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This book is the result of a multidisciplinary work on the languages of the city, which is the proposed theme of the conference organized at Istanbul University (CongIST’2019). It testifies to the diversity of reflections and studies as depicted by the breadth and depth of the work presented herein. The volume, which brings together 21 articles, offers a general overview of the city as conceived, observed, experienced, imagined, discursivized, heard, and perceived by its inhabitants through administrative, political, economic, cultural, artistic, and esthetic bodies. The first part entitled City as a signifying space brings together seven semiotic articles that demonstrate how the city is organized as a space to practice, to live, and, therefore, to make signified; J. Fontanille, D. Bertrand, P. Basso-Fossali, E. Mouratidou, J. Thiburce, and D. Tsala Effa approach the city from its various aspects; each article offers a semiotic reflection on the organization of meaning in and for the city. The second part address the apprehension of the city in social and political discourses. Under the general title The city as a political and social actor, I. Klock-Fontanille, D. Öztin Passerat, N. Öztokat Kılıçeri, A. Djeghar and A. Djeghar, I. Arkhis, and A. Balcou present the plurality of socio-policies woven across the city to address the balance of power that govern socio-discursive systems. The third part, namely, Poetics, aesthetics and city writing, brings together articles that offer various analyses of urban esthetics on literary and cinematographic works. B. Westphal, A. Lévy, A. Kıran, S. Gürses Şanbay, S. M’Selmi, B. Karslı, S. Bankır Mesçioğlu, and Ç. Yılmaz begin with cinematographic and literary works to depict and analyze the development of the city by the authors. Researchers in the social sciences and in the sciences of language gathered herein question the presence of the city in a multiplicity of aspects that are as diverse as possible. Furthermore, they invite readers to new avenues of reflection and research on the city, which is a familiar yet distant space. Le présent ouvrage est issu d’un travail pluridisciplinaire sur les langages de la ville proposés comme thème du colloque organisé à l’Université d’Istanbul (CongIST’2019). Il témoigne de la diversité des réflexions et des études comme nous le montrent l’étendue et l’ampleur des travaux ci-présents. Le volume qui réunit 21 articles propose un aperçu général sur la ville telle qu’elle est conçue, observée, vécue, imaginée, discursivisée, entendue, perçue par ses habitants à travers les instances administratives, politiques, économiques, culturelles, artistiques, esthétiques. La première partie intitulée Ville comme espace signifiant réunit sept articles sémiotiques qui montrent comment la ville s’organise comme espace des pratiques, de la vie, bref de la signifiance; J. Fontanille, D. Bertrand, P. Basso-Fossali, E. Mouratidou, J. Thiburce et D. Tsala Effa abordent la ville sous ses divers aspects ; chacun des articles propose une réflexion sémiotique sur la manière dont le sens s’organise dans et pour la ville. La deuxième partie traite de l’appréhension de la ville dans le discours social et politique. Sous le titre général de La ville comme acteur politique et social, I. Klock-Fontanille, D. Öztin Passerat, N. Öztokat Kılıçeri, A. Djeghar et A. Djeghar, I. Arkhis et A. Balcou traitent de la pluralité relations socio-politiques tissées à travers la ville pour aborder le rapport de forces régissant les systèmes socio-discursifs. La troisième partie de cet ouvrage, Poétique, esthétique et écriture de la ville regroupe les articles proposant des analyses de l’esthétique urbaine dans les œuvres littéraires et cinématographiques. B. Westphal, A. Lévy, A. Kıran, S. Gürses Şanbay, S. M’Selmi, B. Karslı, S. Bankır Mesçioğlu et Ç. Yılmaz partent des ouvrages cinématographiques et littéraires pour montrer et analyser la mise en valeur de la ville chez les auteurs. Les chercheurs en sciences sociales et en sciences du langage ici réunis interrogent la présence de la ville sous une multiplicité d’aspects si divers que possible ; et invitent le lecteur aux nouvelles pistes de réflexion et de recherche sur la ville qu’est cet espace à la fois familier et lointain.

Cultural studies

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Durante el confinamiento producido por la pandemia de la Covid-19, las redes sociales jugaron un papel predominante dentro del ecosistema mediático. Plataformas emergentes como TikTok recibieron un impulso inesperado respecto al número de usuarios registrados y frecuencia de uso. La versatilidad de TikTok ha permitido que se diversifiquen sus propósitos siendo utilizada más allá del entretenimiento, enfocándose hacia fines comerciales políticos y educativos. Además de una visión panorámica de TikTok desde la perspectiva comunicativa, esta publicación incluye reflexiones sobre los medios de comunicación en pandemia, sus vulnerabilidades, amenazas y problemáticas -desinformación, infoxicación y noticias falsas- en un debate que busca prevenir su reiteración en futuras situaciones de crisis.

Media studies

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This book is on four plays by John von Düffel, Peter Handke, and Franz Xaver Kroetz. The texts show a new understanding of direction and leadership, which is no longer related to hierarchical structured principles of organisation and to determining conceptions of planning and controlling.

theater studies

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As marketing specialists know all too well, our experience of products is prefigured by brands: trademarks that identify a product and differentiate it from its competitors. This process of branding has hitherto gained little academic discussion in the field of literary studies. Literary authors and the texts they produce, though, are constantly 'branded': from the early modern period onwards, they have been both the object and the initiator of a complex marketing process. This book analyzes this branding process throughout the centuries, focusing on the case of the Netherlands. To what extent is our experience of Dutch literature prefigured by brands, and what role does branding play when introducing European authors in the Dutch literary field (or vice versa)? By answering these questions, the volume seeks to show how literary scholars can account for the phenomenon of branding.

Branding, Literary Studies, Literary Institutions, Translation Studies, Reception Studies

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“Jolly fellows,” a term that gained currency in the nineteenth century, referred to those men whose more colorful antics included brawling, heavy drinking, gambling, and playing pranks. Reforms, especially the temperance movement, stigmatized such behavior, but pockets of jolly fellowship continued to flourish throughout the country. Richard Stott scrutinizes and analyzes this behavior to appreciate its origins and meaning. Stott finds that male behavior could be strikingly similar in diverse locales, from taverns and boardinghouses to college campuses and sporting events. He explores the permissive attitudes that thrived in such male domains as the streets of New York City, California during the gold rush, and the Pennsylvania oil fields, arguing that such places had an important influence on American society and culture. Stott recounts how the cattle and mining towns of the American West emerged as centers of resistance to Victorian propriety. It was here that unrestrained male behavior lasted the longest, before being replaced with a new convention that equated manliness with sobriety and self-control.Even as the number of jolly fellows dwindled, jolly themes flowed into American popular culture through minstrelsy, dime novels, and comic strips. Jolly Fellows proposes a new interpretation of nineteenth-century American culture and society and will inform future work on masculinity during this period.

Gender studies: men --- Gender studies: men & boys