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L'âge d'or du totémisme : Histoire d'un débat anthropologique, 1887-1929
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ISBN: 2271061164 2735109941 2271078105 2735119009 9782271078100 9782271061164 9782735109944 Year: 2003 Volume: *4 Publisher: Paris : Editions de la Maison des Sciences de l'Homme,

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Abstract

Le totémisme fut l'objet, il y a cent ans, du plus grand débat anthropologique de tous les temps. Cette notion clé de la théorie évolutionniste tomba par la suite en désuétude, en attendant le coup de grâce que lui donna Lévi-Strauss dans Le Totémisme aujourd'hui. Or, elle fut essentielle à l'avènement de l'ethnologie moderne. Des figures comme Franz Boas, Émile Durkheim, Malinowski ou Radcliffe Brown entrèrent en dialogue avec les auteurs évolutionnistes qui avaient lancé la discussion, en particulier l'Écossais James Frazer, auteur du célèbre Rameau d'or. Totemism was the subject, a hundred years ago, of the greatest anthropological debate of all time. This key notion of evolutionary theory subsequently fell into disuse, pending the final blow that Levi-Strauss gave it in Totemism Today. However, it was essential to the advent of modern ethnology. Figures like Franz Boas, Émile Durkheim, Malinowski or Radcliffe Brown entered into dialogue with the evolutionary authors who had initiated the discussion, in particular the Scotsman James Frazer, author of the famous Golden Branch.


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Art, Shamanism and Animism
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Year: 2022 Publisher: Basel MDPI - Multidisciplinary Digital Publishing Institute

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Art, shamanism, and animism are mutable, contested terms which, when brought together, present a highly charged package. Debates around these three terms continue to generate interest and strong opinions in the first decades of the twenty-first century. The editors recognise the urgency to explore them together in an unprecedented exercise which, to date, has only been attempted with reference to selected disciplines, periods, or regions. The contributors to this collection reignite debates around the status of ‘things’ identified as ‘art’ through the lens of theories drawn from new materialism, new animism, and multi-species and relational thinking. They are concerned with how and when art-like things may exceed conventional understandings of ‘art’ and ‘representation’ to fully articulate multiple scenarios or ‘manifestations’ in which they interface with academic discourses around animism and shamanism. The authors put in sharp focus the materiality of art-things while stressing their agentive, emotive, and performative aspects, looking beyond their appearances to what they do and who they may be or become in their dealings with diverse interlocutors. The contributors are united in their recognition that things and images are deeply entangled with how different communities, human and other-than-human, experience life, shifting attention from an obsolete concept of worldview to how reality is perceived through all the senses, in all its aspects, both tangible and intangible.

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