Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This Element examines progress in research and practice in forensic authorship analysis. It describes the existing research base and examines what makes an authorship analysis more or less reliable. Further to this, the author describes the recent history of forensic science and the scientific revolution brought about by the invention of DNA evidence. They chart the rise of three major changes in forensic science - the recognition of contextual bias in analysts, the need for validation studies and shift in logic of providing identification evidence. This Element addresses the idea of progress in forensic authorship analysis in terms of these three issues with regard to new knowledge about the nature of authorship and methods in stylistics and stylometry. The author proposes that the focus needs to shift to validation of protocols for approaching case questions, rather than on validation of systems or general approaches. This title is also available as Open Access on Cambridge Core.

Forensic linguistics. --- Authorship --- Technique. --- Literature --- Authoring (Authorship) --- Writing (Authorship) --- Linguistics --- Linguistics, Forensic --- Jurisprudence --- Forensic Linguistics

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The contributors to this volume discuss the formation and transformation of ancient concepts of authorship, specifically among those types of texts that are classified as "religious literature" - whether Greco-Roman, early Jewish, and early Christian. In twelve case studies spanning the time from Ben Sira to Tertullian, various ways of how authors considered themselves to be individual producers of texts and religious voices are carved out. The volume presents authors who fashion themselves either as orthonymous, anonymous, or pseudepigraphic writers, and who share the idea of being "religious agents". The search for these religious voices undertaken here is a valuable contribution to both research in ancient "Autorforschung" and the religio-historical study of how religious knowledge was produced in the ancient Mediterranean world.

Christian literature, German --- History and criticism. --- Religious literature --- Authorship --- History --- History and criticism --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Religious writing --- Authorship. --- History. --- Autorschaft --- religiöse Stimme --- religiöse Spezialitäten --- religiöse Literatur --- heilige Texte --- Neues Testament --- Kirchengeschichte --- Antike --- Religionswissenschaft --- Antike Religionsgeschichte

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

With Faithful Translators Jaime Goodrich offers the first in-depth examination of women's devotional translations and of religious translations in general within early modern England. Placing female translators such as Queen Elizabeth I and Mary Sidney Herbert, Countess of Pembroke, alongside their male counterparts, such as Sir Thomas More and Sir Philip Sidney, Goodrich argues that both male and female translators constructed authorial poses that allowed their works to serve four distinct cultural functions: creating privacy, spreading propaganda, providing counsel, and representing religious groups. Ultimately, Faithful Translators calls for a reconsideration of the apparent simplicity of "faithful" translations and aims to reconfigure perceptions of early modern authorship, translation, and women writers.

Theory of literary translation --- English literature: authors --- anno 1600-1699 --- anno 1500-1599 --- Christian literature --- English literature --- Women translators --- Authorship --- Women and literature --- Translating and interpreting --- 27 <420> "15/17" --- Literature --- Authoring (Authorship) --- Writing (Authorship) --- Translators --- Women linguists --- Christian writings --- Christianity and literature --- Religious literature --- Translations into English --- History and criticism. --- History --- History. --- Kerkgeschiedenis--Engeland--Moderne Tijd --- Translations into English&delete& --- History and criticism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The volume assesses performative structures within a variety of medieval forms of textuality, from vernacular literature to records of parliamentary proceedings, from prayer books to musical composition. Three issues are central to the volume: the role of ritual speech acts; the way in which authorship can be seen as created within medieval texts rather than as a given category; finally, phenomena of voice, created and situated between citation and repetition, especially in forms which appropriate and transform literary tradition. The volume encompasses articles by historians and musicologists as well as literary scholars. It spans European literature from the West (French, German, Italian) to the East (Church Slavonic), vernacular and Latin; it contrasts modes of liturgical meditation in the Western and Eastern Church with secular plays and songs, and it brings together studies on the character of 'voice' in major medieval authors such as Dante with examples of Dante-reception in the early twentieth century.

Authorship -- History -- To 1500. --- Civilization, Medieval. --- Literature, Medieval -- History and criticism -- Theory, etc. --- Philosophy, Medieval. --- Literature, Medieval --- Authorship --- Civilization, Medieval --- Philosophy, Medieval --- Literature - General --- Languages & Literatures --- Theory, etc --- History and criticism --- History --- Theory, etc. --- Medieval philosophy --- Medieval civilization --- Middle Ages --- Authoring (Authorship) --- Writing (Authorship) --- Civilization --- Scholasticism --- Chivalry --- Renaissance --- Literature --- Medieval Culture. --- Medieval Literature. --- Performative.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Quoting is all around us. But do we really know what it means? How do people actually quote today, and how did our present systems come about? This book brings together a down-to-earth account of contemporary quoting with an examination of the comparative and historical background that lies behind it and the characteristic way that quoting links past and present, the far and the near. Drawing from anthropology, cultural history, folklore, cultural studies, sociolinguistics, literary studies and the ethnography of speaking, Ruth Finnegan's fascinating study sets our present conventions into cross-cultural and historical perspective. She traces the curious history of quotation marks, examines the long tradition of quotation collections with their remarkable recycling across the centuries, and explores the uses of quotation in literary, visual and oral traditions. The book tracks the changing definitions and control of quoting over the millennia and in doing so throws new light on ideas such as 'imitation', 'allusion', 'authorship', 'originality' and 'plagiarism'."--Publisher's website.

Quotation. --- Allusions --- Quotation --- Authorship. --- Languages --- Foreign languages --- Anthropology --- Communication --- Ethnology --- Information theory --- Meaning (Psychology) --- Philology --- Linguistics --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- cultural anthropology --- imitation --- oral traditions --- quotation --- cultural history --- folklore --- quotation marks --- english --- plagiarism --- language --- quoting --- sociolinguistics --- originality --- oral literature --- Erasmus --- Latin