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La céramique à paroi fine fait partie des groupes céramiques les mieux représentés dans les contextes archéologiques d’époque romaine, plus particulièrement dans ceux compris entre le IIe siècle av. J.-C. et le IIe siècle ap. J.-C.. Caractéristique de la romanisation, on la retrouve dans l’ensemble de la Péninsule italique et des territoires conquis. Sans pouvoir être regroupée sous une définition technique univoque, elle désigne principalement des vases à boire dont le répertoire morphologique se met en place dans la seconde moitié du IIe siècle av. J.-C. Sur la base de découvertes particulièrement abondantes, son émergence a été localisée en Étrurie méridionale. Fondée par Tarquinia, la cité étrusco-romaine de Musarna se trouve au centre de cette région et la vingtaine de campagnes de fouilles menée par l’École Française de Rome a permis de mettre au jour une importante quantité de céramique à paroi fine, particulièrement bien conservée. Son étude, qui sera suivie de celles notamment des céramiques à vernis noir et des céramiques communes, a semblé pertinente afin de mieux définir la vaisselle d’Étrurie romaine, dont les caractéristiques typologiques sont parmi les plus influentes dans l’ensemble du monde romain. Le corpus de Musarna a ainsi été quantifié, caractérisé techniquement et il été possible de construire une typologie afin de suivre son évolution et sa diffusion. À la lumière des découvertes les plus récentes et d’études typologiques parallèles, les questions de l’émergence du groupe et de sa fonction ont également pu être à nouveau abordées. L’étude a par ailleurs mis en évidence l’hétérogénéité de sa production et de sa diffusion en Étrurie, et plus largement dans la partie tyrrhénienne de l’Italie centrale dont les différences apparaissent comme le timide reflet de singularités productives et commerciales des différents territoires qui composent cette région.

E-books --- Ceramiche romane - Etruria --- Vasi romani - Etruria --- Scavi archeologici - Italia - Musarna --- Archaeology --- archéologie --- Étrusques --- céramique fine --- Ceramiche romane --- Vasi romani --- Scavi archeologici

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New insights on the reception of Etruscan antiquity in the modernist period."L'Étrurie est à la mode", French archaeologist Salomon Reinach bluntly stated in 1927. Since the beginning of the nineteenth century, Etruria had not only been attracting the attention of archaeologists and specialists of all sorts, but it had also been a fascinating and, in some cases, captivating destination for poets, novelists, painters and sculptors from all over Europe. This volume deals with the impact of the constantly expanding knowledge on the Etruscans and their mysterious civilisation on Italian, French, English, and German literature, arts and culture, with particular regard to the modernist period (1890-1950). The volume brings a distinctive point of view to the subject by approaching it from an interdisciplinary and comparative perspective, and by looking at a quite diverse range of topics and artefacts, which includes, but is not limited to, the study of drawings, art works, travel essays, novels, cooking recipes, schoolbooks, photographs, and movies.By exploring a new paradigm to understand ancient cultures, beyond the traditional ideas and models of "reception of the classics", and by challenging the alleged fracture between the so-called "two cultures" of humanities and natural sciences, Modern Etruscans will be of interest to scholars from various disciplines. Designed as a learning tool for university courses on the interplay between literature and science in the twentieth century, it is suited as recommended reading for students in the humanities.Contributors: Francesca Orestano (Università degli Studi di Milano), Chiara Zampieri (KU Leuven), Bart Van den Bossche (KU Leuven), Lisa C. Pieraccini (University of California, Berkeley), Martin Miller (Italienisches Kulturinstitut Stuttgart), Marie-Laurence Haack (Université de Picardie Jules Verne), Gennaro Ambrosino (University of Warwick), Martina Piperno (Durham University), Andrea Avalli (Scuola Superiore di Studi Storici di San Marino).Ebook available in Open Access.
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Etruria --- Antiquities. --- Civilization. --- Arts --- Archaeology --- Literature --- Antiquity --- Reception --- Etruscology --- Etruscans --- Modernism --- Reception of antiquity --- Social Science / Archaeology --- Art / History / Ancient & Classical --- Social science. --- Art --- Art, Classical. --- Arts, Ancient. --- Arts. --- Archaeology.

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Biography of Gaius Cilnius Maecenas. Although Maecenas is now known primarily as a patron of the arts, he was also the right arm of Augustus, and he played a fundamental political role in the period of the Triumvirate. This work seeks to describe the place of Maecenas as an individual in the society of his time, without treating him as an example or a model, without isolating him from the social frameworks that established his position, nor losing him in the confused mass of societal movements over his lifetime. A study of the social personality constructed by Maecenas, mainly based on an Etruscan ancestry that he largely reworked, places him as an individual within a larger trend of revaluing local identities in Italy, encouraged by Augustus in order to serve the Conjuratio Italiae, on which he based his authority. This work attempts to restore the place of Maecenas not at the heart of a literary circle, but at the intersection of many networks of intellectual, political, and geographic affinities. Through a study of the different facets of a man immersed in the movements that profoundly transformed Rome, we may better understand the rise of Roman imperial society.

Maecenas, Gaius Cilnius, --- Influence. --- Rome --- Etruria --- Etrurie --- History --- Politics and government --- Relations --- Histoire --- Politique et gouvernement --- Influence (Literary, artistic, etc.) --- International relations. --- Politics and government. --- 30 B.C.-68 A.D. --- Europe --- Rome (Empire) --- International relations --- Political Science --- République romaine --- politique et gouvernement --- Mécène --- History of ancient world to ca. 499 --- History of Rome and Lazio Region

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The volume contains 93 objects originating from workshops of the East Greek Area, the island of Cyprus, the Greek homeland and the Western Mediterranean like South Italy or Etruria.The pieces are shown to a large extent for the first time. Among the geometric pottery a fragment of a monumental crater of the Dipylon workshop is particularly noteworthy, among the Corinthian pottery two large alabastra of the Luxus-group emerge, but the Attic red-figure style is represented as the most prominent by a hydria of the Berlin painter.

Vases, Ancient --- Vases --- Containers --- Urns --- Universität Graz. --- Kunsthistorisches Museum Wien. --- Vases antiques --- Catalogs --- Catalogues --- Catalogs. --- Corpus Vasorum Antiquorum --- vases --- vessels --- pottery --- ceramics --- Bronze Age --- antiquity --- Greece --- Italy --- Cyprus --- Athens --- Attica --- Boeotia --- Etruria --- Campania --- Apulia --- Sicily --- University of Graz --- Austria --- Vasen --- Gefäße --- Keramik --- Bronzezeit --- Antike --- Griechenland --- Italien --- Zypern --- Athen --- Attika --- Böotien --- Etrurien --- Kampanien --- Apulien --- Sizilien --- Universität Graz --- Österreich --- Kerameikos --- Lekythos --- Malerei --- Kunsthistorisches museum (vienne). antikensammlung --- Céramique grecque --- Vases à figures rouges --- Autriche --- Vienne (autriche)