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The Neolithic Cemetery at Tell el-Kerkh is the second volume of the final reports on the excavations at Tell el-Kerkh, northwest Syria. The 12-year field campaigns at Tell el-Kerkh yielded several unexpected archaeological findings. The existence of the oldest cultural deposits from the early Pre-Pottery Neolithic B period (c. 8700-8300 BC) in northwestern Syria was revealed. The investigations also revealed that several large and complex societies had existed from the late Pre-Pottery Neolithic B to the middle Pottery Neolithic periods (c. 7600-6000 BC). One of the most conspicuous findings of the excavations at Tell el-Kerkh was the discovery of a Pottery Neolithic cemetery dating between c. 6400 and 6100 BC, which makes it one of the oldest outdoor communal cemeteries in West Asia. This book focuses specifically on this cemetery. It reports the discovery of over 240 burials and discusses the process of the formation and development of the cemetery. Initially used for traditional house burials in a corner of the settlement, the cemetery eventually became a graveyard that was physically separated from the residential buildings and consisted only of graves. In other words, burials that were deeply related to each house developed into an outdoor communal cemetery of the settlement. The Kerkh Neolithic cemetery was a precursor to the wider development of communal cemeteries in West Asia, and its investigation provides us with a deeper understanding of Neolithic society in West Asia.

Arqueologia funerària --- Excavacions arqueològiques --- Arqueologia --- Excavacions (Arqueologia) --- Ruïnes --- Ciutats desaparegudes, en ruïnes, etc. --- Arqueologia de la mort --- Mort --- Ritus i cerimònies fúnebres --- Tombes --- Restes humanes (Arqueologia) --- Excavacions --- Kerkh, Tell el- (Síria) --- Neolithic period --- Cemeteries --- Excavations (Archaeology) --- History. --- Burial grounds --- Burying-grounds --- Churchyards --- Graves --- Graveyards --- Memorial gardens (Cemeteries) --- Memorial parks (Cemeteries) --- Memory gardens (Cemeteries) --- Necropoleis --- Necropoles --- Necropoli --- Necropolises --- Burial --- Death care industry --- New Stone age --- Stone age

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Après avoir compté au nombre des pionniers de l'archéologie médiévale rurale en France, l'auteur en est devenu le spécialiste internationalement reconnu. Cet ouvrage regroupe une vingtaine d'études consacrées aux divers aspects archéologiques du village et de la maison rurale, accompagnées d'une importante bibliographie mise à jour. Il fait ainsi le point sur une trentaine d'années de recherches historiques et archéologiques consacrées à ce thème, et propose une reconstitution à la fois rigoureuse et suggestive du monde rural dans la France médiévale. Les résultats des enquêtes présentées ici sont fondés essentiellement sur l'examen des traces matérielles recueillies dans le sol, notamment à l'occasion des quinze campagnes de fouilles menées sur le site du village bourguignon de Dracy (Côte-d'Or, com. de Baubigny).

Antiquities [Medieval ] --- Antiquités médiévales --- Archaeology [Medieval ] --- Archeologie [Middeleeuwse ] --- Archéologie médiévale --- Medieval antiquities --- Medieval archaeology --- Middeleeuwse archeologie --- Middeleeuwse oudheden --- Oudheden [Middeleeuwse ] --- Villages --- Europe --- History --- Rural development --- Extinct cities --- Dwellings --- Architecture, Domestic --- Excavations (Archaeology) --- Villes disparues, en ruines, etc --- Habitations --- Villas --- Fouilles (Archéologie) --- Antiquities. --- Architecture, Domestic. --- Dwellings. --- Excavations (Archaeology). --- Extinct cities. --- Villages. --- Villes médiévales --- Maisons rurales --- Constructions rurales --- Histoire --- To 1500. --- France --- France. --- Antiquités. --- campagne --- maison rurale --- archéologie médiévale --- village --- espace rural

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Paulson retrieves an aesthetics that had strong support during the eighteenth century but has been obscured both by the more dominant academic discourse of Shaftesbury (and later Sir Joshua Reynolds) and by current trends in art and literary history. Arguing that the two traditions comprised not only painterly but also literary theory and practice, Paulson explores the innovations of Henry Fielding, John Cleland, Laurence Sterne, and Oliver Goldsmith, which followed and complemented the practice in the visual arts of Hogarth and his followers. In The Beautiful, Novel, and Strange Ronald Paulson fills a lacuna in studies of aesthetics at its point of origin in England in the 1700s. He shows how aesthetics took off not only from British empiricism but also from such forms of religious heterodoxy as deism. The third earl of Shaftesbury, the founder of aesthetics, replaced the Christian God of rewards and punishments with beauty - worship of God, with a taste for a work of art. William Hogarth, reacting against Shaftesbury's "disinterestedness," replaced his Platonic abstractions with an aesthetics centered on the human body, gendered female, and based on an epistemology of curiosity, pursuit, and seduction. Paulson shows Hogarth creating, first in practice and then in theory, a middle area between the Beautiful and the Sublime by adapting Joseph Addison's category (in the Spectator) of the Novel, Uncommon, and Strange.

