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Christian spirituality --- Religious studies --- 252*4 --- Retraites. Recollecties. Religieuze conferenties --- 252*4 Retraites. Recollecties. Religieuze conferenties --- Vipassana --- Hare Krishna --- Advaita --- katholieke retraite --- Vision Quest --- Soefi --- straatretraites

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This substantial and ambitious dictionary explores the languages and cultures of visual studies. It provides the basis for understanding the foundations and motivations of current theoretical and academic discourse, as well as the different forms of visual culture that have come to organize everyday life. The book is firmly placed in the context of the 'visual turn' in contemporary thought. It has been designed as an interdisciplinary or transdisciplinary introduction to the vocabularies and grammars of visuality that inform thinking in the arts and humanities today. It also offers insight into the philosophical frameworks which underpin the field of visual culture. A central theme that runs throughout the entries is the task of moving away from a narrow understanding of visuality inherited from traditional philosophy toward a richer cultural and multi-sensorial philosophy of concrete experience. The dictionary incorporates intertextual links that encourage readers to explore connections between major themes, theories and key figures in the field. In addition the author's introduction provides a comprehensive and critical introduction which documents the significance of the visual turn in contemporary theory and culture. It is accompanied by an extensive bibliography and further reading list. As both a substantive academic contribution to this growing field and a useful reference tool, this book offers a theoretical introduction to the many languages of visual discourse. It will be essential reading for graduate students and scholars in visual studies, the sociology of visual culture, cultural and media studies, philosophy, art history and theory, design, film and communication studies.

Art --- Aesthetics --- Vision --- Hermeneutics --- Image (Philosophy) --- Esthétique --- Herméneutique --- Image (Philosophie) --- Dictionaries. --- Dictionnaires anglais --- Esthétique --- Herméneutique --- Esthetica --- Kunst --- visuele cultuur --- visual culture --- Dictionnaire --- Langage --- Culture --- Sociologie de la culture --- Analyse de l'art --- Aesthetics - Dictionaries --- Vision - Dictionaries --- Hermeneutics - Dictionaries --- Image (Philosophy) - Dictionaries

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Archivistics --- BRT --- anno 1900-1999 --- anno 2000-2009 --- Broadcasting --- Television broadcasting --- Radiodiffusion --- Télévision --- History --- Sources --- Archival resources --- Histoire --- Fonds d'archives --- Vlaamse Radio en Televisieomroep --- Institut national de radiodiffusion (Belgium) --- Radiodiffusion télévision belge --- Archives --- Catalogs --- Microform catalgs --- 930.25 <493> --- Archiefwetenschap. Archivistiek--België --- 930.25 <493> Archiefwetenschap. Archivistiek--België --- Télévision --- Radiodiffusion télévision belge --- Sources. --- Catalogs. --- Microform catalgs.

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In the late eighteenth century a catastrophic typhoon swept over Pingelap, a tiny atoll in the Pacific Ocean. One of the survivors, the king, carried the rare achromatopsia-gen that causes complete colorblindness. The king went on to have many children and as time passed by, the hereditary condition affected the isolated community and the islanders started seeing the world in black and white. Portraying the islanders (that by their fellow Micronesians are referred to as "blind") and their island resulted in a conceptual selection of images that mask or emphasize the eyes, face, or their "vision" and invite the viewer to enter a dreamful world of colorful possibilities. "The Island of the Colorblind" consists of "normal" digital images converted to black and white with Photoshop (shot with Nikon D810) and infrared images (shot with Nikon D700, to IR converted body) shot in Pohnpei & Pingelap in november 2015. The third series within the project are the achromatic picture-paintings.

De Wilde, Sanne --- Wilde, De, Sanne --- photography [process] --- fotografie --- fotoboeken --- eilanden --- Micronesia [region] --- Kleurenblindheid --- Infraroodfotografie --- Zwart-witfotografie --- Pingelap (Micronesian people) --- Black-and-white photography --- Color blindness --- 77.092.07 --- Fotografen ; 21ste eeuw ; Sanne De Wilde --- De Wilde, Sanne °1987 (°Antwerpen, België) --- Fotografie ; Stille Oceaan ; eiland(en) van de kleurenblinden --- Fotografie ; van vrouwelijke fotografen ; 21ste eeuw --- Belgische kunstenaars --- Ethnology --- Micronesians --- Achromatism (Disease) --- Achromatopia --- Achromatopsia --- Color vision defects --- Color vision disorders --- Monochromatism --- Vision disorders --- Photography --- Fotografen A - Z --- Wilde, Sanne de, --- De Wilde, Sanne, --- Pohnpei Island (Micronesia) --- Ascension Island (Micronesia) --- Insel Ponape (Micronesia) --- Ponape Island (Micronesia) --- Ponape-tō (Micronesia) --- Ponapei Island (Micronesia) --- Senyavin Islands (Micronesia) --- Physiology of nerves and sense organs --- Infrarood --- Fotografie

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"Selon Thierry Smolderen, scénariste distingué par plusieurs prix, « la bande dessinée joue à fond de la cinéspective ». En effet, « une planche de BD suscite une sorte de fondu enchaîné ». De la sorte, on comprend mieux comment certains gestes d'action, courir, sauter, trembler, danser, tomber, glissent de cases en cases sans altérer la lecture en créant un phénomène de continuité. Certes, dans une bande dessinée « classique », divisée en plusieurs cases bien séparées par une « gouttière », chaque vignette pourrait être une « image plate » captant l'attention sur elle seule, et arrêtant la lecture. Mais généralement, il n'en est rien, et la magie du 9e art peut s'exercer. Les gestes peuvent être isolés, mais ils peuvent aussi être pensés globalement. Ils forment alors un langage appelé par commodité une gestuelle. Pour cette gestuelle, un geste peut remplacer un énoncé, souligner un mot, contredire aussi le propos formulé par un personnage ou contenu dans une bulle. Les gestes peuvent exprimer la surprise, la colère, l'impuissance, la tendresse, la joie... De la sorte, tout un répertoire de gestes et d'expressions se déploie, certains inscrits dans un contexte historique ou sociétal.Le présent ouvrage est pluridisciplinaire, insistant sur le fait qu'il n'existe pas une méthodologie unique mais des lectures variées « naïves ou savantes », pour s'attacher aux expressions gestuelles, aux gestes porteurs d'émotions et de sensations, aux gestes agressifs ou lents et délicats"

Comic books, strips, etc. --- Motion in literature --- Motion perception (Vision) --- History and criticism --- Gestes --- Bandes dessinées --- Dans les bandes dessinées. --- Thèmes, motifs. --- Book history --- Drawing --- comics [documents]