Listing 1 - 3 of 3 |
Sort by
|
Choose an application
In this Open Access book, film scholar Rasmus Greiner develops a theoretical model for the concept of the histosphere to refer to the “sphere” of a cinematically modelled, physically experienceable historical world. His analysis of practices of modelling and perceiving, immersion and empathy, experience and remembering, appropriation and refiguration, combine approaches from film studies, such as Vivian Sobchack’s phenomenology of film experience, with historiographic theories, such as Frank R. Ankersmit’s concept of historical experience. Building on this analysis, Greiner examines the spatial and temporal organization of historical films and presents discussions of mood and atmosphere, body and memory, and genre and historical consciousness. The analysis is based around three historical films, spanning six decades, that depict 1950s Germany: Helmut Käutner’s Sky Without Stars (1955), Jutta Brückner’s Years of Hunger (1980), and Sven Bohse’s three-part TV series Ku’damm 56 (2016).
Film, TV & radio --- History --- Film theory & criticism --- Screen Studies --- History, general --- Film Theory --- Film Studies --- Histosphere --- Historical Film --- Phenomenology of Film --- Historical Experience --- Audiovisual --- Historical Worlds --- Open Access --- Performing arts --- Historiography --- Film history, theory & criticism
Choose an application
This book is open access under a CC-BY licence. Part of the AHRC/British Library Academic Book of the Future Project, this book interrogates current and emerging contexts of academic books from the perspectives of thirteen expert voices from the connected communities of publishing, academia, libraries, and bookselling.
Scholarly publishing --- Academic writing --- Open access publishing --- Textbooks --- Book Studies & Arts --- Education --- Social Sciences --- Authorship --- School-books --- Schoolbooks --- Text-books --- Open access to research --- Research, Open access to --- Learned writing --- Scholarly writing --- Academic publishing --- Culture --- Motion pictures and television. --- Books --- Cultural and Media Studies. --- Film and Television Studies. --- History of the Book. --- Study and teaching. --- History. --- Moving-pictures and television --- Television and motion pictures --- Television --- Cultural studies --- Scholarly publishing. --- Open access publishing. --- Academic writing. --- Authorship. --- Textbook writing --- Electronic publishing --- Publishers and publishing --- Books-History. --- Screen Studies. --- Books—History. --- Literature --- Pedagogy/Teaching --- Organisations and Institutions --- General --- Society --- Culture and Education --- Higher Education
Choose an application
Actors and the Art of Performance: Under Exposure combines the author's two main biographical paths: her professional commitment to the fields of both theatre and philosophy. The art of acting on stage is analysed here not only from the theoretical perspective of a spectator, but also from the perspective of the actor. The author draws on her experience as both a theatre actor and a university professor whose teachings in the art of acting rely heavily on her own experience and also on her philosophical knowledge. The book is unique not only in terms of its content but also in terms of its style. Written in a multiplicity of voices, the text oscillates between philosophical reasoning and narrative forms of writing, including micro-narratives, fables, parables, and inter alia by Carroll, Hoffmann and Kleist. Hence the book claims that a trans-disciplinary dialogue between the art of acting and the art of philosophical thinking calls for an aesthetical research that questions and begins to seek alternatives to traditionally established and ingrained formats of philosophy.
Didactics of the arts --- theater --- cultuur --- Theatrical science --- Sociology of culture --- Culture --- Theater. --- Acting --- Performance arts. --- Theatre --- Cultural and Media Studies. --- Theatre and Performance Studies. --- Study and teaching. --- Philosophy. --- Performance art. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Performing arts --- Actors --- Cultural studies --- Arts, Modern --- Happenings (Art) --- Motion picture authorship. --- Motion pictures and television. --- Philosophy (General). --- Performing arts. --- Screenwriting. --- Screen Studies. --- Philosophy, general. --- Performing Arts. --- Show business --- Arts --- Performance art --- Moving-pictures and television --- Television and motion pictures --- Television --- Film authorship --- Film-making (Motion pictures) --- Film scriptwriting --- Filmmaking (Motion pictures) --- Motion picture plays --- Motion picture scriptwriting --- Motion picture writing --- Motion pictures --- Movie-making --- Moviemaking --- Moving-picture authorship --- Screen writing --- Screenplay writing --- Screenwriting --- Scriptwriting, Film --- Scriptwriting, Motion picture --- Authorship --- Screenwriters --- Play-writing --- Mental philosophy --- Humanities --- Performing Arts --- Artistic Research --- Arts-based-Philosophy --- Philosophy On Stage --- Performance Philosophy --- Schauspieler --- Theater --- Philosophie --- Korporale Performanz --- Künstlerische Forschung --- Theaterwissenschaft --- Kunst --- Actor --- Friedrich Nietzsche
Listing 1 - 3 of 3 |
Sort by
|