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The writings of Mao Zedong have been circulated throughout the world more widely, perhaps, than those of any other single person this century. The "Talks at the Yan'an Conference on Literature and Art" has occupied a prominent position among his many works and has been the subject of intense scrutiny both within and outside China. This text has undoubted importance to modern Chinese literature and history. In particular, it reveals Mao's views on such questions as the relationship between writers or works of literature and their audience, or the nature and value of different kinds of literary products. In this translation and commentary, Bonnie S. McDougall finds that Mao was in fact ahead of many of his critics in the West and his Chinese contemporaries in his discussion of literary issues. Unlike the majority of modern Chinese writers deeply influenced by Western theories of literature and society (including Marxism), Mao remained close to traditional patterns of thought and avoided the often mechanical or narrowly literal interpretations that were the hallmark of Western schools current in China in the early twentieth century. Many of the detailed discussions on the "Talks" in the West have been concerned with their political and historical significance. However, since Mao is a literary figure of some importance in twentieth-century China, McDougall finds it worthwhile to follow up his published remarks on the nature and source of literature and the means of its evaluation. By better understanding the complex and revolutionary ideas contained in the "Talks," McDougall suggests we may acquire the necessary analytical tools for a more fruitful investigation into contemporary Chinese literature.

English literature --- Mao, Zedong,

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Victorian Alchemy explores nineteenth-century conceptions of ancient Egypt as this extant civilisation was being ?rediscovered? in the modern world. With its material remnants somewhat paradoxically symbolic of both antiquity and modernity (in the very currentness of Egyptological excavations), ancient Egypt was at once evocative of ancient magical power and of cutting-edge science, a tension that might be productively conceived of as ?alchemical?. Allusions to ancient Egypt simultaneously lent an air of legitimacy to depictions of the supernatural while projecting a sense of enchantment onto representations of cutting-edge science.0Examining literature and other cultural forms including art, photography and early film, Eleanor Dobson traces the myriad ways in which magic and science were perceived as entwined, and ancient Egypt evoked in parallel with various fields of study, from imaging technologies and astronomy, to investigations into the electromagnetic spectrum and the human mind itself. In so doing, counter to linear narratives of nineteenth-century progress, and demonstrating how ancient Egypt was more than a mere setting for Orientalist fantasies or nightmares, the book establishes how conceptions of modernity were inextricably bound up in the contemporary reception of the ancient world, and suggests how such ideas that took root and flourished in the Victorian era persist to this day.

English literature. --- Egyptology --- Supernatural. --- History

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This collection focuses on the legacy of Old English poetry and includes new interpretations of works such as Exeter Book Riddle 5, which provides an enduring legacy of social critique crafted through humor; the three manuscripts that contain the Solomon and Saturn dialogues, which reveal a shift in the use of poetry over time; Fates of the Apostles in which a previously unseen eighth rune is semiotically operative along with Cynewulf's signature; The Wife's Lament, in which the cave occupied by the wife has its archeological antecedents in early medieval rock-cut buildings; The Ruin, in which both the poem's text and the silent spaces of wyrd's traces are inscribed upon the material manuscript; the history of the reception of the riddles, which is instrumental in inspiring one of the acknowledged classic ghost stories of the twentieth century; tears and weeping in the whole corpus of Old English literature; and Beowulf, in which the figures of the stag and wolf play an important role in the thematic design of the poem but have not been examined before. The reprint is prefaced with a detailed account of the scholarly contributions to Old English studies by John D. Niles.

English poetry. --- English poetry --- English literature

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You are not alone! BlueBoard is an online community for people concerned about mental health problems including depression, bipolar disorder, anxiety, eating disorders, borderline personality and related disorders. There are forums for people working on their own recovery and for friends and family members. The aim of BlueBoard is to enable people to reach out and both offer and receive help. BlueBoard is free, anonymous and available at any time from around the world. The delivery of BlueBoard is supported by funding from the Australian Department of Health.

English Literature --- English --- Languages & Literatures --- Australian poetry --- Australian literature

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The first sustained study of girls and girlhood in early modern literature and culture Jennifer Higginbotham makes a persuasive case for a paradigm shift in our current conceptions of the early modern sex-gender system. She challenges the widespread assumption that the category of the 'girl' played little or no role in the construction of gender in early modern English culture. And she demonstrates that girl characters appeared in a variety of texts, from female infants in Shakespeare's late romances to little children in Tudor interludes to adult 'roaring girls' in city comedies. This monograph provides the first book-length study of the way the literature and drama of the sixteenth and seventeenth centuries constructed the category of the 'girl'. Key Features. * Charts the emergence of the word 'girl' into early modern English and its evolution from a gender-neutral term applied to both male and female children to one used only for female individuals * Challenges the misconception that girls were largely absent from English Renaissance literature * Offers a literary history of female child characters in Renaissance drama, from Tudor interludes to the plays of Shakespeare and his contemporaries to later seventeenth-century closet dramas * Features an examination of how women writers described their own girlhoods Keywords. Girls, Girlhood, Renaissance, Early Modern England, Gender, Sexuality, Shakespeare, Children, Childhood, Femininity, Women Writers.

English literature --- Characters and characteristics. --- History and criticism. --- Shakespeare, William,