Litterature et societe --- Art et litterature --- Roman anglais --- Litterature anglaise --- Esthetique --- Esthetica. --- Letterkunde. --- Engels. --- Literature and society. --- Fiction --- English fiction. --- Art and literature. --- Aesthetics, British. --- Literature and society --- Aesthetics, British --- Art and literature --- English fiction --- Histoire et critique. --- Technique. --- History --- History and criticism. --- 1700-1799 --- Great Britain. --- Visual arts --- Aesthetics --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Literature --- Fiction writing --- Metafiction --- Writing, Fiction --- Authorship --- Aesthetics, English --- British aesthetics --- English aesthetics --- English literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Social aspects --- Art, Théorie de l' --- Art --- Arts --- Contribution à l'esthétique --- Et l'esthétique --- Philosophie des arts --- Théorie artistique --- Théorie de l'art --- Théories artistiques --- Critique et interprétation --- Culture visuelle --- Esthétique --- Esthétique et droit --- Esthétique et morale --- Académisme --- Allusion --- Apollinien et dionysiaque --- Architecture --- Art pour l'art --- Auteur (esthétique) --- Authenticité (art) --- Avant-garde (esthétique) --- Beau (esthétique) --- Beauté féminine (esthétique) --- Camp (style) --- Catharsis --- Cinéma --- Comique --- Contemporanéité (esthétique) --- Création (esthétique) --- Déformation (esthétique) --- Dernières oeuvres --- Détails (philosophie) --- Dilettantisme (esthétique) --- Dimension (esthétique) --- Double (esthétique) --- Douceur --- Échelle (ordre de grandeur) --- Éclectisme (esthétique) --- Élégance --- Ellipse (esthétique) --- Empathie (esthétique) --- Entre-deux (esthétique) --- Épique (esthétique) --- Esthétique anarchiste --- Esthétique communiste --- Esthétique comparée --- Esthétique environnementale --- Esthétique fasciste --- Esthétique marxiste --- Esthétique national-socialiste --- Fantastique --- Fin de siècle (esthétique) --- Flou (esthétique) --- Force (esthétique) --- Forme (esthétique) --- Goût (esthétique) --- Grâce (esthétique) --- Grandiose (esthétique) --- Grotesque --- Harmonie (esthétique) --- Humour --- Imaginaire (philosophie) --- Imagination (philosophie) --- Immobilité (esthétique) --- Improvisation (esthétique) --- Informe (esthétique) --- Insignifiance (esthétique) --- Inspiration --- Ironie --- Jeu (philosophie) --- Jugement esthétique --- Kitsch --- Laideur --- Légèreté --- Littérature --- Médiévisme (esthétique) --- Modernisme (esthétique) --- Montage (esthétique) --- Mouvement (esthétique) --- Musique --- Nature (esthétique) --- Nouveauté --- Objet (esthétique) --- Orientalisme --- Originalité (esthétique) --- Peinture --- Pittoresque --- Poïétique --- Post-postmodernisme --- Postmodernisme --- Premières oeuvres --- Provocation (esthétique) --- Répétition (esthétique) --- Représentation (esthétique) --- Reste (esthétique) --- Ruines (esthétique) --- Rythme --- Silence (philosophie) --- Simultanéité (esthétique) --- Spectaculaire --- Stimmung --- Style --- Sublime --- Théâtre --- Tradition (philosophie) --- Transgression --- Valeurs (philosophie) --- Vulgarité --- Wabi-sabi --- Philosophie --- Littérature et art --- Littérature et arts plastiques --- Littérature et beaux-arts --- Littérature et peinture --- Littérature et sculpture --- Peinture et littérature --- Poésie et art --- Poésie et peinture --- Poésie et sculpture --- Sculpture et littérature --- Critique d'art --- Architecture et littérature --- Cubisme et littérature --- Ekphrasis --- Littérature et photographie --- Ut pictura poesis (esthétique) --- Arts et littérature --- Société et littérature --- Femmes et littérature --- Littérature et géographie --- Littérature postcoloniale --- Sociologie de la littérature --- Vie littéraire --- Féminisme et littérature --- Institution littéraire --- Psychologie sociale et littérature --- Histoire --- Aspect religieux --- Philosophie et esthétique --- Aspect social --- Esthétique et religion