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Une analyse systématique des Variations pour piano op. 27 d'A. Webern, selon la conception tripartite de la sémiologie musicale. Avec les résultats de la première entreprise expérimentale visant à élucider comment ces Variations ont été perçues par le public.
Composers --- Music --- Compositeurs --- Musique --- Webern, Anton, --- Webern, Anton --- Muziek --- Semiotiek
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Webern, Anton --- -Webern, Anton --- Webern, Anton, --- -Von Webern, Anton --- Composers --- -526 --- Songwriters --- Correspondence --- Monografieën componisten --- Criticism and interpretation --- Musicians --- Von Webern, Anton --- Correspondence. --- Criticism and interpretation. --- -526.10 --- Monografieën componisten en uitvoerders - Biografieën, Stijl- en oeuvrebesprekingen --- Webern, Anton.
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Music --- anno 1900-1909 --- Vienna --- Second Viennese school (Group of composers) --- New Vienna school (Group of composers) --- Schoenberg school (Group of composers) --- Second Vienna school (Group of composers) --- Vienna school (Group of 20th-century composers) --- Viennese school, Second (Group of composers) --- Young Viennese school (Group of composers) --- Second Viennese school (Group of composers). --- 78.29.1 --- Esthetica --- Art nouveau --- Schoenberg, Arnold (1874-1951) --- Webern, Anton --- Berg, Alban (1885-1935) --- 20e eeuw --- Oostenrijk
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