those interested in one of society's most important cultural artefacts.
Books --- Printing --- Bibliography --- History. --- E-books --- Book history --- History as a science --- Bibliography. --- Book industries and trade --- Book industries and trade. --- Books and reading --- Books and reading. --- Books. --- Printing. --- Transmission of texts --- Transmission of texts. --- Livres --- Imprimerie --- Bibliographie --- Transmission de textes --- Livres et lecture --- History --- Histoire --- Industrie --- Transmission des textes --- Industrie et commerce --- Histoire. --- Histoire du livre.
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Malory, Thomas --- Chevaliers et chevalerie dans la littérature --- Kings and rulers in literature --- Knights and knighthood in literature --- Koningen en heersers in de literatuur --- Literary transmission --- Manuscript transmission --- Manuscrits--Transmission --- Ridders en ridderschap in de literatuur --- Rois et souverains dans la littérature --- Tekstoverlevering --- Textual transmission --- Transmission de textes --- Transmission des manuscrits --- Transmission des textes --- Transmission littéraire --- Transmission of texts --- Language --- Criticism [Textual ] --- Manuscripts [English ] (Middle) --- England --- Winchester (England) --- Editing --- English language --- Middle English, 1100-1500 --- Negatives --- Manuscripts --- Arthurian romances --- Romances [English ] --- Caxton, William --- Malory, Thomas, - Sir,15th cent. - Language - Grammar. --- Malory, Thomas, - Sir, - 15th cent. - Morte d'Arthur - Criticism, Textual. --- Manuscripts, English (Middle) - England - Winchester - Editing. --- English language - Middle English, 1100-1500 - Negatives. --- Arthurian romances - Criticism, Textual. --- Romances, English - Criticism, Textual.
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Manuscripts. Epigraphy. Paleography --- Transmission of texts --- Books --- Illumination of books and manuscripts --- Manuscripts --- Transmission de textes --- Livres --- Enluminure --- Manuscrits --- History --- Histoire --- Manuscripts, European --- Manuscript design --- Manuscrit --- Mise en page --- Livre --- Typographie --- 091 --- 091.14 --- -Manuscripts --- Literary transmission --- Manuscript transmission --- Textual transmission --- Criticism, Textual --- Editions --- European manuscripts --- Codices --- Nonbook materials --- Archival materials --- Charters --- Codicology --- Diplomatics --- Paleography --- Design of manuscripts --- Layout (Manuscripts) --- Writing --- Book design --- Stichometry --- Handschriftenkunde. Handschriftencatalogi --- Codicologie. Codices. Scriptoria --- Design --- Layout --- Manuscripts, European. --- Manuscripts. --- Transmission of texts. --- History. --- 091.14 Codicologie. Codices. Scriptoria --- 091 Handschriftenkunde. Handschriftencatalogi --- 400-1400 --- Manuscript design - Europe - History --- #X-L: Casterman --- Mss histoire du livre --- Codicologie
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Book history --- Science publishing --- Copyists --- Science, Medieval --- Edition scientifique --- Copistes --- Sciences médiévales --- History. --- Publishing --- Manuscripts --- Histoire --- Edition --- Manuscrits --- Sciences médiévales --- connaissance - transmission. --- connaissance --- manuscrit. --- science. --- Édition scientifique --- édition --- Manuscrits. --- Édition --- Transmission --- Manuscrit --- Science --- SCIENCES MEDIEVALES --- Copistes sciences médiévales
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Radio en televisie --- Radio et télévision --- Telecommunicatie --- Télécommunications --- 621.397 --- #SBIB:309H1711 --- #A9106A --- Picture transmission. Television --- Nieuwe media, informatietechnologie (videotex, beeldplaat, interactieve televisie, vergadertelevisie,...) --- 621.397 Picture transmission. Television --- Teletekst-gebruikers --- Telecommunication services
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Book history --- anno 1500-1599 --- 655.28.022 --- 094 "15/16" --- Arbeidsfasen bij drukvoorbereiding. Pre-press. Kopijvoorbereiding. Copy-editing --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--?"15/16" --- Criticism, Textual --- Editing --- Printing --- Proofreading --- Proofs (Printing) --- Transmission of texts --- Literary transmission --- Manuscript transmission --- Textual transmission --- Editions --- Manuscripts --- Corrected proofs (Printing) --- Galley proofs --- Page proofs --- Uncorrected proofs (Printing) --- Proof-reading --- Reading of proofs --- Reading --- Printing, Practical --- Typography --- Graphic arts --- Authorship --- Textual criticism --- History --- Epic poetry, Greek Criticism, Textual
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In this book, Joseph Dane critiques the use of material evidence in studies of manuscript and printed books by delving into accepted notions about the study of print culture. He questions the institutional and ideological presuppositions that govern medieval studies, descriptive bibliography, and library science. Dane begins by asking what is the relation between material evidence and the abstract statements made about the evidence; ultimately he asks how evidence is to be defined. The goal of this book is to show that evidence from texts and written objects often becomes twisted to support pre-existing arguments; and that generations of bibliographers have created narratives of authorship, printing, reading, and editing that reflect romantic notions of identity, growth, and development. The first part of the book is dedicated to medieval texts and authorship: materials include "Everyman", Chaucer's "Legend of Good Women", the "Anglo-Norman Le Seint Resurrection", and Adam de la Halle's "Le Jeu de Robin et Marion". The second half of the book is concerned with abstract notions about books and scholarly definitions about what a book actually is: chapters include studies of basic bibliographical concepts ("Ideal Copy") and the application of such a notion in early editions of Chaucer, the combination of manuscript and printing in the books of Colard Mansion, and finally, examples of the organization of books by an early nineteenth-century book-collector Leander Van Ess. This study is an important contribution to debates about the nature of bibliography and the critical institutions that have shaped its current practice. Several chapters or parts of this book appeared elsewhere.
