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Avant-Garde and Criticism sheds new light on the complex aims, functions, practices and contexts of art-criticism in relation to the European avant-garde. Although many avant-garde works and the avant-gardes of various countries have been analyzed, considerably less attention has been given to the reviews in newspapers and journals on avant-garde literature, art, architecture and film. This volume of Avant-Garde Critical Studies will look at how art critics operated in a strategic way. The strategies of avant-garde criticism are diverse. Art critics, especially when they are artists themselves, attempt to manipulate the cultural climate in their favour. They use their position to legitimize avant-garde concepts and to conquer a place in the cultural field. But they are also markedly influenced by the context in which they operate. The position of fellow-critics and the ideological bias of the papers in which they publish can be as important as the political climate in which their criticism flourishes. The analysis of avant-garde art criticism can also make clear how strategies sometimes fail and involuntarily display non-avant-garde characteristics. On the other hand traditionalist criticism on the avant-garde offers new insights into its status and reception in a given time and place. This volume is of interest for scholars, teachers and students who are interested in the avant-garde of the interbellum-period and work in the field of literature, art, film and architecture.

avant-garde --- Art styles --- Aesthetics of art --- anno 1900-1999 --- Art criticism --- Avant-garde (Aesthetics) --- Arts, European --- History --- Aesthetics --- Modernism (Art) --- Avant-garde (esthétique) --- Art européen --- Critique d'art

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Art --- anno 1800-1999 --- Western Europe --- Japan --- North America --- Art, European --- Art, Japanese --- Japanese influences. --- Western influences. --- Kunst (Europese). Japanse invloeden. --- Art japonais. Influences européennes. --- Art européen. Influences japonaises. --- Kunst (Japanse). Europese invloeden.

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Rather than reporting on the latest doings of the all-too-familiar big names that crop up in all the architecture journals, A10 casts its net more widely to take in the many other interesting things that are happening in the old continent, devoting equal attention to the architectural production in Western, Central and Eastern Europe. With clear and informative reporting, A10 presents new buildings and projects by tomorrow's stars, forgotten masters and as yet unknown talents. The magazine has a network of over 70 correspondents throughout Europe, from Ireland to Turkey and from Portugal to Russia. Thanks to this pan-European network, A10 is often the first to take notice of a new project or building.

Architecture --- Art, European --- Art européen --- Periodicals --- Périodiques --- #TS:WBIB --- 72.037 --- Europa --- Eenentwintigste eeuw (architectuur) --- 21ste eeuw (architectuur) --- Architectuur --- tijdschriften --- tijdschriften. --- Tijdschriften. --- Art européen --- Périodiques --- Art --- Architecture. --- Publications périodiques. --- Art. --- Bouwkunst. --- Architektur --- Europe. --- Europa. --- Periodicals. --- architecture [discipline] --- Europe

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Depuis Léonard et Michel-Ange, la place de l’étude anatomique dans la formation et le travail de l’artiste n’a cessé d’intriguer l’amateur, soucieux de pénétrer les arcanes de la création. Si de nombreuses expositions se sont intéressées au sujet, aucune étude spécifique n’est en définitive à disposition. Le présent ouvrage est là pour combler cette lacune, et expliquer l’ampleur des enjeux liés à la question anatomique en Europe de la Renaissance à l’époque romantique. Au XVIIe siècle, et plus spécifiquement en France, la connaissance anatomique parvient à se placer au cœur de tous les discours et de toutes les controverses : la pédagogie du dessin, la place du modèle antique, la validité du jugement de l’amateur. L’engouement est tel pendant la période révolutionnaire que le peintre Jacques-Louis David fera de l’étude anatomique une « marque de fabrique » de son atelier. Houdon fera fondre en bronze un Ecorché grandeur nature, chargé de symboliser son travail de sculpteur. La très sélective institution des Salons ira jusqu’à exposer d’abord des écorchés, puis de simples moulages sur cadavres, comme s’il s’agissait d’œuvres comme les autres. Comment expliquer cet engouement exceptionnel de l’artiste et des amateurs, qui culmine et s’achève avec la profusion des dessins anatomiques de Géricault et Delacroix ? Au-delà de la méthode, l’anatomie est bien devenue, au cœur de cette période, un thème de l’œuvre d’art. Thème particulier, qui interroge le spectateur sur ce qu’il veut voir grâce à l’œuvre : des images vraies, même si elles « poursuivent l’imagination » selon Stendhal, ou une paisible recomposition du réel ? Du XVe siècle à l’âge romantique, cet ouvrage rassemble le patrimoine de cette quête anatomique, dessins, peinture et sculpture, grâce à une campagne de prise de vue réalisée par Giovanni Ricci Novara

Human anatomy --- Art --- Anatomy, Artistic. --- Nude in art. --- Human figure in art --- Horses in art --- Art, European --- Anatomie artistique --- Nu --- Corps humain dans l'art --- Chevaux dans l'art --- Art européen --- Themes, motives --- Thèmes, motifs --- Corps humain --- Iconographie --- Renaissance --- Romantisme --- Anatomy, Artistic --- Nude in art --- 16e siècle --- 17e siècle --- 18e siècle --- Art européen --- Thèmes, motifs

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Drawing --- Graphic arts --- anno 1500-1799 --- anno 1800-1999 --- universiteitscollecties --- Universität Düsseldorf (Düsseldorf) --- Dood --- grafiek --- tekeningen --- dodendans --- Redaktion Eva Schuster ; Vorwort Hans Schadewaldt --- kunst --- dood --- tekenkunst --- danses macabres --- dodendansen --- 7.041 --- 76.03 --- Medical atlases, portraits, iconography --- Medical atlases, portraits, iconography. --- Exhibitions --- art européen --- collection --- danse macabre --- Block, Werner --- Universität Düsseldorf --- universiteitscollecties. --- Universität Düsseldorf (Düsseldorf). --- Dood. --- tekeningen. --- dodendans.