Book history --- Manuscripts. Epigraphy. Paleography --- anno 500-1499 --- 091 --- 093 --- Handschriftenkunde. Handschriftencatalogi --- Incunabelen. Incunabelkunde --- 093 Incunabelen. Incunabelkunde --- 091 Handschriftenkunde. Handschriftencatalogi --- Bibliography, Critical --- Bibliography --- Early printed books --- Editions --- Incunabula --- Literature, Medieval --- Manuscripts, Medieval --- Transmission of texts --- Literary transmission --- Manuscript transmission --- Textual transmission --- Criticism, Textual --- Manuscripts --- Cradle books (Early printed books) --- Incunables --- Books --- Publications --- Bibliographic control --- Bibliographical control --- Library research --- Analytical bibliography --- Critical bibliography --- Methodology --- Bibliography&delete& --- Catalogs --- Theory, methods, etc. --- History
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Inhalt: Hans Voorbij, The »Cronicon« of Helinand of Froidmont: A Printed Edition in an Electronic Environment. - Martin J. Schubert, Third Maker under Jove. Edition als Produktion am Beispiel Gustav Roethes. - Wernfried Hofmeister, Die Edition als ›offenes BuchRudolf Bentzinger/Bob Duijvestijn/Annegret Haase, Wortbildung und Kontext. Beobachtungen bei der Text- und Glossarherstellung für die DTM-Edition »Der deutsche Malagis«. - Christa Baufeld, Schreibstrategien in einer Sammelhandschrift des 15. Jahrhunderts. - Janny Schenkel, Medieval Miscellanies from the Low Countries in Diplomatic Editions. - Margarete Springeth, Textvarianz und Kontextvariabilität als implikative Kategorien am Beispiel des Nibelungenliedes in Liebhart Scheubels Heldenbuch (Hs k). - Thomas Schmidt-Beste, Die humanistische Staatsmotette: Probleme und Möglichkeiten der Edition alter Musik. - Gerhard Huijing, Textual Variants in Erasmus' Polemics with Edward Lee. - Corry Ridderikhoff, Die »Historia« Emanuel van Meterens der Zensur unterworfen: vom Verbot zur offiziellen Anerkennung. - Henk J.M. Nellen, Confidentiality and Indiscretion: The Intricacies of Publishing Grotius' Correspondence Posthumously. - Gert Vonhoff, Kontextualisierung als Notwendigkeit. Die Edition ›ästhetischer ObjekteDiane Coleman Brandt, Intertextualität bei Personendarstellungen in den Briefen von Therese Huber. - Kristina Hasenpflug, Genetische Spuren im Lesartenapparat. Zur Lyrik Clemens Brentanos. - Rüdiger Nutt-Kofoth, Von Fettflecken und anderen Zufälligkeiten des Manuskriptzustandes. Zu einer Ursache der Exzeptionalität von Annette von Droste-Hülshoffs »Heidebild: Die Steppe«. - Jürgen Hein, Schreibort ›VolkstheaterWalter Hettche, Von der Allmählichkeit. Schreibprozesse und Erzählprozesse in Adalbert Stifters Prosa. - Peter Jost, Richard Wagners »Tannhäuser«-Bearbeitung für die Pariser Aufführung 1861. - Ulrike Leuschner, Tugend und Form. Marie von Ebner-Eschenbachs aphoristisches Schreiben im Zeit- und Gattungsbezug. - Marita Mathijsen, De mortuis nil nisi bene. The Influence of Romantic Friendship on the Genesis of Some Nineteenth-Century Publications. - Andreas Thomasberger, Textproduktion im Kontext von Poetologie und Thematik, mit Beispielen aus der Lyrik Hugo von Hofmannsthals. - Hermann Zwerschina, Angepaßtes Schreiben? Zu den Wechselwirkungen zwischen Georg Trakl und dem Herausgeber der Zeitschrift »Der Brenner«. - Wieneke 't Hoen, Flämisch und Niederländisch: Willem Elsschot auf der Suche nach einer ›klassischenSigurd Paul Scheichl, Fassungen bei Karl Kraus als Reflex des Ersten Weltkriegs - Untergang der Welt durch schwarze Magie. - Jan Bürger, »Immer wieder weist man auf Joyce hin...«. Wie entstehen Entstehungsgeschichten? Thesen über Probleme eines editionsphilologischen Genres. - Gregor Ackermann/Gunther Nickel, Defizite der Kontextvermittlung in Editionen literarischer Publizistik. - Peter de Bruijn, »Zwischen Biographismus und Biographobie.« Die historisch-kritische Ausgabe der Gedichte Gerrit Achterbergs (1905-1962). - Winfried Woesler, Dürrenmatt und Brecht. Schreiben im Schatten eines anderen. - Klaus Kanzog, Baustein, Kontext, Intertextualität. Zur Beziehung von Eigen- und Fremdtext als typologisches und editorisches Problem. - Peter Robinson, Digital Manuscripts and Electronic Publishing.
-Criticism, Textual --- Editing --- Editions --- German literature --- -Bibliography --- Criticism, Textual --- Bibliography --- Publications --- Transmission of texts --- Book history --- German literature - Criticism, Textual
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